Bandcamp

Move D + Benjamin Brunn - Fluff

1. Rancho Relaxo Allstars - Track 5 - DB71
2. Robert Merdzo - D Hale - DB75
3. DJ Hell - Eat My House - DB30
4. Khan + Walker - Schleichfahrt 3 - DB37
5. Jonzon - Cardiological Stomp - DB53
6. DJ Hell - My Life Is Hell - DB20
7. Kirlian - No You Can´t Have It - DB40
8. Robert Goerl - Do It - Let's Boogee - DB68
9. DJ Hell + Jonzon - Bazetoya - DB38
10. I-F - Secret Desire - DB83
11. Unit Moebius - Gyropractor  - DB31
12. Parallax Corporation - Anti Social Tendencies - DB111
13. DJ Hell - Totmacher - DB43 vs. Kirlian - Endorsements - DB65
15. Kirlian - I Know You Should Miss Me! - DB34
16. Artist Unknown - Duesseldorf - DB92
17. Silicon Soul - Every Idiot Knows - DB101 

„Thank you Disko B for the last 23 years of impressive music that moves me. 
This is for you. Maxim" 

Disko B Classics selected and mixed by Maxim von Terentieff

These tracks were entirely made with a KORG MS20 and a Roland SH-101 at the audio studio of the AKI media art department in Enschede. Recorded, mixed and edited by Felix Kubin 1995

Felix Kubin - Vater Muss Die Stube Peitschen

Improvise Live Act with special samples by AI 
Ilya Selikhov, Michal Mitro, KMRU, Symphocat
AI Stage, Gamma Festival, St. Petersburg, Russia.

CDM Review; Peter Kirn
cdm.link/2019/08/making-ai-st…-DzvVLXvBwtXfZUungG4

RedBull Feature: April Clare Welsh
https://www.redbull.com/int-en/how-ai-will-make-everyone-a-musician?fbclid=IwAR24ZUh2GRaFFtGT2o7HSSV9ESnmdmcLTGMu24KoIRDA4sw48IEE8U9doq8

Youtube
www.youtube.com/watch?v=BOKJZ60lLrE

Gamma Festival _AI Improvisation (Live)

"CHILE NO ESTÁ EN GUERRA" v.2
(Various artists)

This song collection is inspired on current events going on in Chile.
The fuel had been spraying for a long time, it only took a little spark that lit everything. The inequality, beyond numbers, is evident, the political class tryed to cover the sun with one finger. Thanks to the small actions of students, many citizens finally opened their eyes.
These days, in the streets of the big cities, violence and repression have affected "normality", but, what is the cost of normality? This is the big question, therefore, the protests have no signs of stopping. One of the main victims of this demonstrations, have been the ones with eye damage.
As we open our eyes, they have tried to blind us.
That is why this composition is for the benefit of them, in words Alisu, Chilean producer behind Modismo and of putting together this record: "We decided that the more direct way to channel this aid is to give it to the young people who have lost their sight in peaceful marches, at the end of pellets fired by the armed forces in charge of the president."

Chile No Está En Guerra

Alisú - Chile Despertó

Artist: Unknown
Title: Amy B2
Label: MASK
Format: 12" Vinyl
Release date: 05/10/20
Purchase: https://www.redeyerecords.co.uk/vinyl/125678-msk07-unknown-amy-

Esoteric German imprint MASK are back with another untitled release featuring six modulated cuts. The MASK imprint have steadily built themselves a reputation within the electronic music world honing a sharp production style which lays focus on effervescent, live jams on hardware gear. The previous six releases on the imprint have garnered an array of support from some of the scene’s most respected names including the likes of Laurent Garnier, Danny Daze, Dan Curtin, Machine Woman, DJ Deep and more names, with MASK continually delivering the goods. 
Our pick up here is B2 a mixture of low-slung electro drums, ethereal melodic keys, scintillating bass whirls makes up the inspiriting cut.

YouTube

PREMIERE #1235 | Unknown - Amy B2 [MASK] 2020

FS014
Before the summer 2020, in his "Basic Groove" radio show, Antony Adam organizes a Blitz Challenge Remix around the deep techno track "Reset the world" composed by Adam Carling and Nick De Voost. All producers had one week to create a remix.
It was a real success, 22 remixes came from all around the world ! France, Germany, USA, Portugal and Switzerland.
Frequency Shift Recordings decides to release all remixes, in two mega-pack releases, "The Techno remixes" and "The unclassifiable remixes".

We love techno. We provide techno.

https://frequencyshiftrecordings.bandcamp.com/
https://www.beatport.com/release/reset-the-world-the-unclassifiable-remixes/3147138
https://www.traxsource.com/title/1444247/reset-the-world-the-unclassifiable-remixes?fbclid=IwAR2d3zX7978rdBYT5606zR7VxWZ_tgnHHvnu0FbHnmmHqYmFGy6tEb07WWc
https://open.spotify.com/album/6840s1sEuMvf57r9o1IFwy?fbclid=IwAR2crzsBlmns1ERVjneTSN_KnXNLzD7ZM1u3W7ICLm0lR3ab8loCtIwXcxQ

Reset the world (the unclassifiable remixes)Vol 2

Adam Carling & Nick De Voost - Reset the world - Vol 2 (the unclassifiable remixes) - Out 16.10.2020

Qui Danse Sur Du Verre ?

