Cheng Daoyuan  - 臨化 Incarnation

Acoustic Improvisations from the deep American south

Written & recorded by Jeremiah M. Carter & Kelby Clark in Townsend, Tennessee, 2020.

VAK48 | Jeremiah Carter & Kelby Clark - Country Music I

DANIELLA LJUNGSBERG - AVIKO KNEW

https://www.nts.live/shows/merzbow/episodes/merzbow-29th-august-2022

Merzbow 310822

L'ampleur du souffle (2020)

To breathe, is to activate a certain space. Short breaths, deep breaths, dying breaths or sensual ones - they evoke variety of features and peculiarities that the breath embodies. Breath is also a precondition of voice, and further, of a spoken word. Paving the path for every physiological and philosophical activity, breath is essential to all we do and all that we are. 
Auditory situations in this piece are fluidly changing from one to another in a constant fluctuation and transfiguration of the musical material. Acoustic spaces inside of which the music is being situated, give room for the sounds to appear, to change and disappear, develop and transform, and inside of these spaces, the ear can swift freely from one sound object to another in a spatial and non-linear listening experience.

Commissioned for the Tingles & Clicks project by the Musikprotokoll 2020 and supported by the program "Creative Europe" of the European Union and SHAPE platform.

The work was presented in ambisonics, binaural and stereo formats. It was composed for an interactive environment, and the sections (structure, duration) were open. This is one of its renderings (structure and format-wise), made for the presentation at Radio Belgrade in 2020.

Presented at Musikprotokoll, Graz, at Radio Belgrade 3, CYNETART festival and Ö1 radio (Zeit-Ton radio show).

L'ampleur du souffle

Drive my car

*VANITY UÑD~H2O* : music / vocals / production / recording by *ICE*
on album SCREAM CLUB, released by MORE Records.

"WE GOT THE ATTENTION OF THE QUEERS THEY LOOKN HERE / FORD WAGON ON A DROP-KIT / CRAWL REAL SLO IN 1ST GEAR / BUMPN BONES THRU THE STEREO W A BLADE IN MY POCKET SO B AWARE..."

CRUCERO DE LA CALLE

Black James, St. Louis, Missouri, USA 2016 :P

morerecords.bandcamp.com/album/scream-club



DL or $5 Cassette Tape

VANITY UÑD~H2O

See here for more info: https://wp.me/pwcbn-kx3

Nima Aghiani, ‘Oucyl’ (2018). Courtesy PTP Recordings, New York.

For Careful #5 Glasgow based solo artist Cucina Povera offers an audio study of the practice of swimming and the socio-architectural dimensions of "the pool". Cucina maintains her minimalist approach to production combining field recordings of water with her own spoken words and sparse, baroque-style delicate synth. At "the pool" where “there’s no sense of rush or competition" Cucina aptly details the ritualistic pleasures she derives from swimming, observation and functionalist design surroundings with multi-dimensional sound work.

Links:
http://cucinapoveraglasgow.bandcamp.com/
https://thequietus.com/articles/23939-cucina-povera-hilja-album-review
https://nightschoolrecords.com/artist/cucina-povera/

#5 Cucina Povera - The Spectrolite Pool

Ellen Arkbro - CHORDS(SUB029)
VINYL pre-order: https://ellenarkbro.bandcamp.com/album/chords

With ‘CHORDS’, the Stockholm-based musician and composer Ellen Arkbro returns to Subtext, following her acclaimed debut album ‘For Organ and Brass’.

This new longplayer sees Arkbro adopt a more minimalist approach, focusing on the immediate qualities of sound and elegantly expanding the tonal capacities of acoustic instruments using precise, subtle synthesis.

Composed of a carefully selected combination of tones, ‘CHORDS’ stretches, extends and obscures the timbral character of the instruments it is performed on.

Across both tracks, Arkbro examines the sonic materiality and harmonic quality of chords. She considers how the compositions occupy space rather than time – transposing theoretical possibilities into the phenomenal realm.

As a part of Arkbro’s systematic investigation of harmonic sound, ‘CHORDS’ proffers a divergence from conventional ways of listening. This work allows for a form of listening which goes beyond the mere reception of outer stimuli in letting the listener experience their role as active, and as embodying the sound itself. Space rather than time becomes the primary locus of listening as subtle movement of head and body reveals the inner complexities of ‘CHORDS’.

@ellenarkbro

CHORDS

Pre-order

Ellen Arkbro - CHORDS For Guitar

3221

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cloudycloudcalculator5000@yahoo.com

VANITY UÑD~H2O

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