Π£A¥£15z+ №16

Electronic vol.5

Related tracks: Jo Jo The Dog Faced Boy

[WAITING FOR APPROVAL BY THE CENTRAL COMMITTEE]

Superdance tracks series no. 596

created: 2024/01/10

These tracks were uploaded to SC between 11/2023 and 01/2024,
except for the following, older ones:

...

The Central Committee sends its love.

[TO BE COMPLETED]

hk_Superdance_tracks_596

Related tracks: Meditation On Innocence In C

Your MegaMix

Shock the Algorithm

EdgeOfDark

A Cause In Distress - Paraffin

Sobakka - Jam

Path

Samba De Verao: Summer Samba Composer Marcos Valle E Sérgio Valle

sardalove - Barely Breathing

Emerging from over a year of creative hibernation following their debut album, Stavroz's first single and title track of the upcoming EP "Kick Up the Dust" jolts them back into action with a proper... kick. As one of the most powerful songs they've ever done, it still feels very... "Stavroz":  lightly twisted with a wink and a frown. 
Known for their skillful balance between couch and club, Stavroz however boldly steers towards the heart of the dance floor this time: efficient, remorseless, powerful, intense and most of all... elegant.
Guiding you harmoniously through the club is a delightful duet of trumpet and saxophone, timed perfectly to heal you where it hurts most.

Kick Up The Dust EP

Kick Up The Dust

stream/buy

The third track on the latest Stavroz EP is a captivating collaboration featuring Brussels-based pianist, producer and sound designer, Poltrock. In this mesmerizing composition, a combination of ethereal-sounding synths and duduk are combined with ghostly high-pitch distortions. Despite a backbone of muffled beats, the tune has vaporous qualities, reverberations that wobble and tinkle into space – it’s an easy listening experience but in a trippy, spaced-out way.

This musical direction exemplifies the essence of Stavroz's artistic philosophy, encapsulated in their motto: "We're trying to go for the sweet spot between the couch and the club." This approach has become a hallmark of the band's style, seamlessly blending elements of relaxation and danceability to create a unique and entrancing sonic experience that resonates with a diverse audience.

Dae-El

The first pass of Velma - 
https://planetyes.bandcamp.com/
https://www.youtube.com/watch?v=9d8U3mqkA90

Velma

olovne trepavice(demo)

The second single of the newest Stavroz EP is upon us. In classic Stavroz-style, the Belgian quartet offers an astonishing journey of saxophone & duduk, supported by broken beats and chopped vocals. 
"Her Eyes Were Red" does what it says on the cover. There's melancholy - without sadness. Power - without force. Love - without lust. Stavroz's music possesses a distinct power that feels both natural and organic, never resorting to brute force or aggression.

The song is a testament to Stavroz's artistry, showcasing their ability to evoke deep emotions through their music. With each note and rhythm, they prove why they are celebrated as one of the most innovative and captivating musical acts in the electronic music scene. This track is a shining example of their talent, leaving a lasting impression on both your ears and your heart.

Her Eyes Were Red

This is the second to last track of Fluff's third album 'Down the Rabbit Hole'. https://open.spotify.com/album/4Iq21rBQvgXesED9Hv8GEc

We distract ourselves with meaningless noise, money and a selfish desire for 'me'. We don't realise how the skeletons in our closets, the hate and separation we breed and nurture, slowly erodes togetherness, fairness and community, while at the same time builds up to a big explosion, which probably none of us will get out of alive.

LYRICS:

The day was meaningless 
TV the usual mess
We had our toys and games and
Lots of noise and lots of noise

Do not appreciate 
Don’t give before you take 
What’s in it for me
And where is my money

This is out of control
We are out of control

I deserve
All this is mine
This is meant to be my time
Guilt reflects in our eyes
We didn’t get to say goodbye 

How did it turn so fast
I guess we didn’t last
Filling our closets 
With the ghosts and shadows
From the past

This is out of control
We are out of control

Looming up there all this time 
Pretending to be stars
Those lights now dripping from the sky
Like candle wax held to the fire

Rusty Emergency
Rusty Emergency
Rusty Emergency
Rusty Emergency

Down the Rabbit Hole

Rusty Emergency

13 Rusty Emergency

Mixed: Audacity
Mic: Rhode USB Mini
Vocals, lyrics, mix: Tam Jennifer
Guitar, rhythm: KSK Beats

Lyrics: 

There's a place I go
Not a place I know 
Wanna meet me there
. 
There's a place I go
Not a place you can know
Meet me anyway
. 
Abandon all thoughts
Reject all feelings
Leave the things you are taught
Don't give it meaning 
. 
Say my name
You know me
Hold my hand 
And never leave
. 
There's a place I go
Not a place I know 
Wanna meet me there
. 
There's a place I go
Not a place you can know
Meet me anyway
.  
Planting flowers in
This abandoned garden for
Future happiness
. 
Hope is a road
My heart is in your hands so
Never let me go. 
. 
Take my love
Put it in a form that can
Reach uncharted land oh
. 
Ponder road is 
Where hope and love flowers grow
Roots for tomorrow
.
Never again
Consult the moon and the stars
For matters of the heart
.
There's a place I go
Not a place I know 
Wanna meet me there
. 
There's a place I go
Not a place you can know
Meet me anyway
. 
-interlude-
.
There's a place I go
Not a place I know 
Wanna meet me
. 
There's a place I go
Not a place you can know
.
_end_

© Tam Jennifer Hastings, KSK Beats, 2023

Place I Know (ft KSK Beats, 2023)

BEGINNING

Beginning

1.BEGINNING

Jo Jo The Dog Faced Boy

My imagining of B's awesome track. 

