The eclectic music maker has a new album, Dub Section, for 2024. Forty-five minutes of dub signifies a return to roots reggae and dub for the independent artist, writer and producer, Tim Jones, who has been releasing music as Brynovsky since 2010. From his studio in Scotland he has recycled some previous recordings in true dub style and is releasing one track per week until January 2024 ahead of the full  release.

His third album, Future Weather (2020), steered a committed line through political pop and reflective mantra to thickly-layered dub tones and harmonies. The “sweet, sweet sounds of Brynovsky” (Fresh on the Net, 2014) are here matched against inequality, climate change and the rise of the Right. 
Legendary artist and DJ, Tom Robinson, described Brynovsky as a “splendid discovery” and has been played twice on his BBC 6Music show.

This is a collection of tracks from my first ever band which was started in 1990, was mostly active until 1994 then made a few sporadic recordings until 1999.
 Initially a covers band with no vocalist, we transitioned into recording original instrumentals at home on an old Fostex X-15 1980s 4-track, using plenty of experimentation/innovation to get the most out of just 4 tracks. Common Road were myself, Matt McGain, Cliff Poole and Tim McGain. I will periodically add further tracks - enjoy!

My own page is: https://soundcloud.com/user-935162567

Official profile for Carbon Based Lifeforms
Do not message us here, we don't read it.
to contact us please send an email to cblofficial@gmail.com

Booking: Sam Hutchinson - sam@pivotal-agency.com
For your pleasure here is a Bio in the form of a fine dining menu. (For you insufferable traditionalists a distastefully bland Bio is available at the bottom, although I find it quite unpalatable) 

Apéritif: 
House Ballad // Tapas de Tap Tempo // Midi Milanese // Hoot Loops

Main Wavetable:
DrumBeat Bisque: Heirloom Samples, Found Sounds, Synth Drizzle, Tart Hats, Compression Jus

Strumento: String Weeze, Ethnic Mood, Rubbed Flub, Kontakt Buzz

Bass du jour: Seasonal wubs, Sub Grub Gumbo, Face Paste, Boss Sauce 

Synth Cakes: Modular Glaze, Cheese of Bleep, Soup of Bloop, Pad pâté, CV Sautée, Sequential Maradnade, 

Textures: Wav Shavings, Low Mid Reduction, Fizz Sizzle, Field Recording, Grain-Free Granulár, 

Dolce:
Candied Jams // Dream Cream // Toffee Clocks // Frequent Fondue

(Consuming raw unfiltered waveforms may increase your risk of soundbourne shrillness)

Kids Menu (“Normal” Bio):
EarthCry is Anthony Thogmartin’s solo music, serving as an outlet for his more "electronic" musical ideas, as well as a place to try experimental genre mashing, developmental frequency blending, and odd instrument combinations. Staying true to live roots, an EarthCry show can consist of any combination of live instruments, mixing, slicing, looping, and cutting overtop of arrangements that come out differently every time. All the while, electronic controls are always facing the crowd to encourage a deeper experience of interaction. His most recent release “Sun Path” “…emerges as an album meant for this moment. A soundtrack for the collective consciousness of today’s higher-level thinkers, intent on assimilating all of the old to push forth the new.” – Lost in Sound. Other notable musical outputs have been his debut album "Hear the Earth, Heal Yourself, Heal the Earth, Hear Yourself", a voyage into 6 solfeggio tones. He has also released 2 "Mother’s Mashups" which are combinations of 2 songs that mysteriously fit together in fun ways. As a beneficial operation, EarthCry also donates earnings to different ecological initiatives around the world.

Started as a drummer but then they let me get hold of some other instruments. One man band composing and recording at home; styles (roughly) include post-rock/electronic/acoustic/ambient/experimental. 
Song-based more guitar-driven project titled 'Bin day!' coming  early 2026 with the albums 'Regular fit' and 'Salvage Plan.' Like buses; you wait 3 years then 2 come at once. I'm not entirely sure if 'socio-critical' is the right term, but they explore themes of social conventions and norms, how habits and customs seem to unconsciously change as we age. Also working at a soul-destroying job and the craziness of a large bureacracy. I take a swipe at myself too and there's occasional humour. Aiming to put out on this and other platforms... 

Check out my 90s home recordings with my first ever band Common Road on #SoundCloud
https://on.soundcloud.com/23E9dwjHh8m5NqVe9

I make beats for your minds and your feets. 

South London based producer, originally from Washington, DC.

Flangeworthy is following