Sounds truly wonderful. Any chance of a digital only release (as stunning as the packaging is), I'm trying to declutter my life...

Track taken from the upcoming album 'Objects & Apparitions'...

- All tracks written / played by Gideon Wolf except *track 10 (In the Wake) Cello part played by Tom Spencer

- Mastering by Ian Hawgood

- Design by Daniel Crossley

Objects & Apparitions

Gideon Wolf - With Eyes Closed

Sleep 1

The final moments of an hour-long piano improvisation in Port Meadow, Oxford. Released for #PianoDay 2016. Watch the video here: https://www.youtube.com/watch?v=z1CVLS0-ZYI&feature=youtu.be 

Duck

The original motion picture soundtrack to ‘Salero’ will be out on November 11th.
Pre-order the (Ltd. Clear) LP/CD/DL here: www.erasedtapes.com/store/index/ERATP091
iTunes: itun.es/de/CdbFeb
Bandcamp: snip.ftpromo.net/salerobc
Original Soundtrack to the film "Salero"
Composed & Orchestrated by Adam Bryanbaum Wiltzie.
Recorded in Budapest @ Magyar Hungarian National Radio
Mixed with Francesco Donadello @ Vox-Ton in Berlin

Adam Bryanbaum Wiltzie, the creative force behind A Winged Victory For The Sullen and Stars Of The Lid, is to officially release his score for the motion picture ‘Salero’ on November 11th.
Having channelled some of the most iconic drift music of our time through A Winged Victory For The Sullen and Stars of the Lid, 2016 has already seen Erased Tapes luminary Adam Bryanbaum Wiltzie provide original scores for a number of feature films including Jalil Lespert’s ‘Iris’ and ‘The Yellow Birds’ by Alexandre Moors.
It’s on ‘Salero’ however, that we see Wiltzie weave some of his finest work and deliver an expertly distilled accompaniment to director Mike Plunkett’s sprawling, uncompromising visuals. Set in Bolivia’s Salar de Uyuni, the world’s largest salt flat, the narrative follows the region’s ‘Saleros’ – those who have for generations gathered salt and earned enough to somehow carve out an existence in such a barren landscape. It’s with the discovery of huge Lithium reserves – a mineral used frequently throughout the tech industry – under the scorched earth that acts as a catalyst for exploitation of the environment and its people; holding a microscope to the drastic effect industrialisation has on local culture and tradition.
Recording took place in Adam’s Belgium-based studio for the guitars, percussion and small string ensemble tracking. Hungary was chosen for the final large string orchestra recordings at Magyar Radio Studio #22 with the Budapest Art Orchestra.


LITHIUM, THE NEW ERA

live two-hand piano & FX improvisation - august foerster piano &  grain sampler

August

Available here:

https://www.fluidaudio.co.uk/product/the-seaman-and-the-tattered-sail-standing-on-the-precipice-of-tears

Taken from the upcoming album 'Standing On The Precipice Of Tears'...

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise), tape noise.
 
Seaman was working primarily with Ableton Live and contributed vocal, Piano, time abstractions, violin and viola samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.
 
Solo Viola – Emmanuel Witzthum
Solo Violin – Wei Ping Lin (on Uncovered CDs)
Additional Voice - Emmanuel Wizthum
Trumpet (sample recordings) – Robert Ellis-Geiger
Vocal recorded in The Emergence Lab by Seaman using a Roland Edirol R-09HR Ver.3.0

www.fluidaudio.bigcartel.com/mailing-list

Standing On The Precipice Of Tears

The Seaman And The Tattered Sail - Standing On The Precipice Of Tears

Porya Hatami | Aaron Martin | Roberto Attanasio ​ - 'Sallaw' 
Label; Dronarivm 
Cat #.: DR-58
Format: CD (ltd. 150)/ DL
Release date: March 1st, 2019

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

Mastered by Fraser McGowan
Artwork by Hawar Amini

Buy CD / DL

PORYA HATAMI | AARON MARTIN | ROBERTO ATTANASIO - Gelarêzan

Forthcoming on Fluid Audio...

Lucia Adam + Alex Smalley
April 2017 - February 2019
Weimar, Germany

www.fluidaudio.bigcartel.com

Tides

Ilm - Tides

Continuum introduces the anthology with a strong sense of anticipation and foreboding, using textured layers of modular synths, ambient drones, clusters of whispering voices and ethereal choral vocals. In the words of composer/producer Jameson Nathan Jones.

"Continuum was inspired by the concept of continuous expansion. My initial idea was to use only the vocals to construct the piece, which ended up being the case with the exception of the bass line that appears later in the track. All of the textures were derived from some lovely soprano parts from Olivia Dunn, including the percussive elements which were created by running her vocals through my eurorack system. The end result seemed a fitting representation of the continuous organic and synthetic expansion of our world."

Scale

Continuum

Jameson Nathan Jones - Continuum

Matthew Shaw’s travels continue. His wanderings have led him to Seatown, Sandbanks, the woods of Zeist, and the inner city of Vancouver. Now he documents a week-long trip to Lamorna, Cornwall, in the summer of 2012.

Shaw writes: “The recordings were made in the Lamorna valley, the cove, the woods and also within the Iron Age Boleigh Fogou which is an underground structure over 2,000 years old. The Fogou derives from the Cornish for Fou or Vou, meaning cave.”

“In terms of the sound of the finished music, it was recorded largely on location using acoustic guitar, bowed guitars, Moog Prodigy, my voice and a sprinkling of effects where required. It relied on the sounds of the places themselves, the trees, river and Fogou in particular. The mixing process was based on taking these raw ingredients and sculpting them into a finished whole, with the place as the focus.”

The result is a slow tide of strings, ambient vistas, and delirious harmonies that echo, then dissipate into the eponymous landscape. From the inner triumph of “Rosemerrynwood” to the tense and pulse-quickening modern composition “Bo-Lech” and the buoyant, living title track, Lamorna is a remembered call from an ancient place.

Fluid Audio presents Lamorna in a limited edition run of 100 hand made letter pressed CD’s, along with 6 large format (150mm x 150mm) double sided photographic prints taken by the artist on his journey. The package also includes a natural Larch wood slice, pressed Viola flower, rare poem by Ithell Colquhoun, download code and scent. All of the above rests inside hand typed/numbered/sealed Manilla envelopes.

Release Date: 29.03.13

Matthew Shaw: Bo-Lech

Perceptions

Retracing Your Lines

Leah Kardos - Retracing Your Lines

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Ilm - Tides

Fluid Radio

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