The Original

https://soundcloud.com/belial-pelegrim/giant-bones-and-inscriptions-in-stones?si=c6c55ffbccc44a61887128c80d0ba225&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Inscriptions In Stone

Inscriptions In Stone Belial Pelegrim ---- COtu RMX

painting by me, a little cropped and resized

Cyclopean Descendants of Magpies

Cyclopean Descendants Of Magpies

Franchissez la porte, qui vous permettra d'accéder, à ce concept aux voix et harmonies spécifiques qui vous permettront, de voyager un instant hors de cette réalité présente, si troublée et parfois désespérante ....

****************************************************************************************************************

Cross the door, which will allow you to access this concept with specific voices and harmonies that will allow you, to travel for a moment outside this present reality, so troubled and sometimes desperate ....

Fantasy Music ....

Music & words : Loony De Bussy 
Illustration : Nataly NGM  🧡

All played and sung by Loony :  Acoustic / Electric guitar, Fretless Bass, Slide guitar, Electric piano 

Composed and recorded in 2003
Mixed and mastered in November 2023

NIGHT TIME

a sprint along the shore perhaps... a variant of https://soundcloud.com/muterial/shoreline-runner

Piano Runner

Electro-minded as always, Neuronal Division continues their bass-focused sonic research on nonirritating. Raw, driving and usually with an enthralling twist, the EP provides 5 fresh, floor-ordiented tracks. 
Surface Mounded Disappointment is an ode to the fact that you can't please everyone in live, but not without trying.

Neuronal Division -  triple zero

Full album on bandcamp - mikebenoit.bandcamp.com/album/reconfi…-combinations
Mike Benoit is a wonderful sound artist who reached out to me this year with the idea of taking some raw improv piano playing and reworking them to produce original tracks. This appealed to me because 1 - I ain't the greatest piano player so this was flattering and 2 - I spend so much of my time reworking other peoples sounds it would be awesome to be on the receiving end for a change : ) .The album features 4 tracks, each one originally recorded on a different piano then given the treatments by Mike.

Preview: Mike Benoit & Mat Ward - Reconfigured Combinations

'Dive into the sonic underworld with Tony Metric as he drops his freshest EP, 'Embobaa,' marking a gritty comeback to our musical orbit.

Straight outta Mexicali, Baja California, Tony Metric kicked off his musical saga at 21, setting local parties ablaze and leaving crowds spellbound at Fashion Shows.

Now, a heavyweight in the Tech House & Techno trenches, Tony Metric's tracks aren't just beats – they're a vibe. Infused with a blend of street-smart groove and throwback old school vibes, his tunes don't just climb the Beatport charts; they own them. From small underground clubs to the decks of DJs worldwide, Tony Metric's beats are a force to be reckoned with.

His latest cuts earned nods from the underground elite. Marco Carola, Chelina Manuhutu, Bob Sinclar, Blond:ish, David Penn, Cato Anaya, Lexlay, and a squad of heavy-hitting DJs are riding the Tony Metric wave.

The 'Embobaa' EP is the essence of Tony Metric's craft, a promise of sonic rebellion that breaks boundaries and hooks people on dancefloors across the globe.

Let's vibe out with the infectious rhythms of 'Embobaa' EP together!'

Follow: @tonym3tric / @baikonurrecordings

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT: youtube.com/user/whenwedip
FB: facebook.com/wwdofficial
IG: instagram.com/whenwedip/
TW: twitter.com/WhenWeDip

Tony Metric - Embobaa EP

Premiere: Tony Metric - Embobaa [Baikonur Recordings]

Spécial thanks to Mikamik for his a cappella ......

NEED NO REASON.  feat Mikamik

Many thanks to Andre [noxpox (page13)] for offering this stimulating track.

https://soundcloud.com/noxpox13/noxpox-dreamin-ov-moonrocks?si=2c983f4055a04e14a32e90afeb10e042&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

noxpox - dreamin ov moonrocks [WBE metamorphic Sax Mix]

Mixing it up a little again

Thanks as always for your generous time listening, for your comments and for your shares

Trick Or Treat

Get Something Going

"If you can go home.. you are wealthy beyond your dreams".

Your Home Now (Cookie Mix)

make me yours

The new Kassiopeia Release by Nanoviola and La Bad Curly is out now!

Nanoviola, La Bad Curly - Niña Bien

affectionate

Taken from our upcoming debut album "Rock and Roll Kills" (mid-2024).
Youtube link: https://youtu.be/kWZJiztgoXU (like & subscribe:))
---------------------------
lyrics:
And then i ask my self, is there a way out, could i be heard loud?
And then i ask my self, could it be?