“es una mezcla de afectos nostálgicos no bailados, una unión de temas que se realizaron entre paredes finas, sin más cuerpos sudorosos, y se escucharon con el torso reclinado y las piernas ansiosas, en estudios, de casas herméticas. cuando pienso en la posibilidad de fuga que tenían las pistas también creo que la ideología de la escucha necesita sumarle cuerpo a los oídos, sistema, reconocimiento de materialidad viva interdependiente. o tal vez no, pero esta mezcla es una cosa de recorrer el sonido con las piernas, para que el paisaje no esté siempre tan lejos, caminar un poco, o correr, o nadar, o bailar, en los sonidos sin pretensión de otra cosa más que el aire entre los pulsos nos cuele identidad a los poros. hay muchxs amigxs a quienes no pude escuchar, no pude ver, no pude bailar, en cuerpo presente este año, así que de alguna manera les agradezco juntándoles con otros sonidos propios y sonidos bien ajenos, para que se sigan escuchando y solapando como cuando el sudor caía de los techos de los antros mal ventilados.”

Efe Ce Ele aka Feli Cabrera López 

Artista colombiana, activista trans y no-binarix, fundadora del sello Fragment A. Difícil de catalogar, trabaja con un estilo emocional y cinematográfico, sin géneros definidos. Durante mucho tiempo se presentó como ruidista y conservó esa esencia hasta en sus más recientes producciones basadas en beats, las cuales oscilan entre estilos como IDM, Techno, Electro y Ambient. Ha tocado en varias ciudades de América Latina y Europa, y lanzando música con diferentes sellos como: Insane Industry (Trieste), CONCRETE (Brasil), Specimen Records / Sound-Space (Londres), Éter (Medellín), Dissident Movement (Nápoles), Ghara (Suiza / España), Píldoras Tapes (Bogotá), Cartel Recordings (Berlín), entre otros.
http://efeceele.com

YOU GOT TO GET IN TO GET OUT. El continuo sonoro que nunca se acaba #6 con EFE CE ELE

Slip-cuts no beat

LP/Digital - https://harveycouture.bandcamp.com/album/scelle-en-cristal

Who is Harvey Couture? Some say he’s a survivor of French pop music’s sun-soaked synth-pop era of the early 1980s, others that he’s a more suave and stylish Serge Gainsbourg for the nu-Balearic era. There were even rumours circulating that he’s a musical mobster from the Cote D’Azure: a shadowy member of the mafia who deals in synths, drum machines and fretless bass guitars rather than guns, money and drugs.

In truth, not even Leng Records knows much about the man behind the moniker, though his vividly kaleidoscopic, retro-futurist debut album, Scellé En Cristal, does offer a number of crafty clues. Whether listeners will make the necessary deductions to solve the mystery remains to be seen; regardless, it’s the music that matters, and on that score Scellé En Cristal simply cannot be faulted.

Rich in humid, afternoon-bright musical delights, the set sees our publicity-shy hero mix and mangle a multitude of musical influences – think proto-Balearic European synth-pop, Prince style purple funk, immersive ambient, early INXS style synth-rock, the electronic end of zouk and much more besides – with constantly colourful and imaginative results.

Couture is most at home adding his variously seductive, sexy and sleazy vocals to bubbly, upbeat and mid-tempo numbers that combine delay-laden drum machine beats with surging synths, fluid bass, stylish guitars, lashings of leftfield pop nouse and plenty of tongue-in-cheek Gallic flair.

For proof, check the throbbing, off-kilter alien-funk throb of ‘Les Portes De La Perception’, the bustling, percussion-laden cheeriness of ‘Crème Solaire’ and the loose-limbed, toe-tapping brilliance of ‘Je Ne Peux Pas’, where chiming, steel pan style melodies and pots-and-pans percussion hits jostle for position with sliding fretless bass notes and flash-fried guitars. Check to ‘Passion’, a swaggering slab of bustling electrofunk/synth-rock fusion rich in ‘Rockit’-style scratches and restless synth-bass.

The influence of languid, sunset-ready European pop records of the 1980s – those cuts that would later become sought-after amongst dusty-fingered collectors of Mediterranean music – is another recurring feature of Couture’s cultured but joyous debut album. It can be heard amongst the drowsy guitars, yawning bass and tumbling lead lines of ‘Look Within’, the pleasingly laidback ‘Invincible Line’, the elastic bass, fluorescent synth sounds and stuttering machine drums of ‘Marche’.

Yet Couture is no one-trick pony. Horizontal and loved-up moments of a more downtempo hue can be found scattered across the album, with the enveloping ambient awe of ‘Les Portes’ – all swelling chords, gentle melodies and atmospheric field recordings – and slowly unfurling ‘Whale Song’ both lingering long in the memory. 

Harvey Couture may not be ready to step out of the shadows just yet, but his music most certainly is. We have a feeling that Scellé En Cristal is just the start of the mystery monsieur’s musical journey.

Felix Kubin - Vater Muss Die Stube Peitschen

fkubin