Collaboration
Check out AnandaTuk's music
https://soundcloud.com/user-11396379/tracks

Hard To Communicate

Hard To Communicate -with AnandaTuk

Collaboration

Check out Ramixjoe ♈︎ music
@josef-schweinzer

It Makes Me Believe

It Makes Me Believe -with Ramixjoe ♈︎

Recorded in Modesto, Ca.  Featuring Dobro Guitar solo. Flute solo. Gibson 335 Electric Guitar solo. Roland Synthesizer Bass. Hammond B3 Organ Rhythm. Gibson Electric SG Electric Guitar Rhythm. Drums Full kit set-up. Percussion, Tambourine, Cowbell, Ago go Bells, Zildjan 22" Ride & Crash Cymbals.

Getting Loose

Cocktailing

Cancion del gato solitario

thank you for this collab.. https://soundcloud.com/ipg1 
https://soundcloud.com/ipg1/sets/vocals
https://soundcloud.com/lou6-224024339/vamos-lets-gettem-vocals-94
splash in the mix https://soundcloud.com/30gradx/evolution

Splash W/ IPG1 (Vamos Lets Gettem)

This one started as attempt to do some abstract pop. It evolved into a place somewhere between pop and jazz, at least to me. There was a time in the late sixties where the harmonic language I use here developed. Songs like Being Alive, by Sondheim, Wichita Lineman, by Jimmy Webb and others used a combination of 6th's 11th's 9's and suspended cords to create this floating feeling. It's basically some version of stacking 5th's, harmonically. I'm generally a thirds guy. A big third sounds so good on a bass, think "Walk On The Wild Side". Daphnis et Chloé Suite n°2, by Ravel, most of Jobin's work and Giant Steps, by Coltrane would be mastery of stacking thirds, in my opinion. In fact Daphnis et Chloé, Suite n°2 is one of my favorites and one that dazzles me still. It's funny though. Because this type of approach, the 5th's I mean, in popular music, was only prominent in the late sixties to mid seventies I tie it emotionally to childhood. I was born in 1968. I could go on but I think that's enough. Thanks for listening and indulging my thoughts.

Painted In Pastels

Additional vcls B.Browning

SOMEONE SAID
DON’T GO MISTAKING PARADISE WITH A HOME ACROSS THE ROAD AND I SAY
DON’T GO MISTAKING WICKED.COM WITH WICKEDMOVIE.COM OH NO
IT MIGHT LEAD YOU INTO A MATTEL GLITCH SOMETHING YOU DON’T REALLY WISH EVEN IF YOU’RE OVER 21
BREAK A LEG DON’T BREAK AN ARM SKIING IN THE TELLURIDE
ET CAETERA MAN AUX ARMES SOUVIENS-TOI, BONNIE AND CLYDE
BEING OVER SEVENTY ONE
I THOUGHT I MIGHT CLICK ON THE LINK COULD I BELIEVE I SAW ? OH NO
OVER 6000 WICKED SCENES
HOW CAN THEY ALL FIT IN ONE SCREEN? OBSCENE MAN OBSCENE
I’D RATHER HAVE THE LAND OF OZ A TALKING GOAT WITH A POINTED HAT A FEMALE CHILD GLINDA THE GOOD ELPHABA GALINDA TIT FOR TAT
SANS COMPTER MADAME MORRIBLE WHAT IS LIFE BUT A SILLY RIDDLE ENFIN BREF
AU FESTIVAL DE TELLURIDE
OU QUE TU SOIS OU MÊME AILLEURS MES MEILLEURS VŒUX DES INVALIDES DE MÉNILMUCHE, DU SACRÉ CŒUR
OUI CAR TOUT ÇA C’EST D’LA BROUTILLE L’IMPORTANT MAN, C’EST LA FAMILLE PAS VRAI ?
REMY MAGALI REBECCA REBECCA REMY MAGALI AND PHYLLIS OF COURSE
HERE’S TO THE SOCCER PLAYERS BON ANNIV BON ANNIV EMMANUEL

MATTEL GLITCH (Lyrics) Song for Emmanuel

Made in June 2025

Video; https://youtu.be/OvQEDXnxQEE

Deep Forest

Recorded in San Jose, Ca. Featuring Godin guitars.  Acoustic Bass. Violin solo. Acoustic Drum kit set. Percussion, Congas & Bongos. Drums & Congas played by the late Pepe Sabino r.i.p.

Spanish Winds

Falicia

Dans ses meilleurs aspects, le Gris a hérité le côté élégant du Noir. Il peut être soigné et délicat et apparaître, intemporel …. Pouvant être une rhapsodie de lumière et d'ombre.
Le Noir apporte profondeur et caractère, tandis que le Gris adoucit l'ensemble, créant un équilibre subtil entre sobriété et élégance, souvent source inattendue d’éclat et de profondeur. 
Cette création musicale ici avec voix féminine, essaie d'en interpréter les distinctions et nuances ….

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In its best aspects, Grey has inherited the elegance of Black. It can be neat and delicate and appear timeless .... Can be a rhapsody of light and shadow.
Black brings depth and character, while Grey softens the whole, creating a subtle balance between sobriety and elegance, often an unexpected source of radiance and depth. 
This musical creation here with feminine voice, attempts to interpret these distinctions and nuances ….

Black & Grey ....

This track is just about losing patience with whatever. Don't over think it just a vibe song.

Losing Time

A Musical Journey of FlexHead
Best known as a local Northern California Funk Band, FlexHead and their sound have developed and grown in popularity since 2015. Influenced by the community, culture, and sounds of their hometown, they perform music that speaks to fans across the musical spectrum. Their signature style has become synonymous with a diverse collection of melodies and compositions. This Funk Band is on the rise, and nothing can stop them from achieving the success they work so hard for. 

Contact FlexHead at FlexHeadFunk@gmail.com