Journey to Tranquil Horizons: The Serene Landscapes of 'A Path to Open Air II

Introducing 'A Path to Open Air II,' the evolution of Tobias Wilden’s 2013 album, 'A Path to Open Air.' This latest offering continues the introspective journey initiated by its predecessor, delving even deeper into Wilden's perception of nature and music. Through meticulously crafted multitrack compositions, Wilden conveys a profound connection to the environment, capturing the yearning for tranquility found in remote locales and the ambiance far removed from urban confines through atmospheric acoustic soundscapes.

Inspired by nature and landscapes, Wilden masterfully weaves together complex ideas and emotions. His pastoral ambient instrumentals gently unfold, employing acoustic/classical elements, from guitar, cello, double-bass, to even the Japanese traditional instrument Sanshin to create impressionistic musical sketches. Wilden seamlessly integrates orchestral and electronic elements to enrich his melodic storytelling. Wilden's style effortlessly oscillates between melodic allure and dissonant intrigue, challenging categorization. His intricate technicality is balanced by a delicate demeanor, engaging listeners with contemplation and depth.

From tracks like “Beneath the Stones” to “Encounters,” Wilden probes deep into hazy nostalgia with each subsequent piece. Through evocative playing, he paints aural landscapes existing between seasons and shifting moods, from the elegiac tones of “Spring Nomad” to the melancholia of “Tidelands.” Wilden's craftsmanship emerges prominently in every composition as he pushes the boundaries of acoustic guitar music, experimenting with layers of guitar to achieve a full sound without relying on alternate tunings—a notable departure from the album’s predecessor.

As the album unfolds, "A Path to Open Air II" emerges not merely as a collection of songs. Through Wilden’s use of tone and texture, he invites listeners to explore the quiet, resonating moods that lie beneath the surface of sound.

"A Path to Open Air II" will be available on LP, CD, and digital formats, set to release on May 31, 2024, via KITCHEN. LABEL. Gen Tanabe mastered this record at Studio Camel House in Japan.

Tobias Wilden - On The Surface (A Path to Open Air II)

From the album Layers of Afternoon, Available June 13, 2025 on Western Vinyl
Pre-order / Listen https://lnk.to/layersofafternoon

Bandcamp

WV283 - Goldmund - Before I Sleep

"At this point I have a request for our fans.  If any of you in any way hate homosexuals, people of different color, or women, please do this one favor for us -- leave us the fuck alone!  Don't come to our shows and don't buy our records."

Protect The Dolls!

Unavailable for almost 30 years in its own right, this collection from the Cold Spring archive has been repackaged and remastered with new art. This classic album exists as a document of the soundtrack work PSYCHIC TV created for the many films and videos of Derek Jarman. Another demonstration of why PSYCHIC TV were one of the most important groups in the world.

The titular track, 'Prayer For Derek', is intended as an invocationary prayer, based on Tibetan rituals; a collage of sounds including field recordings of the lulling waves running aground on the shingle beach opposite Jarman's Prospect Cottage in Dungeness, Kent alongside bird song, crying babies, and massed ritualised chants to aid the late film director in his after-life journeys.

Other tracks feature elongated drones, washes of dissonance, melancholic guitar chime, evocative piano scoring, Burroughs cut-ups, gothic chants, and familiar snarling gods.

Out 23rd June 2025: CD in matt digipak with 8-page fold-out booklet, with detailed liner notes by Genesis P-Orridge (1997); Astorical anecdotes and background facts for completeness.

https://coldspring.co.uk/csr351cd

https://coldspring.bandcamp.com/album/a-prayer-for-derek-jarman-csr351cd

Listen: https://soundcloud.com/coldspring/sets/psychic-tv-prayer-derek-jarman

Digital: https://orcd.co/csr351cd

PSYCHIC TV The Loops Of Mystical Union (excerpt)

Wandering Mind, Drifting Weather is a cross-border collaboration between Norwegian composer and pianist Julia Gjertsen and Swedish trombonist and sound artist Gustav Davidsson. Both artists have a classically trained background, and are known for their improvised sound and Ambient compositions. Between them they’ve released on labels such as Moderna Records, Constellation Tatsu, Bigo & Twigetti and Blue Spiral Records. While Julia is known for her emotive piano-led pieces and evolving electronic textures, Gustav brings his unique approach to the trombone, treating it as both a melodic and atmospheric instrument. They reside in separate but neighbouring countries with Julia in Oslo, Norway and Gustav in the village of Ljungskile near Gothenburg in Sweden.

This album was created as a slow and intuitive exchange of sketches, sent back and forth between these two artists over the course of several months. The result is an immersive suite of compositions which place the piano and trombone front of stage, enhanced by subtle restrained pads, Wurlitzer tones and gentle electronics. Each piece represents a different time of day and evokes a mood akin to weather in motion such as shifting light, drifting clouds or a sudden breeze. The title Wandering Mind, Drifting Weather reflects the intuitive progression of these works, where ideas and improvisations gradually shaped a harmonious collection. Thematically, it paints nature as both a setting and a metaphor; the way a setting can be transformed by meteorological elements, and how thoughts, just like weather, pass with their own emotional charge.

