vocals.






https://parachute.bandcamp.com/album/pitiparti

Sounds and the like: Low Low Low La La La Love Love Love, Jatun, Small Sails, Sneaky Thieves, Fessenden, Glowworm, Baja, Dot Tape Dot, Dokkemand, Black Feather, João Orecchia, Lanterns, Gultskra Artikler, Hess/Tilmann, Male, Tallest Trees, Bacanal Intruder, Motèl Mari, Holly Hunt, Giulio Aldinucci, Dim Past, Givan Lötz, Fsik Huvnx, Yankee Roses, Treasure Teeth, Sicker Man, Dino Felipe, AUDIOID, dsrtdbch, SAAVIK, the divided body.

Archival Feedback’s working experimental practice integrates wide-ranging field studies with art and the study of the landscape, charting the environment, and exploring place through a holistic framework.  AF contextualizes the fieldwork through sound media and mediums, using these to create experiences that encounter and immerse into the acoustic landscape, relating the human spaces to non-human spaces and relationships in ecosystems in an anthropogenic era. We work imperatively towards using sound art to facilitate a more-heightened listening.

Archival Feedback (Emile Milgrim, T. Wheeler Castillo) are artists based in Miami, FL. The duo expands their range through collaboration with artists, musicians, and scientists, working with print-making, video, and installation.

CHROME DICK • Deserted Beach (dsrtdbch) • Ambient Music for No One

Brom Lee is constantly culling something from next-to-nothing. These solo stabbings from Emile Blair Milgrim (Las Nubes, Pookiesmackers, Archival Feedback) are field recordings, found sounds, nano loops, and almost-invisible incidentals chopped & screwed, chewed up & spit out til only the grains remain. Hardware, software, anywhere, they don’t care.

Followers of figurem