Since their first release in 2009, the Ukrainian duo Woo York has
evolved from underground origins, honing their craft with
performances in iconic clubs like Tresor and Berghain, to become an
internationally recognized globally in-demand artists who made it to
the prestigious “TOP 40 Live Acts” on Resident Advisor.
Setting themselves apart from conventional DJs, Woo York takes to
the stage armed with synthesizers and drum machines, delivering
authentic performances fueled exclusively by their own productions.
Their music pushes the boundaries of techno by seamlessly weaving
captivating trance melodies with the infectious signature groove,
crafting a sound that is unmistakably their own.
Woo York’s journey from the underground scene to the forefront of
the industry was marked by exclusive vinyl releases on highly
respected labels ranging from niche stalwarts like Soma, Semantica,
and Dystopian to the most renowned and celebrated imprints like
Afterlife, Innervisions, and Drumcode. Within these diverse
landscapes, they unveiled a multitude of successful EPs, singles, and
their debut full-length album “Chasing the Dream”, released on
Afterlife - a groundbreaking achievement that soared to the 1st place
of Beatport's release chart, securing the number one position and
solidifying their legacy as trailblazers of an era when melodic techno
was yet to be defined as a genre.

A shift in the lines of an object's spectrum toward the blue end.

C.T.D crew Paris

https://soundcloud.com/cest-tout-droit
https://www.facebook.com/CToutDroit

Techno, Experimental, and nice pieces of music from Paris, France

In a saturated and cloned dance music market, it is becoming all too common to merely emulate, rather than stand out, be unique and create memorable music. Our passion for timeless, creative and intimate music allows us to  filter through to the artists we invite to join Decoded Magazine We do not look for just anyone, we are looking for people who create memorable music that inspires and invokes emotion, rather than be disposable chart topping hits and mixes.

We support and nurture underground house, progressive, techno, deep house, minimal, breaks, electronic, drum and bass music.

We live in a world of mass media consumerism, yet never tell a story. Never in the history of mankind, has so much information been available, yet our voices are never heard. Decoded Magazine aims to deliver thought provoking, intelligent journalistic articles that affect the generations who are passionate about electronic music, fashion, lifestyle, industry news, interviews, travel, food and breaking new emerging talent beyond the dance floor. We provide ethical, provoking and humorous content to a global audience.

We are a collective of professional marketing managers, print & web designers, recording artists, journalists, label owners, DJs, social media marketers, event promoters, music publishers and more. It is a labour of love for us, it is a passion that runs deep, a feeling of taking back control of an industry we love and so heavily invest in with our own personal lives. We are not grandstanding, we are not thinking we are going to change the world overnight, but we do hope that we can slowly be a game changer in what people listen to, explore or experience.

Amsterdam based Keith Carnal has in recent years become seen as somewhat of a tastemaker in today’s world of techno. It might not then come as a big surprise to you that he has also become a favoured producer among many who are seen as “techno mainstay”, gaining support from numerous of his own musical inspirations and champions. Carnal, who grew up in a very musical home in the northern part of Holland, found techno at an early age when he began sourcing and selecting on his own. Techno was, and very much is, the first music that made a deep impression on Keith. This feeling only went on to become more cemented after a few years of composing on his own. It simply became clearer and clearer that Carnal is exactly where he belongs.

Keith’s own style of techno always has a strong emphasis on melodies and groove - it is made for dancing no doubt. Often the melody creates a rather ominous feeling for the listener, but with a certain melancholy to it. This is weighed up expertly with Keith focusing on the tracks being driven forward by strong percussion elements. His compositions contain a fresh vibe that immerses his audience as much as it does with his fellow producer and DJ colleagues. 

