Study and  Coding music

Carbon Based Lifeforms - Abiogenesis

Brombaer Complete Discography:
https://open.spotify.com/playlist/5Tb2Ely0vng2ikdeEBnSda

Spotify ▸ https://open.spotify.com/artist/6YfaSFnkikJYEHnjmau9cJ
YouTube  ▸ https://youtube.com/channel/UCuCOvssxIhl71OAsXcfqTJQ?sub_confirmation=1
Website ▸ https://brombaermusic.com

Singles

Little Whale

Brombaer & Phole - Little Whale

05 Christina Vantzou - The Way Out Is Back

Somewhere, something incredible is waiting to be known

Sunday Ambient - 32

In September, I’ll be performing several ambient shows and have already started preparing for them. This piece, which I’ve titled Rise, reminds me of that moment just before sunrise. The textures were created using a glockenspiel and the Soma Cosmos. For these shows, I want to bring more acoustic elements into my sets, and I’m currently putting together a kind of “sound toolkit” made of different sonic objects.

Rise

Dawn Chorus recorded for International Dawn Chorus Day, 1st May 2016, at Wild Park in Brighton, UK.
1 hour (4-5AM), edited down to 10 minutes.

Dawn Chorus Wild Park Brighton 010516 (10min edit)

Carbon Based Lifeforms 5 hours mix

Bersarin Quartett - Oktober

01. Carbon Based Lifeforms - Interloper

A track taken from DR-50 : Aaron Martin & Machinefabriek - Seeker

The album will be out on December 15th on CD /DL
dronarivm.com

pre-orders start December 1st

Originally conceived for the Korzo production Hide and Seek by choreographer  Iván Pérez.

Rutger Zuydervelt (Machinefabriek):

In 2012, choreographer Iván Pérez asked me to work on a score for a dance piece of his called "Hide And Seek" in collaboration with the great Aaron Martin. I don't think he knew at that point that Aaron and I had worked together previously (on "Cello Drowning," an EP released on Type in 2007). Living in the US, Aaron started recording parts and sending them to Iván and me. Then, I would use his recordings to build the score: processing them, editing them, adding sounds, etc..

The tracks on the "Seeker" album are basically the refined versions of the first sketches we made, trying out how our sounds would blend, and what directions and atmospheres could be used in the dance performance. After that, these tracks were morphed into one long collage, tailored to the choreography. This final score is added to the album as a digital bonus.

Aaron Martin:

Iván Pérez had used some of my solo work in a previous dance piece of his called "Kick the Bucket" and Rutger and I have been in touch since the release of my debut album "Almond."  Rutger and I met briefly after I performed in Amsterdam in 2009, but the creation of "Hide and Seek" gave us an opportunity to continue our work together and to spend a bit more time in person leading up to the premiere in The Hague.  During rehearsals, we both agreed that creating an album version with separate tracks along with the long-form version that was used for the actual dance piece was the right approach.  My time in Holland was a formative experience and the resulting album "Seeker" is something that I continue to remember fondly.  I am eager to finally share this music with listeners.

This has been a long way coming. After some unforeseen delays, we are thrilled to be working with Dronarivm for the release of "Seeker."

Mastered by James Plotkin

Buy CD / DL

Aaron Martin & Machinefabriek - Wings In The Grass

I am exceedingly happy to share with you the first part of my "LIVE Music for the Stars" series. These ambient improvisations are based on the OST for the indie space game Avorion​. Thanks for listening!

Watch the HQ video on Youtube:
https://www.youtube.com/watch?v=ZK1GqMM7yaI

Play Avorion:
http://store.steampowered.com/app/445220/Avorion/

Presented by:
Avorion
Boxelware
Unperceived Records​

Editing: Maya Nadir​
Camera: Niklas Paschburg​

LIVE Music for the Stars I [Pt. I]

Available here:

https://www.fluidaudio.co.uk/product/the-seaman-and-the-tattered-sail-standing-on-the-precipice-of-tears

Taken from the upcoming album 'Standing On The Precipice Of Tears'...

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise), tape noise.
 
Seaman was working primarily with Ableton Live and contributed vocal, Piano, time abstractions, violin and viola samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.
 
Solo Viola – Emmanuel Witzthum
Solo Violin – Wei Ping Lin (on Uncovered CDs)
Additional Voice - Emmanuel Wizthum
Trumpet (sample recordings) – Robert Ellis-Geiger
Vocal recorded in The Emergence Lab by Seaman using a Roland Edirol R-09HR Ver.3.0

www.fluidaudio.bigcartel.com/mailing-list

Standing On The Precipice Of Tears

The Seaman And The Tattered Sail - Standing On The Precipice Of Tears

Berlin based cellist and composer Anne Müller, announces the release of her long awaited debut solo album 'Heliopause'. 

Heliopause follows several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled 7fingers, appearances on Ólafur Arnalds & Nils Frahm’s Collaborative Works, Nils Frahm’s All Melody and his acclaimed soundtrack for the film Victoria, Lubomyr Melnyk’s Fallen Trees, as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at  Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007.

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after.

Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics and Aventine) and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

A solo record in every sense of the word, Müller wrote, recorded, arranged and produced Heliopause. The album is named after the boundary where the sun’s wind ceases to have influence. It is ultimately, the border of our solar system. The name struck a chord with Müller since the two voyagers sent on an exploratory mission 42 years ago, recently crossed the Heliopause, entering into interstellar space and losing power from our own sun. Müller recognised herself in this moment, not only approaching the same age, but also breaking new ground; having relied on collaborating with so many other stars and now venturing into the unknown with her first solo statement; “Heliopause marks the end of a long journey but also the start of voyages to explore strange new worlds”

Both as the closing title track and album as a whole, Heliopause crosses these physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory.

· pre-order 'Heliopause' on LP/CD/DL: https://idol.lnk.to/Heliopause

Heliopause

Nummer 2

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Anne Müller - Nummer 2

Confined at home we are rediscovering the value of being able to travel standing still, the power of music to make us transcend our reality, whatever it may be. Ecstatic Quotidian means: "Stepping outside of an everyday familiarity". The ordinary can only be got hold of via the phenomenon of the extraordinary, and vice-versa. I hope you enjoy my new Music :)

Ecstatic Quotidian

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Life Goes On

Opening Portals is out now!

Shifting once again the focus from the dance floor, calling my Disenthrall alias in a new meditative journey. Wishing to set you back into the moment, opening to what is there under this months full moon’s energy.

Opening Portals

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Disenthrall - Opening Portals

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

My carbon-based cosmic vehicle is currently parked in Europe.

Warning: Genre-purists will be horrified with my stream. "Eclectic" is the magic word.

A message to annoying bots/(L)users who use the "follow the new - unfollow them after exactly 2 months" trick to gather followers: stay away from me. Thank you.

The Seaman And The Tattered Sail - Standing On The Precipice Of Tears

Fluid Audio

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