Name: AMBIENT INTERLUDE 🤗🙏😊 by flyingdoctorcee
Duration: 5 min 27 s
Description: (scars of isis) The River Thames ,i was imagining what this river looked like before the industrial age .Ambient interlude 🤗 Thanks for listening 🤗🙏😊

Spacey! It has a '90s flavour. Reminds me of Global Communication.

To blossom or to be a blossom, whether verb or noun, involves timing. Here's to wishing that your time is now. So sit back and let yourself enfold.

Synths, synth guitar, piano, cello, bass, and keyboard set to gentle beats of shaker, conga, bongo, djembe, and tambourine with the occasioinal hi-hat and kick at a very chill 60 bpm.

Blossom

An electronic instrumental composed using the generic synthesisers and sequencers in Garage Band and Logic. No real instruments were used on this one.

© 2023 Dairv Dubbleyew

Chasing the Dream

We're Not Gonna Stop.

No hay Tiempo para el Dolor (Instrumental)

Rock the Night Away

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
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Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
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First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
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A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS: Of the Shimmering Seraphs

The Professor

Going back to my vaporwave roots (although this is not a remix, there are no samples used)

Liminal Shopping Mall

Shadows of Camelot

A Sequel to Janne Hennie's original song entitled "Trying To Leave You."
User-254573255 – Trying-to-leave-you

A special thank you to TexMex Shaman for final mixing and mastering! https://soundcloud.com/texmex-shaman

Artwork is a painting by Margaryta Yermolayeva entitled "I Am With You Day and Night"
please view her other works at margaryta-yermolayeva.pixels.com

Title: "Trying To Keep You"

I could tell my babe
by the look that was in your eyes
the cold distant heart
that kind of vibe

ooooh oooh

We’ll cherish those days
and those nights
girl, It’s OK
I’ll be alright

I want you to be happy
in your heart

ooooh I need you

ooooh I need you

I just cant take another dayyyy….wihtout you

The bird has flown away today

I will always hold dear
to my heart
your beauty, your soul
your inner light

Like a shooting star
in the night
all I need to know girl is why?

you say you need to find out who you are…
well let me tell you…
you’re the soulmate of my dreams

I love you
look at me!
How could you do this to me
I love you
my girl

Trying to Keep You (Piano Day 2024)

rumbustious 'demo' (with Falsestart)

(scars of isis) The River Thames ,i was imagining what this river looked like before the industrial age .Ambient interlude 🤗 Thanks for listening 🤗🙏😊

AMBIENT INTERLUDE 🤗🙏😊

I just love sound ..allsorts across the genre's ...hate getting stuck on one tip for too long ,been thru quite alot of eras &..have always from an early age written or jammed my own pieces of music..+ written poetry + lyric to songs ,i play guitar + produce ambient pieces on analogue units Roland tb 303 ,101,202,606,Juno 60. Was in my own bands years ago from about 1981 post punk era,dance electro stuff ,then ole skool scene when it was newskool,into drum n base era as it was happening...did pirate station stuff ,love dub reggae,great times..just carry on writing songs on acoustic guitar & do regular open mike sessions around my local area + jammin with other muse'os ...into  hho tec ....hydrogen...~  energy ...~ water is our future coal field.bit of an inventor..into unity ..autonomy n peace ..., peace out  ; )...~

AMBIENT INTERLUDE 🤗🙏😊

flyingdoctorcee

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Concretism

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