Carnal’s own productions very much goes hand in hand with the selections he makes as a DJ. A set of Keith’s always focuses on keeping the tempo and the groove up and going. Classic productions are mixed confidently with more current ones. His sets flourish with tracks that are atmospheric and contain strong melodic segments - tracks where percussion and bass play a major part in why being selected. For Keith Carnal creating the right groove is the main target. This year will see Keith releasing several strong productions as well as continuing his extensive international touring schedule, where he is headlining many of the major festivals and clubs. Keith Carnal is a fresh wind in today’s techno climate.

<a href='http://gigs.gigatools.com/u/minilogue' target='_new'>minilogue's Upcoming Gigs </a>Saturday 08 February, 2014 <a href='http://www.trouwamsterdam.nl' target='_new'>Trouw, Amsterdam, Netherlands</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Blomma

Everything comes in its own time: a wordly wisdom that Marcus Henriksson and Sebastian Mullaert aka Minilogue take for granted. Since their foundation in the year 1997 they emerged to one of the most respected and hard to pigeonhole electronic music acts world-wide. And that not only because in each of their artistic expressions you can feel their effortless passion for what they do - whether live or magnetized on a medium. Also because they do not stick to any stylistic niche to mark their territory. House, techno, ambient, trance, and lately jazz are equal parts in their creations.

The most effective bunched proof for their musical universalism was marked in 2008 with the release of their debut album „Animals““ on Cocoon. Since then a string of Ep’s on labels like Mule, Wagon Repair, Traum Schallplatten, and their own imprint Minilogue continued their story in sound in which everything is made out of the present moment. Also the jazz infused album „Bring Out The Imps“ that they recorded under the alias IMPS with two jazz musicians and a heartfelt collaboration album with the Japanese producer Kuniyuki entered their discography.

And between all their work they constantly performed their intense improvised live shows all around the globe. Privatly they formed themself a life far beyond the big city lights, out in the Swedish woods in the north of Malmö. Here they live a life where the inner gets the outer and where their way of creating is far away from Zeitgeist zones in which musical trends pass by like seasons. In the past five years they met every now and then when it felt like hooking up in the studio, jammed on their equipment without a clear goal in mind and recorded each unique moment that was guided by the experience of the single day of life that marked their souls when they came together. In past months they went through the archives of their creative comments on our time, that been born in moments where time was not on the agenda. In that time just music called the tune and as a result of this pure form of conversation between two souls their second album „Blomma“ emerged.

The title of the album isn’t just a name. The Swedish word „blomma“ represents two meanings in one: to bloom and the flower. The flower and the blooming are deeply tied to each other - as for Minilogue the process of making music and the temporary result of the process is one too, the album title matches perfectly with their aim of beeing aimless. Out of this attitude towards making music again a heterogeneous longplayer arose that does not work like a regulary formatted club music album. It comes in two parts that both have two faces within themself which are constantly shifting: dance oriented rhythm parts and airy layered ambient atmospheres – always intensely tuneful, musical, and shapely.

All eight tracks underpin the wisdom that says that in the moment of deep creativity you disappear. Because no ego can be heard and all grooves, melodies, field-recordings, samples, and chords work like a single colour of a musical painting that is full of versatile electric elements und unnatural sounds. Sounds that only evolve if those who create them are far away from knowing that they create. A state of mind that Minilogue bound on a double album that is just there to let the music speak. That is why again you can’t see their faces on the cover. Instead pictures of the nature that surrounds them in their everyday life stimulate the fancy of the listener while his ears get lost in a gentle amalgamation of rhythm and sound that conveys the impression that it just flew through the bodies of both while their extremities instantly used each instrument around – from the computer to the synth, from percussions to piano.

Nothing you can hear on the album is edited or post produced – it all sounds exactly like it was when the atoms of these two individuals danced together. The result is a record with no real beginning or end. An album that tells unconscious an epic story about the path it took to make it. With each atmospheric turn it blooms like an unreal sound fairytale which leaves much space for the listeners individual imagination. You can dance to it, you can ease, you can loose your feeling towards time and space. Whatever happens – in one moment suddenly Minilogue are very close, even if they are not present.

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