Artist: T.A.M
EP Title: PH4SE003
Label: The Acid Mind Recordings
Format: Digital
Genre: Electronic
Style: Hypnotic / Raw

Groove It, Move It

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Jorge Galindo -  La Seduxxxion  (Plankton Repellent)". Out December 12th 2025. Buy here : https://planktonrepellent.bandcamp.com

Jorge Galindo delivers a masterclass in dark disco seduction to Plankton Repellent. Pulsating basslines and magnetic rhythms ignite a slow-burn groove designed to command the dancefloor. The originals' allure is amplified by standout remixes by Díaz Tech and Dario crafting a clandestine tension. Essential listening for midnight's embrace.

Artist social media :

https://soundcloud.com/jorgegalindo69
https://www.instagram.com/jorgegalin_
https://soundcloud.com/diaztech
https://www.instagram.com/diaz_tech
https://soundcloud.com/rdariogto
https://www.instagram.com/rdario__

Label social media :

https://soundcloud.com/plankton-repellent
https://www.instagram.com/planctophob

PREMIERE : Jorge Galindo - Respira (Plankton Repellent)

New Sound! tryna take my melodic style in a bit of a different direction so stay tuned since ill be dropping more songs like this one in the next weeks (in case anyone cares & even reads this lol)

FREE DOWNLOAD: https://www.valorizd.app/gates/djapatox-bam-bi-di

FREE DOWNLOAD

Djapatox - Bam Bi Di (155BPM) FREE DOWNLOAD

Pitch Black Mirror is the full length album from industrial techno veterans Orphx, co-presented by Sonic Groove (2xLP + digital) and Hands (CD). Rich Oddie and Christina Sealey have created a diverse and distinctive body of work over the last 23 years and this album may be their most definitive statement yet. Pitch Black Mirror foregrounds the duo's unique fusion of techno and industrial but also demonstrates their ability to continually push their sound in new and challenging directions by drawing on elements of electro, post-punk, and EBM. 
The human voice is a central element here, ranging from subtle layers of samples and location recordings to the more prominent vocals of Rich Oddie and guest vocalist Marie Davidson. The album is also notable for its detailed sound design, courtesy of Sealey's modular synthesizer systems, Oddie's percussion and synth work, and software mutations from founding Orphx member Aron West. 
With its sonic and lyrical imagery of watery depths, lost love, and transmutations, Pitch Black Mirror offers a sonic landscape that is clearly inspired by personal and social turmoil but points towards the possibility of creative transformation.

ORPHX - "Zero Hour" - SGLP02

E-Saggila  - Tools of my Purpose  BNK008

A1. Lethe
A2. Bronze Eyelids
B1. Shifting Wounds
B2. Tools of my Purpose

E-Saggila  -   Tools of my Purpose (snippets)  BNK008

Cat-No: F//009
Fractions - Control

Fractions eschew biographical identity in their debut release for Berlin’s FLEISCH records. A potent mix of EBM, techno, breakbeat, electro, acid and horror-soundtrack provides only a title, ‘Control’, S&M leaning artwork that seems to reference Dali’s ‘In Voluptas Mors’ and a one-line manifesto: MAKE DEAD DANCE.

True to these words, established formalities are cast aside as the record
begins without ceremony; barrel-reverb percussion strikes, a hard hitting straight snare and vinyl crackle ambience set the tone; once the 4/4 kick hits, the basis of ‘Control’ is established. The first four tracks explore EBM, new-beat and acid within the 120-125bpm spectrum, horror-sci-fi pads weave between razor sharp arpeggiations, distorted 303 squelch emerges from doomsday sirens and in the vocal sample taken from the title track, a single, ominous voice urges the
listener to ‘control your mind’.

The final two tracks explore more broken, stepping rhythms, the
extended middle section of ‘Celestial’ transitions from pads that wouldn’t sound out of place in Aphex Twin’s ambient works into a cold John Carpenter-esque piano loop; the final track ‘Inhale/Exhale’ picks up the tempo but focuses on a slowly building frenzy of percussion and arpeggiation, with a snare drum that gradually gathers intensity as the track progresses, tying the swarming rhythm together and closing the record with the anticipation of a drop that never
manifests.

For a debut EP, Fraction’s ‘Control’ shows a markedly developed voice in tying together genres under a haze of dance-floor gloom.

Tracklist:

A1 - I.B.M.
A2 - MCDVIII
A3 - Welcome to 303 City
B1 - Control
B2 - Celestial
B3 - Inhale/Exhale

Mastering by Eric Van Wonterghem, PRODAM BERLIN
Artwork by Plástica

Buy all

B3 Fractions - Inhale/Exhale

Taken from Tommy Four Seven's forthcoming album, Veer.
Out April 5 on 47. Pre-order the LP now at the 47 Bandcamp site.

Tommy Four Seven // Veer [47020]
A1 // Dead Ocean
A2 // Radius
A3 // 2084
B1 // The Virus
B2 // Neuromorph
C1 // Feed
C2 // Aphelion
C3 // X Threat
D1 // Protocol 9
D2 // Colony

Veer

TOMMY FOUR SEVEN // 2084 [47]

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.


Artwork: northor | Layout: Yusuf Etiman

Scanning Backwards

Buy Album

Phase Fatale | Binding by Oath

Third Method

Else (Ugandan Methods Mix)

The Jericho Records

Crack and Collapse in the Storm of Lights

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Artwork: northor | Layout: Yusuf Etiman

Phase Fatale | Mass Deception

Independent record label curated by Zanias