My remix of my favorite track from Spaceschneider's album "Psychedelic Breakdown".  I think I just wanted to stretch this groove out for a few more minutes.  Please check out the album here:  https://spaceschneider.bandcamp.com/album/psychedelic-breakdown-ep

Criminal Jazzo- Spaceschneider (J.M. Remix)

Tea plantations on the planet Athoek, the location of some intrigue in Ann Leckie's book, Ancillary Sword.
I took inspiration from the early work of Evangelos Odysseas Papathanassiou (Vangelis)RIP. I loved how he combined traditional Greek instruments with electronics on "Earth".  "Heaven and Hell"  remains a personal favourite. 



All rights reserved 2022

Plantation On Athoek

Taking five, waiting for the time to arrive, searching for the will to survive, on the drive of your lives
Taking four, chilling for another cold war, dreaming of the broken dance floor, falling through another trap door, hoping for more
Taking three, dominoes are falling over me, imprisoned in the land of the free, submerged in a fake reality
Taking two, power trippers calling after you, looking for another breakthrough, rejoicing at the callous menu, it’s true
Taking one, mad dogs running for the sun, fat cats have only just begun, creaming cream, having fun

Counting Down

A colaboration with the composer Oghamyst and the songwriter Mary Kils.

Music Is What Feelings Sound Like

Que fais-tu baby?

Blackout

noxpox - the black page (assimilated Cover Of FZ)

(ever too late to shine )    



Now she lives among the stars
                                          
and the night is too dark without her
         
all the light from then till now
                                          
hasn’t found its way back to her

*



I had no heart to hear

all the bells that call on Sunday

just like a waterfall

they’ll stop falling someday

*


refrain:

       
Is it ever too late to shine

ever too late to shine
         
my love


     
Is it ever too late to shine
                      
ever too late to find
      
my love

*


I see her in a crowd 

I see her in the mirror

Her face is like a shroud

as my own grows dimmer 

*


If you find yourself a star

don't lose it in the wishin' 

you're still while it moves far

far beyond your vision

*


refrain

TASCAM DR-05

ever too late to shine (co-written with my friend)

Witnessing the fascinating conjunction of Venus and Jupiter from my hostel window prompted me to revisit one of my early attempts at writing music for solo MIDI electronics. 

"Celestial Dance", composed in May 2019, is in three parts, each following the other attacca, without pause. The harmonic structure of the work is derived from the clash (conjunction!) of two diminished seventh chords, with their root notes a semitone apart. Pierre Boulez had used such a chord in Sur Incises (and Incises)  which piqued my interest in its sonority. The instrumentation albeit MIDI oriented (which allowed me to push the instrumental performance to superhuman virtuosity) is made up of the instruments Boulez used in Sur Incises - with the addition of an electronic piano and solo strings. 

Celestial Dance, for electronics (2019)

Production Note
https://furicomusicteam.blogspot.com/p/light-through-leaves.html

Light Through Leaves

Raymond's lovely haiku inspired this sparse improvisation on guitar (Les Paul) plus effects. Recorded and mixed in Reaper; mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Spring Meadow (naviarhaiku495)

Inspired by the following haiku written by Darren Bourne:
Caterpillar
Opens her new wings
Metamorphosis
You can find Darren’s music on Soundcloud (https://soundcloud.com/half-unusual) and Youtube, and check out his website to find out more about his publications and merchandise: https://www.halfunusual.com.
Thanks to Naviar Records: https://www.naviarrecords.com/2023/08/23/naviarhaiku503-caterpillar/

My Naviar Haiku

The Painful Opening Of The Wings (naviarhaiku503)

My music is freely improvised, usually on VST synthesizers, sometimes fretless bass, guitar, occasionally electric viola or cello, with a variety of effects pedals. Solo music is performed live and recorded as 'FlownBlue'.  I am also in four improvising duos: 'Windfall Light' (with Jim Tetlow), 'Abstract Blue' (with Kevin Buckland), 'Light Fragments' (with Steve Escott), and Szukanie (with Michał Wojciechowski). I'm a member of the Quadelectronic improv group based in Leicester, UK. Duo music is all on Bandcamp - links below.

Spring Meadow (naviarhaiku495)

FlownBlue

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