DJ Functionist is a club and radio DJ, music producer and remixer. He is the mastermind behind the legendary daily (Mon - Fri) mixshow FM4 Unlimited.
His musical universe is defined by Funk in all modern variations. His claim is to create a unique, live musical mixture. Radio is the media for Functionist's creative output since 1992, whether as a young radio pirate or later with FM4. In Summer 2005 his brainchild the daily mixshow Unlimited is realised.

Debut Album AAplus out NOW

austrianapparel.fanlink.to/AAplus

^^+

contact: austrianapparelsound @ gmail.com

#AAplus
@AAplusRecords

DJ Makossa & Mc Sugar B present their legendary weekly saturday night radio dj mix show on Austrian nationwide radio station FM4 since 18.1.1992 (till end of 2025)
livestream: http://tinyurl.com/streamswoundsound
on demand: http://fm4.orf.at/radio/stories/fm4swoundsoundsystem

Booking / Contact / Publishing : dgrellier@gmail.com
DJ SET / LIVE

"If you just find it that day then it's new to you"

Tastemaker at RADIO FM4 AUSTRIA
This is a dedicated recommendation site. For Mixes head to Mixcloud.

FM4 Davidecks on Austrian national radio FM4 Saturdays 7 pm cet
The Sequence Show on Radio Oxigenio in Lisboa Sundays 9 pm cet+1


BOOKING
Chris Kemmler at Miooow  |  christian@miooow.com

http://fm4.orf.at/radio/stories/fm4davidecks
http://oxigenio.fm

http://www.wolfram.fm
contact@wolfram.fm
Labels: DFA Rec. , Public Possession & Live From Earth, Permanent Vacation

🚨REBORN✨ - New album out: http://linktr.ee/kavinsky

Official Store: http://store.kavinsky.com
> Varsity & satin jackets, t-shirts...

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Florian Uibner is following