This is 1 of a 2 part episode expoloring new angles of the 9/11 attacks using a visual interactive map of Florida. Robbie first starts by answering listener questions he didn't get a chance to answer on the 20th anniversary of 9/11. Later he explores the bizarre CIA and intel connections to 3 of the flight schools attended by the hijackers and the strange coincidece and multiple mis-reports(?) about some of the 9/11 hijackers recording a violent extremist rap record in Sarosota, Florida not long before the attacks themselves. In part 2 Robbie takes a deep dive into the eerie Florida connections between the 9/11 hijackers, the so-called 'Israeli art students' and the Amerithrax attacks, guiding the viewers through a tour of the geopgraphy using the interactive map.

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Hollywood Hijackers, Arab Assassins & Cut-Out Flight Schools 1 of 2

Robbie takes a deep dive into the many eerie Florida connections between the 9/11 hijackers, George W Bush's activities on 9/11, the so-called 'Israeli art students' and the 2001 Amerithrax attacks. Listen as you utilize the interactive Florida map compiled by Robbie Martin availible to everybody now: https://www.google.com/maps/d/u/0/edit?mid=1aoJHCm2mVNRKZxEQ_80zFdU4jw2LFqoh&usp=sharing

Note: Robbie incorrectly stated an address from the Florida 2001 Attacks Event Map on the Media Roots Radio podcast. The correct address is: 2916* Pierce St.  not 2196* Pierce St. 

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Boca Raton, Sarasota, Art Students, Anthrax & Angel is Next 2 of 2

Abby and Robbie discuss the latest unraveling of Kanye West: using
pornography as a form of control, embrace of groyper fuccboi Nick
Fuentes and full transformation into a Hitler adoring Nazi.

Note: Abby knows she is saying "Ye" wrong. We blame it on our genetic dyslexia.

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Kanye's Hitler Fetish & the MAGA Power Split

Robbie Martin goes over a truncated history of the Israel Defense Forces murdering journalists and activists with impunity, and in some cases leaving the unmistakable impression that they fully intend to murder journalists and aid-workers in cold blood.

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Media Roots Radio 2023

Israel's Shocking History of Murdering Activists & Journalists

Titled after a Bridget Riley painting of the same name, Gala exists in a meta tuning system: a G harmonic series, 5-tet, 21-tet and 34-tet are all stacked on top of each other.  As before I carefully select by ear only a small number of pitches and create a new meta scale from these notes.  The result is 34 notes to work with.  

Performed by Elise Mac on Norwegian Hardingfele, Violin and André van Rensburg on Shakuhachi (2016).

The 34 note meta scale presents me with somewhat subtle dissonances, which I actually prefer to call vibrations with varying intensities. I have no intention to resolve them into anything but themselves.  

The approach to form is strongly inspired by James Tenney. Through simple macro gestures, the microtonal world can open up, breath and reveal itself in vertical directions.  When you think of a sunset for example, you think of a very simple and continuous motion:  colors shift and change, intensity changes, but everything else is still.  The sky doesn’t move.  This music is similar. 

I have also become more aware of the effectiveness in leaving certain parameters open to performers.  Again, another Tenney score, Clang is a great example.  It comes with the following instructions:

 'The notation indicates available pitches to be played by sustained-tone instruments (including rolls on the percussion instruments) in the following way: each player chooses, at random, one after another of these available pitches (when within the range of his or her instrument), and plays it beginning very softly (almost inaudibly), gradually increasing the intensity to the dynamic level indicated for that section, then gradually decreasing the intensity again to inaudibility ... After a pause at least as long as the previous tone, each player then repeats this process ...  ' (Wannamaker, North American Spectralism: The Music of James Tenney).




Gala

'Just Neo'  physical modelling VL1 x 5 from A Very Heavy Agenda part 3 OST

Abby and Robbie wrap up 2019 by talking about the UK election, Trump's executive order criminalizing anti-Zionism, corporate media smears against Cenk Uygur, updates with all the 2020 candidates, and the argument for impeachment on Media Roots Radio.

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Happy New Year! Election 2020, Trump's Impeachment

Abby and Robbie Martin speak to Ian Goodrum of China Daily. During the course of their conversation they cover a whole range of issues frequently raised in the US like the 'social credit system', 5G, the COVID-19 lab leak theories and draconian surveillance. Ian also explains why he believes the hostilities between the United States have been growing, based largely on ruling class profit motivations, Obama's 'Asia pivot' and Trump's trade war. 

Thanks for listening! If you enjoyed this podcast, please consider donating to Media Roots Radio on Patreon // www.patreon.com/mediarootsradio

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Media Roots Radio 

Sifting Through Anti-China Disinformation w/ Ian Goodrum

"May All Your Children Be Acrobats," by David A. Jaffe is scored for eight guitars, mezzo-soprano and computer-generated tape. Composed in 1981 for David Starobin and the SUNY Purchase Guitar Ensemble, the piece is a celebration of folk wisdom, as well as folly.  It is based on a text excerpted from "The People, Yes" by Carl Sandburg and consists entirely of proverbs, sayings and anecdotes from the rich and varied backgrounds of immigrants, natives, fools and other Americans. Complementing this text is a heterogeneous music that draws on such styles as bluegrass, Irish, Jewish and African-American music, as well as American popular and European classical styles. 

The computer part was created at the Stanford University Center for Computer Research in Music and Acoustics. It is entirely synthesized, yet often resembles voices and plucked strings, using techniques pioneered by the composer and others at Stanford University. These techniques, known as "waveguide physical modeling" have recently been adopted by the synthesizer industry and are considered an advance over more familiar techniques due to the enhanced degree of expression. This work is the first musical composition to use this form of synthesis. It was followed a year later by the composer's more well-known "Silicon Valley Breakdown."

The recorded excerpt is from the a live performance with Kim Wheeler, mezzo-soprano, and the Purchase Guitar Ensemble, conducted by David Starobin. 

For further information, please visit jaffe.com


May All Your Children Be Acrobats (excerpt) - 8 guitars/voice/comptuer

Welcome to TrueAnon’s inaugural Election Special 2020: Who Care edition. In this episode we discuss all relevant election news including: foot jobs, color revolutions, Soviet military technology, Steve Bannon, crack pipes, the lying fake news media, and Brace comes out as a Dengist. Happy Election everyone!!! #VoteTrueNoMatterWho

soundcloud.com/media-roots/bannon-tom-cotton-bill-gertz-anti-china-neocon-propaganda-in-the-wake-of-covid19-part-1-of-2

soundcloud.com/media-roots/the-committee-on-the-present-danger-china-as-dangerous-as-pnac

soundcloud.com/media-roots/dnc-republican-pandering-rnc-fascist-reality-show-bannon-indicted-on-fraud

Episode 114: Vote True No Matter Who

The inauguration was bereft of mass arrests and Trump no longer holds the power of the presidency. We examine how QAnon followers are dealing with a moment of intense cognitive dissonance.

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Episode music by Nick Sena (http://nicksenamusic.com), Doom Chakra Tapes (http://doomchakratapes.bandcamp.com, Hasufel (http://hasufel.bandcamp.com)

Episode 127: QAnon's Great Disappointment

Composer of the Theme for 'Empire Files' on Telesur/RealNewsNetwork

http://recordlabelrecords.org
https://twitter.com/FluorescentGrey
https://vimeo.com/user5425648/videos

'Just Neo' physical modelling VL1 x 5 from A Very Heavy Agenda part 3 OST

Fluorescent Grey