Taken from the album 'Light Folds' by The Seaman & The Tattered Sail. Available September 30th, 2013. Pre-orders this week along with discounts for those on the Facture mailing list:

www.fac-ture.co.uk/Mailing-List

If you would like to win a super deluxe copy check here:

www.fluid-radio.co.uk/2013/09/light-folds-3/

The Seaman & The Tattered Sail - Against A Swell Of Emotion

Meditations with a twist - some movement and some experimentation!

Summon Your Calm

Self Portrait-33

à couper le souffle

Nils Frahm & Olafur Arnalds : An excerpt from Trance Frendz 3

New modal sketches for the Deepchild pres. Acharné project. Hyperreal exploration of faux-piano tonality, artifice and artifact.

www.facebook.com/deepchildmusic

Deepchild pres. Acharné - "Burren Street"

Commissioned by the Northwest Film Forum in Seattle as part of their Puget Soundtrack series, Madeleine composed and performed a soundtrack to Hitchcock's classic film, The Birds.  

Bodega Bay

We haven't done one of these mixes for a long old time!

A collection of tracks forthcoming on the record label and a few personal favs from the past 12 months.

Headphones advisable...

Enjoy 


Off-Key Sessions: Home

Order 'I Could See The Smoke' EP on Cassette Tape / Digital here: https://seabuckthorn.bandcamp.com/album/i-could-see-the-smoke

"Returnee" is taken from Seabuckthorn's upcoming EP 'I Could See The Smoke', coming out October 2016 on Lost Tribe Sound.  Seabuckthorn is UK experimental guitarist Andy Cartwright. 

Mastered by William Ryan Fritch

I Could See The Smoke

Returnee

Buy EP

Seabuckthorn - Returnee (from I Could See The Smoke EP)

Pre-order 'All Together Again' on LP/CD/DL: phonofile.link/all-together-again

There is no end to composer Peter Broderick’s creative output, and so we present to you his new album titled 'All Together Again' — available worldwide on November 17th 2017 via Erased Tapes.

Words from Peter, October 2017:

"Ever since I started releasing records in 2007 (10 years ago now!), people have contacted me periodically to ask if I’d be interested in making music to accompany their projects. Most of these projects have been things like films, dance pieces and theatre plays . . . but every so often I get the odd request for something a little different. Peter, would you write a song for my wedding? My one year anniversary? A ferry boat ride?

In early 2015 I was asked to perform 12 minutes of music during a runway show as part of New York Fashion Week. I agreed and began composing a 12-minute piece which I could perform on my own with a few different instruments and some looping pedals. I made a recording of the piece and sent it over to my contacts at the fashion show . . . but a few days before I was to fly out to New York, they wrote back and told me they actually just wanted me to play a few older songs that they were already familiar with. Feeling slightly disappointed, I shelved the other piece, giving it the title If I Were A Runway Model.

It is with great pleasure that I now present this piece in a collection of commissioned works spanning the last decade . . . it’s All Together Again. This group of oddball works does indeed include a couple pieces written for weddings (Our Future In Wedlock and The Walk), and a song someone asked me to write as a gift for his wife on their first year wedding anniversary (Emily). And indeed, there’s a 17-minute piece written to accompany a ferry boat ride in Istanbul (A Ride On The Bosphorus). A few of the pieces were written for films (Robbie’s Song, Atlantic and Seeing Things), and one for a kind of interactive installation (Unsung Heroes).

In my early days of recording, I took pride in playing all the different instruments myself and doing the recording myself as well. And then at some point I started branching out, working with other musicians and recording engineers. But this record is very dear to me in that it’s a return to that original approach . . . playing all the different instruments myself, working with my limits on each one, and my own limits in recording and mixing. I’ve always held a broad curiosity for all different instruments and all different styles of music, and if nothing else I hope this record will portray that curiosity, and my pure love for this thing we call music. Can you dig it?"

The cover art was made by Peter himself in his hometown of Portland, Oregon, by cutting and sticking different coloured paper fragments to depict the individuality of each track.

TRACK LISTING

1. If I Were A Runway Model
2. Robbie’s Song
3. A Ride On The Bosphorus
4. Emily
5. Our Future In Wedlock	
6. The Walk
7. Atlantic 
8. Seeing Things
9. Unsung Heroes

WEBSITE: www.peterbroderick.net

All Together Again

Peter Broderick - Robbie's Song

Maya Nadir - Soliloqui (Anchorite Rework)

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Off-Key Sessions: Home

Fluid Audio