I sampled a song by Snarky Puppy called "Binky," and then sent the beat to Detective Tuesday. He promptly spit some fire, and then I put everything together. I hope you dig it.

LYRICS:
Used to be the same old song:
To make dough raise for me, if you had five I sold lye.
Tito’s hit the tonic then I peeped the scales I put that smoke on.
It was quarters, eighths, halfs, even had stems in my Os dawg.
Rollin’ on, we took turns on the cannon.
But my rhythm was thrown off when the brass nearly had me in the slammer.
Dynamics was changed, accented with stress
Was my test as I went to control my breath with no measure of rest.
I’m like all other rappers in that I’m no drug lord,
that wasn’t the life for me. The music is what struck chords.
Inversions of my introverted nature. I talk to ‘em
Sounding more composed every day, turned my thoughts into movements.
Now heads rock when I cue ‘em. Back in it to give ‘em one
‘Cause I was down with this beat, therefore I’m for spittin that signature style.
Sopranos how Jersey bringin’ em high
And I know my man in AZ keepin’ it rhythmically fly!
Treble cleff I’m keepin’ it G on top of these lines.
Life is an open score so for sure you gotta improvise.
Like a free jazz part. Doin’ my thing I don’t need that chart,
Play it smart. They hear it overseas, we bes that sharp.
Competitors could save the pitch, they gettin’ left flat.
We drop unforgettable classics, then we on to that next track.
Through the progression, never change how we stayin’ dope.
I’m about to be the one ‘cause I’m leading. Take notes
Got a full range like chromatisism but I ain’t half-steppin’.
Teachin’ these rappers how to blow, it’s no sax lesson.
Diaphragm extended, studied the Alexander method.
In songs, raps is operatic. Peep how the man projectin’.
Like the Shed Space jam sessions was vibin’ with Flexstyle
And then, Mike passed me the mic so I’m-a just flex.
Our styles are the best. In tunes makin’ harmonies.
Anyone wanna hate? In their discord they not harmin’ these
Professionals. Y’all gon hear us more like crescendos.
Been dope. Ears trained with sounds of the Nintendo.
Count on it like a metronome, it’s our time. We not playin’
But still, it’s hard not to find it fun playin’ on stages.
Not that famous yet but still rock like them stars shine.
Nothin’ but hard rhymes.
Fine print at the bottom of the page, and that’s a double bar line.

Bar Lines (with Anton Corazza)

Mad scientist of sound. Video game composer. Audio engineer. Video game and pop culture DJ. OverClocked ReMix staff member and frequent contributor. I make music the way I like it, and sometimes you can dance to it. Everything you see on my profile--including every repost--is something to which I contributed. I have never paid for followers, and I only follow accounts that post great music. :D

Side projects:
- BROOSES
- Disstopia
- Various endeavors for Northwest Community Church
- Orchestral and cinematic music collaborations with Joshua Stefanski
- Projects with Likewise Worship
- The Yearly
- Outfox (hiatus)
- FiberOptic Illusion (concluded)

I have music on these labels:
- @TinyWaves
- @GameChops
- @MateriaCollective / Firaga
- OverClocked Records
- @venomdrive

Do you stream on Twitch.tv? Feel free to use my music as long as you link to http://flxstyl.com or this Soundcloud!

Composer, windsynth player.

Feel free to message me for composition inquiries. 

I make most of my music available for free, so all donations through the following link are very much appreciated:  https://ko-fi.com/antoncorazza

A young musician from Oklahoma, Ethan Rex uses 8-bit sounds to create saccharine beats that cause spontaneous grooving.