Cool synths great mysterious feel quality!!😎💎

added this song  in my  playlist on Soundcloud Chilly MOODS: https://soundcloud.com/user-629729703/sets/soundclouds-chilly-moods   If  You like my music Follow me on  Youtube or Spotify(Links in BIO)💙

Way-cool Fluff !!  Loving this DreamPop magic !

Dreaming on Another Distraction

"feel" is a smooth and soulful track that blends lush melodies with a laid-back rhythm, creating a deeply emotive and immersive listening experience. Rooted in neo-soul and R&B influences, the song incorporates ambient textures and intricate electronic beats to craft a soundscape that feels both intimate and expansive. Its flowing structure and groovy undertones evoke a sense of reflection and tranquility, making it perfect for a late-night drive, relaxing moments, or simply vibing to its rich atmosphere.

feel

El taller de Cuca:
Toni Solé (piano and keyboard)
Mery Navarro (choirs)
Cuca Aguirre (choirs)
Pepe Gámez (Spanish guitar)
Antonio Sánchez (Spanish guitar and bongó)
Adrián González (electric guitar)
Sergio Párraga (keyboard, bass, melodic bass, cajón, palms, choirs, drumms programming and production)

Donde siempre

Track #04 of my third album 'Down the Rabbit Hole'. open.spotify.com/album/4Iq21rBQvgXesED9Hv8GEc

Selenophilia (sel-en-o-phi-lia) - a lover of the moon. 
The longing to bath in the warm light of dusk, to float in the cool night air, the freedom of the liberated soul.

_________________________________________________________________________________

LYRICS:

Dreams come alive
Cause the days are gone

Bathed in blue light
My skin’s ghostly and pale 				
Solitary peace in			
Quiet loneliness

When the outside
Stops for a while

Dreams are alive
Cause they’re all you have

Through grey mists 
Fleeting and thin
A frozen lake of
Iridescent memories 

Hibernating		
Patiently

From the dark
I watch the sky turn to dusk
Once again
Longing to find

The soft yellow light
In between day and night
Mystery place		
In the fabric of space

Often obscured
But never totally gone
Dizzying heights
Free and wild

The endless sigh
A warming comforting breeze
Carry me wide
To never come home

_________________________________________________________________________________

Selenophilia

04 Selenophilia

we can get distracted by flashing lights,spectacular presentations,glitz and glamor ...It is important to seek out things/people/leaders with real qualities not false promises and slick pandering
lyrics

giant rosebush blood red bright
lilac tree deep purple delight
spectacular to see for sure
but what interests me the more
are the tiny flowers that you see
growing in the grass singly
not loud not bold not flashy not sassy
It doesn't take much to make them happy

flashy dresser latest styles
manicured nails and botox  smile
glitters in the dim daylight
attracting many to his site
but what I want, what I seek
is not someone that just throws off heat
but instead is simply warm inside
who doesn't need glitz and glitter
to be satisfied

like a moth drawn to a light
we often seek the cheap delight
and gather around in mindless worship
of something that it truly worthless
so when you choose a light to follow
be sure its source is not bare and hollow

choose wisely

Lyrics: Mag ik dan bij jou (cover Claudia de Breij)

Als de oorlog komt, En als ik dan moet schuilen, Mag ik dan bij jou?
Als er een clubje komt, Waar ik niet bij wil horen,Mag ik dan bij jou?
Als er een regel komt, Waar ik niet aan voldoen kan, Mag ik dan bij jou? En als ik iets moet zijn, Wat ik nooit geweest ben Mag ik dan bij jou?

(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
Als het onweer komt, En als ik dan bang ben, Mag ik dan bij jou? Als de avond valt, En 't is mij te donker, Mag ik dan bij jou? ls de lente komt, En als ik dan verliefd ben, Mag ik dan bij jou? Als de liefde komt, En ik weet het zeker, Mag ik dan bij jou?
(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
 
Als het einde komt, En als ik dan bang ben, Mag ik dan bij jou? Als het einde komt, En als ik dan alleen ben, Mag ik dan bij jou?