And then i turn my head, up in the sky and wondering why?
could i turn back time or live it again?

Chances are thrown away, anothers have won not gone astray
but that's a blessing not a curse so thank you!

You think is over...over now, just shake your head and face now
face the truth and all the greatness around

Don't need nothing else, i got everything that completes me
all the rest is just a dusty grain of sand

(p) & (c),all rights reserved, STA 2024.

Rock and Roll Kills

Dusty Grain of Sand

Taken from the upcoming debut full length album (planned to be released mid-2024 - "Rock and Roll Kills").
(p) & (c), 2024.
Youtube link: https://www.youtube.com/watch?v=EVDW2mi4i0g
-----------------------------------------------------------------
Explicit lyrics:
Felt like almost dead, would you carry me home, would you lay me down?
Felt like shit again, would you bring my pills? do you know how it feels?

i don't know where to go...is this the end? i don't know!
From the tip of my head...till my toes, is this hell and heaven's above?

is there a free ride or a lottary prize? to win to lose on an XL size?
crappy or not, time will show...all i know is heaven's above!

I don't wanna buy a lotta food
i don't wanna get rid the booze
i don't wanna buy an SUV
i don't wanna get fatold and get peed

i don't wanna watch the news
i don't wanna get dirty with tools
i don't wanna smell your farts
i don't wanna mess around with you fatfucks!

Heaven's above?

  Thanks to Francesco (@francescocartocci)
for the wonderful interpretation of the guitar part ( this brought life to my initial digital sketch),  and for the skillful mix.
Our other collaborations:
@soundcloud.com/rosindust/sets/grazie-francesco


Summer Tram - with Francesco Cartocci

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Born in winter.
Free Download: https://planetyes.bandcamp.com/

CKORN

Apache (Original Mix)

"I'm not a good talker, so music becomes my voice." 

I'm an east London producer, song writer, sound designer and vocalist. 'Fluff' is my solo project. (I'm the other half of trip-hop duo www.soundcloud.com/silverstreaks). 

Fluff-music combines traditional songwriting, indie, electronic, goth, ethereal/synth pop and experimental/cinematic sound design into powerful, emotional sound scapes. Manipulated field recordings and audio textures add suggestive sounds to evoke raw and visceral emotions in the listener. 

Influences: 
Indie/art rock, darkwave and the electroclash scene in the mid 00s. 

Discography:

'Down the Rabbit Hole' (Album, 2023).
In stores since 19th September. https://open.spotify.com/album/4Iq21rBQvgXesED9Hv8GEc 
I will be uploading high res tracks here over time.
'Down the Rabbit Hole' is a reflection on our world as it is today. Greedy, destructive, homogenised, selfish and exploitative. But we're resilient creatures. There are some fun, light-hearted tongue-in-cheek stories of adaptation and survival by becoming pretty fabulous.

'Slate Horizons' (Album, 2018) - Collaboration with @metalogue, London producer and cinematic sound designer. fluffling.bandcamp.com/album/slate-horizons
Indie-electronica, industrial, ambient, cinematic and experimental sound design.
A dark, sonic post-apocalyptic nightmare vision, dealing with events of the recent past, present and not so distant future: Social apathy, lethargy and indifference, public obedience, compliance and conformity, social paranoia, genetic mutations, nuclear threat, post apocalypse and human extinction.

'Black Cats and Criminals' (Album, 2015). https://fluffling.bandcamp.com/album/black-cats-and-criminals
A mix of ethereal electro/synth, pop and piano. Exploration of various topics of complicated human emotions.

'Down the Rabbit Hole' (Album) available on Bandcamp:
fluffling.bandcamp.com/album/down-the-rabbit-hole

'The Asylum' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/the-asylum

'Fallout' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/fallout

'Cherry Blossoms in March' (Single) available on Bandcamp: https://fluffling.bandcamp.com/track/cherry-blossoms-in-march

'Rings of White Ice [Club Remix]' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/rings-o…ce-club-remix

'The Trailer' (Single) available on Bandcamp:
fluffling.bandcamp.com/track/the-trailer

Fluff on facebook: www.facebook.com/Fluffling
Fluff on Instagram: https://www.instagram.com/fluffmusic/
Fluff on Twitter: https://twitter.com/fluffmusic
Fluff on TikTok: https://www.tiktok.com/@flufflingmusic
Fluff on Spotify: http://open.spotify.com/artist/2FmSKvGh3PtXaPkEjjP3IH
Fluff on YouTube Music: https://music.youtube.com/channel/UC0KgGwLAq4CZQkHUVegGACA
Fluff on Amazon: http://music.amazon.co.uk/artists/B0CJLY9HWD/fluff
Fluff on AppleMusic: http://music.apple.com/mg/artist/fluff/1708934773

I also write commercial music for BlackBirdBlue - TV work/Sound Design/Soundtracks/Advertising/Movie/Trailers: @blackbirdblueproductions