Champignons - Honnete I-I

"ASCENSION" is the debut album release from artist ston, an independently released project. 

For Ascension, I set out to explore hard house, bassline, and electronic elements throughout.

This body of work means a lot to me—it took up six months of my life and taught me so much about music production. It also taught me the importance of committing to what you set out to achieve and the struggles that can come with that. Most importantly, it showed me that imperfection is okay when the alternative is procrastination.

I created this album using the DAW FL Studio, and as of its release, I’ve begun transitioning to Ableton—a commitment I set for myself when I first began this project.
Through this experience, I’ve learned that moving forward, I want to dive into more intricate ideas and trust my creative process without falling into the trap of comparing my work to others. I’m eager to experiment with more abstract percussions, deeper emotional progressions, and unconventional grooves. It’s going to be a journey, but I’m excited for it to begin.

If you connected with any of the music from this release, I’d love to hear from you.  I’m excited to continue exploring! 

Shoutout Splice lol

HELLO STRANGER

Don't take me home

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Hessle Audio feat. Ben UFO and Uwalmassa - 9th July 2018

A new tape has come our way, this time directly from the Eastern future. In our attempts to decode the time that has no yet come, we managed to get our hands on a lost & found KASET that serves as an archival object, a tape that gives visionary insights into a utopian future. 

If we can only imagine the outward characteristics of the future, we can alternatively have a better understanding of it through the means of sound. By engaging in a distinctive kind of sonic futurology, Easternfuturism by Bogdan Orbita provides us with a new understanding of both the time of 'has been' and the 'yet to come'.

1. Acezantez — Bajka (excerpt) (Yugoslavia, 1977)
2. Iván Patachich — Metamorphosi Marimbára És Magnetofonra (Hungary, 1980)
3. Mikhail Chekalin — Ostinato-Asthenia = Остинато-Астения (USSR, 1991)
4. DJ Kondás, DJ Beckett — Törpe (Hungary, 1998)
5. NSRD — Kurmja aptuvenie ceļi (Latvia, 1988)
6. Владимир Рацкевич — Пусто (USSR, 1991)
7. Юрий Касьяник — Untitled (USSR, 1990)
8. László Hortobágyi — Gáyan Uttejak Orchestra — Culture Of Bass (Hungary, 1987)
9. Владимир Рацкевич — Манифест (USSR, 1990)
10. Legen — Veseli se... (Croatia, 1996)
11. Petr Skoumal — Jeden Můj Známej (Czechoslovakia, 1990)
12. László Hortobágyi — Balinese Gat (Hungary, 1989)

www.kajetjournal.com

Lost & Found KASET002 — Easternfuturism (Bogdan Orbita)

One hour guest mix recorded for the Okonkole Y Trompa radio show that was broadcast on @nts_live.
https://www.nts.live/shows/okonkole-y-trompa/episodes/okonkole-y-trompa-19th-june-2019
Thanks to @pamipam!

Guest mix for Okonkole Y Trompa (NTS - 19/06/2019)

Sad sunday in the mix by Giorgi Pipia, interesting DJ from Tbilisi who had caught our ear... recorded at the beginning of Vodkast night at Horoom sometime in January, 2020.. Enjoy...

vodkast.211 - giorgi pipia

This is a special throwback and the live recording of the last hour and 20 minutes of WC7 magic intro set for 33.10.3402 and myself at the second Putnik party in Drugstore's summer garden, AUG 3 2018. Vladimir Crvenković is best known for his Yugolearica mixes that celebrate music from the country that is no more, but he delivered a worldwide selection for this occasion.

Thank you, brother! Enjoy!
@wc7

Putnik 001 | WC7 (2018)

Bitter Moon is a monthly vinyl-only show performed by Vapanda, a Prague-based cat lover and a free-spirited music fan. She doesn't care that much about genres - she is more interested in playing whatever makes her foot tapping or lets her sweet or sour mood glow. Has a crush on Macadam Mambo, Séance Centre, Lullabies for Insomniacs, Kashual Plastik, Stroom, Growing Bin Records, and Møreti.  https://soundcloud.com/vapanda

Bitter Moon w/ Vapanda

“es una mezcla de afectos nostálgicos no bailados, una unión de temas que se realizaron entre paredes finas, sin más cuerpos sudorosos, y se escucharon con el torso reclinado y las piernas ansiosas, en estudios, de casas herméticas. cuando pienso en la posibilidad de fuga que tenían las pistas también creo que la ideología de la escucha necesita sumarle cuerpo a los oídos, sistema, reconocimiento de materialidad viva interdependiente. o tal vez no, pero esta mezcla es una cosa de recorrer el sonido con las piernas, para que el paisaje no esté siempre tan lejos, caminar un poco, o correr, o nadar, o bailar, en los sonidos sin pretensión de otra cosa más que el aire entre los pulsos nos cuele identidad a los poros. hay muchxs amigxs a quienes no pude escuchar, no pude ver, no pude bailar, en cuerpo presente este año, así que de alguna manera les agradezco juntándoles con otros sonidos propios y sonidos bien ajenos, para que se sigan escuchando y solapando como cuando el sudor caía de los techos de los antros mal ventilados.”

Efe Ce Ele aka Feli Cabrera López 

Artista colombiana, activista trans y no-binarix, fundadora del sello Fragment A. Difícil de catalogar, trabaja con un estilo emocional y cinematográfico, sin géneros definidos. Durante mucho tiempo se presentó como ruidista y conservó esa esencia hasta en sus más recientes producciones basadas en beats, las cuales oscilan entre estilos como IDM, Techno, Electro y Ambient. Ha tocado en varias ciudades de América Latina y Europa, y lanzando música con diferentes sellos como: Insane Industry (Trieste), CONCRETE (Brasil), Specimen Records / Sound-Space (Londres), Éter (Medellín), Dissident Movement (Nápoles), Ghara (Suiza / España), Píldoras Tapes (Bogotá), Cartel Recordings (Berlín), entre otros.
http://efeceele.com

YOU GOT TO GET IN TO GET OUT. El continuo sonoro que nunca se acaba #6 con EFE CE ELE

Pigeon Steve (7/1/21)

Una nueva plataforma para explorar el formato radiofónico desde una perspectiva contemporánea. Podcasts de nueva producción junto a un cuidado archivo de voces inspiradoras y referentes absolutos de nuestra historia reciente. Arte, medio ambiente, política y experimentación para imaginar futuros deseables. Escucha.

Todos los podcast de La Casa Encendida.

https://radio.lacasaencendida.es/

YOU GOT TO GET IN TO GET OUT. El continuo sonoro que nunca se acaba #6 con EFE CE ELE

La Casa Encendida Radio

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