Translation: When the war comes, And if I have to hide; Can I come to you then? If there is a club, That I don't want to belong to, Can I come to you then? If there is a rule, Which I cannot comply with, Can I come to you then?And if I have to be something, Which I've never been, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else? And if I have to cry; Will you dry my tears then? 
Chorus;
Because if I can be with you, You can always be with me  Come whenever you want, I'll save a room for you, When the storm comesAnd when I'm scared; Can I come to you then?
When night falls, And it's too dark for me, Can I come to you then? When spring comes, And when I'm in love, Can I come to you then? When love comes, And I'm sure, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else?And if I have to cry Will you dry my tears then?
Chorus;  Because if I can be with you,…L.
When the end comes, And when I'm scared, Can I come to you then? When the end comes
And when I'm alone Can I come to you then?

Mag ik dan bij jou (cover Claudia De Breij)

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

Une chanson contre la violence conjugale...
A song against domestic violence...
Vocal/intro & Final text : DelhyA  https://soundcloud.com/user-945711181/tracks
Piano/Synth/Arrangement : Régis GAUBERT  musicoman@wanadoo.fr https://soundcloud.com/robspiritduo/tracks
Composer/Arrangements/Guitars/Slide : Philippe SEGUINARD
Lyrics : Guillaume DULER

Lyrics:
J'entends les cris là-haut d'une autre qui se débat , d'une femme qui pour cette fois ci n'est pas moi. Rien ne doit transparaitre , je ne dois pas laisser mes larmes couler et se frayer un chemin jusqu'à mes lèvres scellées . Et même si les bleus sous ma peau se réveillent , je dois les ignorer et agir comme si tout était pareil...
La peur de lui parce qu'un verre de trop
surtout se fondre invisible sans  mots
elle en vit par la force à coté de la vie
prisonnière isolée sans porte de sortie
cécité de son sang et de ses amitiés
ne pas parler se taire rien ne doit transpirer
se voiler d' un rideau de tissus de mensonge
triste jeu de cache cache qui consume et qui  ronge
Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
mentir au soleil quand la lune voit tout
les nuits sont cruelles écrasées de tabous 
la honte qui maquille la vérité trop laide
qui étouffe les cris de ces appels à l'aide
accoudés au silence les sévices bien tranquilles
se prennent du bon temps ils jouent à domicile
au coupable les mains pleines de frappes de raisons
à la victime le doute de fuir sa déraison
Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
le sourire de façade sous des tonnes de semblants
donner le change à celles comblées par leurs amants
vider ses yeux de tout ce qui pourrait trahir
ces miroirs la qui font qu'elle ne pourrait mentir
les bleus des sentiments qui lui cognent à la peau
violence d'un élément qui laisse sur le carreau
un corps vandalisé mort pour la fratrie
tombé au champ d'horreur abattu par celui
Qui disait qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
des baisers dans la gueule
caresses à poings fermés
d'un amour qui dégueule
de passions débordées
La tendresse des coups
Je ne peux les laisser atteindre ce rivage à nouveau où les vagues d'une mer intérieure continue se brisent en silence...

I can hear the cries of another woman struggling, a woman who this time is not me. I mustn't let anything show, I mustn't let my tears flow and make their way to my sealed lips. And even if the bruises under my skin awaken, I must ignore them and act as if everything were the same...
Fear of him because one glass too many
above all melting away invisible without words
she lives by force beside life
prisoner isolated with no way out
blindness of her blood and her friendships
don't talk shut up nothing must transpire
veil itself with a curtain of cloth of lies
sad game of hide and seek that consumes and gnaws away
And he says he adores her...always a little harder... until death
lie to the sun when the moon sees all
nights are cruel crushed by taboos 
shame that disguises the truth too ugly
that muffles the cries for help
crouched in silence quiet abuse
have a good time they play at home
to the guilty hands full of strikes of reasons
to the victim the doubt to flee his folly
And he says he loves her... always a little harder... until death
the facade of a smile under tons of pretence
giving the lie to those fulfilled by their lovers
emptying her eyes of anything that might betray
those mirrors that make it impossible for her to lie
the bruises of feelings pounding against her skin
violence of an element that leaves
a vandalized body dead for the siblings
fallen in the field of horror shot by the one
who said he adores her...always a little harder... until death
kisses in the face
caresses with closed fists
of a love that spews out
of overflowing passions
The tenderness of blows
I can't let them reach that shore again where the waves of a continuous inner sea break in silence...