Rather than follow a rigid structure, the music here exists in a space between composition and spontaneity, often capturing a moment rather than refining it. Julia’s minimal and expressive piano sketches form the structural foundation, while Gustav explores the trombone’s many voices not just as a lead instrument, but as a background hum, gentle harmony, or a shadowy atmosphere

Written and produced by Julia Gjertsen and Gustav Davidsson
Mastered by Gustav Davidsson
Photography by Julia Gjertsen
Art and design by Andrew Heath

Wandering Mind, Drifting Weather

wlr187 Julia Gjertsen & Gustav Davidsson - Wandering Mind, Drifting Weather

https://shimmeringmoodsrecords.bandcamp.com/album/in-bel-m


A series of solo piano recordings registered in Belém, Brazil at a cultural centre in the Praça da república run by the Universidade Federal do Pará (UFPA) downtown. I had a 1 hour window to record one evening thanks to Margaret Refkalefsky. This series of recordings took place in the moment and also was mediated by the sounds of the city. I was listening intently to the city's soundscapes while playing. My friend, musician and producer Nick Schofield, generously took these recordings and worked with them to bring out some of the rich tones that were registered simply on a Zoom H4n recorder. 

Thank you for listening. – Stefan Christoff

releases July 21, 2025 

Recorded by Stefan Christoff 
Mixed by Nick Schofield 
Artwork, “Vistas” is by Ionaldo Rodrigues 
Thank you to Margaret Refkalefsky 

SHM 349 
Shimmering Moods Records 2025

Stefan Christoff - In Belém VI

Fluid Audio presents Giulio Aldinucci & Matteo Uggeri - The Promise of a Threat coming soon on Fluid Audio...

In The Promise of a Threat, two veteran composers of ambient and electroacoustic music - Giulio Aldinucci and Matteo Uggeri - converge on a collaborative terrain that is at once intimate and immense, reflective and unsteady, beautiful and unsettling.

Created between June 2021 and early 2022, and mastered by Aldinucci in 2025, the album stands as a slow-burning document of digital and emotional correspondence. It reflects the language of ambient music not as static wallpaper, but as a deeply expressive form - one that allows silence and signal, memory and disturbance, to coexist within the same fragile space.

A Digital Dialogue Across Distance...

The entire work emerged through remote exchanges between Aldinucci (based in Siena, Italy) and Uggeri (Milan, Italy), unfolding gradually through shared sessions, sketches, and iterations over time. The process was not unlike the movement of tectonic plates - imperceptible at first, yet with weight and intention. Layers of processed field recordings, abstracted rhythms, and spectral textures accumulate into dense yet transparent forms. Every detail is traceable, yet elusive.

Giulio Aldinucci, known for his deeply spatial drones and sensitive treatment of field material, builds immersive sonic beds that seem to hover just above the surface of the Earth - simultaneously grounded in place and untethered from time. Matteo Uggeri, by contrast, applies a more tactile touch: assembling beats, samples, and environmental recordings into patterns that give pulse and tension to the atmosphere.

Together, their styles intersect in subtle and surprising ways - sometimes bleeding into one another, at other times standing apart in contrast. The balance between order and entropy, harmony and noise, creates a dynamic that speaks to the album’s title: The Promise of a Threat. Beauty does not arrive alone. It is always shadowed by its inverse.

Processes of Presence and Absence...

Across the album’s runtime, the listener is drawn through zones of dissolving melody and shadowy rhythm, passing through spaces that feel neither entirely natural nor entirely artificial. A drum sample on Track 2, provided by Andris Brinkmanis, adds a skeletal percussive element - a quiet agitation beneath the calm. The rhythms are not dominant but suggestive, like distant industrial echoes or memories of forgotten structures.

The artists manipulate the digital medium not as a tool of perfection, but of erosion and transformation. Hiss is preserved. Glitches are welcomed. The human ear remains present in every detail. The processing - granular, filtered, stretched - is not ornamental but fundamental, a way of sculpting emotion out of signal. Field recordings are often submerged, embedded beneath layers of drones and rhythms, yet their presence adds a layer of organic residue - a trace of wind, rust, or breath beneath the circuitry.

A Tactile Offering...

True to the ethos of Fluid Audio, the physical release of The Promise of a Threat will be crafted with great care and material sensitivity. Expect a limited, hand-assembled edition that honours the intimacy and intricacy of the music - an object to be held, as much as heard. Full packaging details and release date will follow.

For now, The Promise of a Threat lingers just at the edge of hearing - like the low hum of an incoming storm, or the quiet reassurance of knowing something is coming, even if its shape remains undefined.

www.fluidaudio.co.uk

So Finally I Stared at It All, Still and Satisfied

~ LAAPS 046 ~ [SEQ.06 - LP46]

artist : Offthesky
album : Nocturnas
duration : 40.28 mn
date : August 28th, 2025

edition :
-  vinyl : limited to 200 copies / marble pink/purple LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : August 01st, 2025 / official release : August 28th, 2025
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Sound and composition by Jason Corder
Vocals by Rin Howell
Created in Thailand and Colorado, 2022 - 2024

Mastered by Offthesky
Artwork by Gaël Bonnefon
Design by Sprflxgrfzm
 
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Links :
https://laaps-records.com/
https://www.instagram.com/iikki_laaps/
https://offthesky.bandcamp.com/
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℗ & © 2 0 2 5 - L A A P S - L A A P S 0 4 6

Offthesky - Dying Within Dreams

Music inspired by the dystopian futures of Blade Runner, I Robot and all the wonderful Science Fiction of the Past and Future.

NEXUS: SOMEDAY SOON

5  Fukushima 2025

Термосфера

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.