Incredibly relaxing and evocative of the Mediterranean. Beautiful

This is actually fantastic. Such a rich soundscape.

Petter Eldh - Bass, Christian Lillinger - Drums, Christopher Dell - Vibraphone, Otis Sandsjö - Tenor, Philipp Gropper - Tenor, Hanna Paulsberg - Tenor, Marcelo Gabard Pazos - Alto, Wanja Slavin - Alto, Francis Fuego - Synth. 
Taken from "Love Declared Disaster Averted" GAL001
7" vinyl, release 17th feb 2014

PETTER ELDH - LOVE DECLARED DISASTER AVERTED

A natural symphony of frogs, insects, frogmouths (a type of nocturnal bird) and a distant Great Argus Pheasant recorded around midnight in Lambir Hills National Park, Sarawak, Malaysia.


Midnight in Borneo's Rainforest

Midnight in Borneo's Rainforest - Sarawak, Malaysia

"E...SOU...A?"

Piece for Balinese Gamelan (Gong Kebyar + Semar Pegulingan) and Choir

Performed by: Narwastu Art Community
Conducted by: Andys Skordis
Composed by: Andys Skordis 2015
Commissioned by Narwastu Art Community

"And If I were to see you...Elsewhere you would be
Lost in the flow of willingness, nowhere to be found...just here waiting..."


"Dan dikala ku mencari mu...dimanakah kau dapat ku temukan
Tenggelam di tengah arus kepasrahan, tak bisa ku dapatkan...ku hanya menunggu di sana..."

"E...SOU...A?"

The piece is about a creature named “Krane”, which refers to a fictional spiritual creature, that has the ability of transforming life to its opposite, in any context or form. 

«Krane, Krane
osculate us...
guide us and show us...
talk to us...
Krane, Oh Krane
From thorns they became petals,
And when you go, you leave behind their scent...
Krane, Krane...»


performed by Trio Zoom
Nordkraft - Aalborg - 8th October 2015

KRA...NE                for Alto Sax, Percussion and piano

Collaboration with architect Maria Methimaki & Poet Mariza Parasyri for Mediterranean bodies exhibition that happened in Athens on the 5th-14th of February, 2016.

Κυματογραφή - Wavescript,  is an interactive composition of sound, words and shapes, all inspired & taken from the Mediterranean!
"We invent a new language tool, a modern script method.. Through narration, sound representation and artistic impression, we build a new code that emphasizes the common aesthetic conformation of the Mediterranean urban space and demonstrates new ways of intimacy and interaction."

Special thanks to Giannis Koutis for playing the oud and also Yael Levy, Petra Serhal, Sébastien Grenat and Raphaël Audebert for the voice recordings. Percussions are sampled from Trio Chemirani album 'Tchechmeh'.

Κυματογραφή - Wavescript_Soundscape composition {2016}

Lush was written in the Winter of 2016 for Wet Ink Ensemble. This piece was conceived as a hybrid between concert music and orchestral film music. As a composer of concert music, the attempt to draw out new ideas from mainstream film music may seem unusual, however, as I began exploring the possibilities provided by commercial sound libraries, sampler instruments, and synths, I was drawn to the idea of retuning these electronic instruments to create an electroacoustic part that fills out and expands the chamber ensemble into a bigger, richer sound.

The majority, if not entirety, of new film scores are produced using samples along with the occasional sprinkling in of a few live performers to heighten a sense of realism. By creating music in this way, the ideal realization of this score may be as a recording, where the precise level between live and sampler instruments can be completely controlled.

A second impetus for using an electronic part made from sampler instruments is to facilitate the performance of precise microtones through pitch matching. This method has allowed me include unusual harmonies and chord changes since the pitches of the live instrumental parts are almost always doubled in the electronics.

Recorded live on April 29th, 2016, at St Peters Church, New York,  by Wet Ink Ensemble with Alex Mincek, conductor. David Adamcyk, recording engineer. Mixed and mastered by Taylor Brook.

www.taylorbrookmusic.com

Lush - for 11 players and electronics (Wet Ink Ensemble)

Without motion, the slides of a film lack animation: every frame depicts a static moment in time, each one isolated from from its surrounding context. As the revolution of the tape reel picks up speed, and the rate of progression from one frame to the next begins to increase, a once-frozen sequence of moments without gesture is gradually transformed into a lush, breathing continuum, and the presence of flowing colour, of life previously imperceptible, is at last revealed: harmony is transformed into melody.

'Freeze-Frame' was commissioned by (and is dedicated to) the percussionist Joby Burgess, through the Sound and Music Portfolio scheme 'Aluminium Music', and was first performed on 8th January 2016 at the National Portrait Gallery, London.

Performed and recorded by Joby Burgess in Bedfordshire, 7th March 2016
Mixed by Danny Bright

Freeze-Frame (2015)

Arve Henriksen - The Plume Of Ash

Angus Gibson's original composition, featuring Jo hardy. 

Will o' the Wisp

"Lullaby" for string orchestra

Composer based in Cyprus_Recently a master's graduate at the Royal Conservatoire of The Hague, pianist_Please contact me to vassilis.ph@gmail.com for further information or to request a score.

Κυματογραφή - Wavescript_Soundscape composition {2016}

Vasileios Filippou

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