© Philippe SEGUINARD/Guillaume DULER  Juillet 2025

La tendresse des coups ( DelhyA - Régis GAUBERT & JIM ) TRANSLATED

Vocals; https://soundcloud.com/specialececilia

Rap; https://soundcloud.com/frawstakwa

Production; https://soundcloud.com/rizlix



cover art created with https://www.canva.com/




Special Cecilia x FRAWSTAKWA x RiZLiX - Make A Little Music

In 2018, I did a SoundCloud collaboration with @clive-hawkins after one of his tracks inspired me to write lyrics over his haunting instrumental 'After the Bomb'.

Clive had posted the line "let us not forget the consequences............of unleashing weapons of mass destruction!", and that comment, coupled with listening to his moody track, had me writing the complete lyrics inspired by his music in about 1.5 hours.

In 2025, I am currently working with accomplished keyboard player and Prog Rock enthusiast @Dee-Zee (Dave Zeitlin), to create an Ethno-Prog album 'Beyond the Veiled Horizon'. 

https://soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

So when I recently re-heard the old collaboration I wondered if Dave's keyboard wizardry could add a whole new dimension to the lyrics. The message in the lyrics has perhaps has even more urgency in 2025. 

The Doomsday Clock currently stands at 89 seconds to midnight. 
https://thebulletin.org/doomsday-clock/2025-statement/

Using Clive's harmonic rhythm that inspired the melody, that inspired the lyrics, I basically gave Dave a blank slate to see what he could come up with as parts. As usual he delivered some amazing ideas and playing and this left me re-assembling this Redux version of the collaboration. Once again, I made use of the Alto vocal talents of 'Mrs Bouzouki' in a vocal harmony section and as part of some harmony stacks. Towards the end, the additional female backing lines are from the Soundiron 'Voices of Gaia' collection featuring the vocal talents of Linda Strawberry.

I feel the addition of a church organ really added to the track. As a result I removed a choir part I added in the original collaboration and added some low strings to add some weight to the bottom end in places. Besides piano, Dave also added some synth pads to keep things interesting during what is quite a long track. I hope that people can hear why I enjoy working with Dee Zee. I think he's done a fantastic job with this track.

I decided to keep my original vocal takes from 2018 but I feel the track has benefited from my improved mixing and production techniques. 

I feel that once again this track is a great example of how music can be created using the SoundCloud platform. A collaboration can build on a collaboration to create something bigger than the sum of the parts. Thanks @clive-hawkins for being the catalyst for this and @dee-zee for your compositional skill and playing. 

As a follow-up to this song you can watch this movie on the Internet Archive, produced in 1969 about the Hiroshima-Nagasaki bombs of 1945. Some of the imagery is not for the faint-hearted.

archive.org/details/hiroshimanagasakiaugust1945
=======================================================
Lyrics

After The Bomb - P Goodrich 22/01/2018

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Just What Have We Done

Dead Streets, Dead Lives
Dead Seas, Dark Skies
We've Gone, Too Far
Ohhhh We've Lost It All

(C)
And The People Cried As One
With The Firing Of A Gun
Too Late For Second Thoughts
Too Late For All Of Us

No Race, No Faith,
No News, No Lies
Past Ways, Past Lives
They're Over and Done

Dark Days, Dark Times
Dark Deeds, Dark Minds
No Hope, All Gone
We've Nowhere To Run

C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

(organ instrumental)

No Rest, No Sleep
No Love, Just Hate
Dull Hearts, Dead Minds
The Future It’s Gone

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Oh What Have We Done

(C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

One World, One Tribe
(Ad Lib)
We’ve Nowhere To Run
(Final Whispered) After The Bomb ... After The Bomb

After The Bomb - Redux 2025 (89 Seconds To Midnight)

A feeling of waiting and going nowhere. Too much time to think as your regrets interfere with your thoughts.

