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Caetano Veloso - Tom  (Spaniol Remix)

The forth compilation of Frente Bolivarista is inspired on the sounds of Nomade Festival which happened in Halver/Germany in the year of 2016. After a three day journey of fusion music into the woods meeting dozens of great and insipiring people from all over the globe willing to join for the good music and the regionalism behind it, we decided to release a compilation inspired on the artists envolved with the festival and of course some of our all the time artists,

Camila Costa - Ponto Das Caboclas (Carrot Green Acid Edit)

Setup:
CDJ Pionner 350 Mixer Pionner DJM700

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Mama Africa - Chico Cesar  Lagartijeando Edit

Mashup de Candomblé (Matanza, Jaramillo e Bastien) & Obaluaê - Tincoãs (Lagartijeando remix)

Candomblé Obaluaê (Mashup)

Cajueiro

original track by Ilê Aiye and Virgina Rodrigues. Ilê Aiyê is one of the oldest Afro Carnaval parades that happen in Salvador since 1974(Bahia - Brazil) this is an edit of a version with soulful voice by Viriginia Rodrigues, one of my favorite singers from Brazil.

Axé, axé!
Viva a Bahia.

depois que o ilê passar - virginia rodrigues (kurup edit)

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

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02  No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka

Aqui un tributo a una de mis piezas favoritas de la música brasileña. espero les guste este remix que hice del tema Berekeke del gran cantante Geraldo Azevedo.

Geraldo Azevedo - Berekeke (IntiNahual Edit)

An interest in ancestral Latin American cosmology has always run right through the music of Ecuadorian music producer Nicola Cruz. His creative process involves an attentive, careful search for the living roots and rituals that are part of South American identity—its Andean and African origins in particular—valuing its rhythms, its oral traditions, its instruments and the energy they transmit. His first record, Prender el Alma (2015) explored the development of the consciousness and spirituality, and how they connect with music. In Siku, his most recent production, Cruz continues this exploration, expanding his vision towards new stories and other cultures as sources of inspiration. A crucial aspect on this journey is his collaboration with other artists from around the world.

The siku is a wind instrument of Andean origin, highly symbolic in ancestral rituals, made up of two separate, complementary parts, the arca and the ira. It is a representation of duality, an essential element of the indigenous world view, associated with involvement and complementarity, far from the binary thinking typical of western societies. That duality is reflected on this record in the coming together of sounds, whether electronic or organic, past or present, local or global. On Siku, Nicola Cruz combines instruments with symbolic, spiritual connotations, such as the sitar, the siku, and the balafon with hints of electronica. Studies of the samba, cumbia and rhythms of African, Andean and Hindu origin are combined with Cruz’s characteristically unpredictable, mystical style.

Composición, Mezcla y Producción por Nicolá Cruz. 
Mastering: Mathieu Savenay

Voz, Guitarra y Letra: Castello Branco
Bajo: Felipe Torquato
Percusión: Otavio Bontempo
Segunda Guitarra: Francisco Loureiro
Grabación: Renato Navarro 

Dirección de Arte: Orly Anan 
Fotografia: Jesus Zabala 
Diseño: Ventral is Golden

Nicola Cruz- Criançada (con Castello Branco)

Ramiro Musotto - Gwyra mi

Iniciou sua carreira no ano 2000, quando se apaixonou pelo psytrance e então decidiu criar o projeto Global, com o qual se apresentou por quase 6 anos, tocando nas grandes festas da região como Goa Trance, Sunset, Mega, Sunrise, Jungle dividindo o palco com grandes nomes como Astrix, Wrecked Machines , Rica Amaral, etc. em meados de 2006 decidiu embarcar em uma nova empreitada, criando um novo projeto chamado LGF, agora tocando e produzindo Techno, House e vertentes.
Em 2008, dedicando-se mais a produção musical, alcançou uma 14º colocação no Top100 de minimal no Beatport e uma 1º colocação na gravadora PunchUnderground, desde então vem se apresentando nos principais Clubs e festivais do Brasil, como Privilege, Universo Paralelo, Souvision etc.
Em 2015 surge então a ideia de criar um projeto fora dos padrões, o Finesttra, mais voltado para Chill Out e palcos alternativos, um projeto onde nenhum rotulo ou limite seria aceito, onde todas vertentes e gêneros musicais deverão ser usados em busca de uma identidade ímpar.

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Derjoey Powersberg

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