North/South America: hagi@detroitpremiereartists.com
European Bookings: marc@dskonnect.com

Booking:
Paramount Artists
www.paramountartists.com
E: tom@paramountartists.com
www.psycatron.com


Berlin:Detroit - a musical alliance that resonates deeply with electronic music lovers around the world and has done for the past two decades. Add Belfast to this equation and you have Irish duo Psycatron who have dropped releases on both sides of the Atlantic through Carl Craig's Planet E Communications from Detroit, as well as Berlins' Tresor imprint, while also finding time for the odd excursion on the likes of Scuba's Hotflush Recordings, R&S Records, Cocoon and their own upcoming Inflyte Records, which alongside being a home for their own output, is set to feature material from the likes of Francesco Tristano, Dave Clarke and Kirk Degiorgio in it's opening year.
Their touring schedule has followed a similar global trajectory, touching down everywhere from Fabric to Berghain, The Rex Club and Barracca, to Movement Festival in Detroit, I Love Techno in Belgium and many more of the best clubs and festivals worldwide. In between tours they continue their long-standing residency at Ireland's longest-running techno institution, Shine in Belfast.
With musical influences ranging from Depeche Mode and Kraftwerk to Underground Resistance and Jean Michel Jarre, it's easy to see where the raw emotion, tension and energy prevalent in their music stems from. Being born less than 12 hours apart and subsequently growing up hitting the same techno parties in Belfast, is another common bond that has helped shape the Psycatron sound, where the past clearly influences the future but has an entirely different slant on it.
Touring with Carl Craig and Planet E, ending up on Fact Magazines Top 50 Tracks of the year and performing on London's infamous Boiler Room TV are some of the recent highlights of this duos career who among their fan count you'll find the likes Depeche Mode's Martin L Gore, Francois K and Dave Clarke.

A great Dj can  make music with music 
this is the goal!

Blur as we know it was born in 1989 when the band signed to Food/EMI. Debut album Leisure (1991) announced the arrival of a band with pop suss warped by an art-punk eccentricity. Yet Blur had more in them: namely, a revolution in the sound of English popular music. Second album Modern Life Is Rubbish reintroduced the idea that English rock music could be cool, and by the time their third album Parklife emerged in 1994, the rest of the UK had caught up. 

The Great Escape (1995) refined the sound palette of Britpop, but Blur were already moving on. 1997's Blur was an about-face - scuffed and noisy and un-English. Follow-up 13 was an even a more radical adventure in sound as William Orbit refereed a truce between organic punkpop and new-fangled technology.

Seventh album Think Tank (2003) was Blur’s first as a three piece after the temporary departure of founding guitarist Graham Coxon, featuring an eclectic variety of rhythms and textures and glorious melodies. 

In 2009 Blur reconvened as a four-piece to play a series of UK shows including two sold out dates at Hyde Park and a historic Sunday night appearance at Glastonbury. A film about Blur, No Distance Left To Run, was released in 2010.

France leading electronic music & culture magazine and website, created in Paris in 1997.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

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