Lyrics

And the reason that you thought you hadn't told me
The reasons that you said had gone away
I dreamed about chances and the answers
I never knew what happened anyway

As the reasons and the days pass. 
Everything seems to settle in my mind 
The reasons that I had I didn't tell you
I was fearing who I am

In many years I never thought about you
But that's a lie. I'm lying to myself
For the reasons try and lock away the answers
It took away my heart and something else...

A Song version of Patience I just had the idea for. Hope its an improvement. 

Please feel free to leave a comment as its really helpful. 

Hope you enjoy.

Patience and Regret

Daydreaming through the dark times.

A song of daydreaming trying to forget your stress but it's always there as a slow building constant.

A happy accident but if you loop this track it flows perfectly into itself lol. 

Updated the track 1st August 2025 with a fresh mix and added acoustic guitar work. Also added some subtle ambient percussion and some vox for depth. 

Please feel free to leave a comment as your feedback is really valuable.

Hope you enjoy it

Daydreaming

Dream Bubble

Running Out Of Time (2025) Remastered

Can't Get Bayou (But I Can't Get By Without You Either)

promise

ANTI-LANGUAGE PROTOCOL

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

"I'm not a good talker, so music becomes my voice." 

I'm an east London producer, song writer, sound designer and vocalist. 'Fluff' is my solo project. (I'm the other half of trip-hop duo www.soundcloud.com/silverstreaks). 

Fluff-music combines traditional songwriting, indie, electronic, goth, ethereal/synth pop and experimental/cinematic sound design into powerful, emotional sound scapes. Manipulated field recordings and audio textures add suggestive sounds to evoke raw and visceral emotions in the listener. 

Influences: 
Indie/art rock, darkwave and the electroclash scene in the mid 00s. 

Discography:

'Down the Rabbit Hole' (Album, 2023).
In stores since 19th September. https://open.spotify.com/album/4Iq21rBQvgXesED9Hv8GEc 
I will be uploading high res tracks here over time.
'Down the Rabbit Hole' is a reflection on our world as it is today. Greedy, destructive, homogenised, selfish and exploitative. But we're resilient creatures. There are some fun, light-hearted tongue-in-cheek stories of adaptation and survival by becoming pretty fabulous.

'Slate Horizons' (Album, 2018) - Collaboration with @metalogue, London producer and cinematic sound designer. fluffling.bandcamp.com/album/slate-horizons
Indie-electronica, industrial, ambient, cinematic and experimental sound design.
A dark, sonic post-apocalyptic nightmare vision, dealing with events of the recent past, present and not so distant future: Social apathy, lethargy and indifference, public obedience, compliance and conformity, social paranoia, genetic mutations, nuclear threat, post apocalypse and human extinction.

'Black Cats and Criminals' (Album, 2015). https://fluffling.bandcamp.com/album/black-cats-and-criminals
A mix of ethereal electro/synth, pop and piano. Exploration of various topics of complicated human emotions.

'Down the Rabbit Hole' (Album) available on Bandcamp:
fluffling.bandcamp.com/album/down-the-rabbit-hole

'The Asylum' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/the-asylum

'Fallout' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/fallout

'Cherry Blossoms in March' (Single) available on Bandcamp: https://fluffling.bandcamp.com/track/cherry-blossoms-in-march

'Rings of White Ice [Club Remix]' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/rings-o…ce-club-remix

'The Trailer' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/the-trailer

Fluff on facebook: www.facebook.com/Fluffling
Fluff on Instagram: https://www.instagram.com/fluffmusic/
Fluff on Twitter: https://twitter.com/fluffmusic
Fluff on TikTok: https://www.tiktok.com/@flufflingmusic
Fluff on Spotify: http://open.spotify.com/artist/2FmSKvGh3PtXaPkEjjP3IH
Fluff on YouTube Music: https://music.youtube.com/channel/UC0KgGwLAq4CZQkHUVegGACA
Fluff on Amazon: http://music.amazon.co.uk/artists/B0CJLY9HWD/fluff
Fluff on AppleMusic: http://music.apple.com/mg/artist/fluff/1708934773

I also write commercial music for BlackBirdBlue - TV work/Sound Design/Soundtracks/Advertising/Movie/Trailers: @blackbirdblueproductions

04 Selenophilia

Fluff

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