Blackploid Releases

Eletrônica

2025 Premieres

Electronica - Industrial - Techno - EBM - Breaks - Electro

WL//WH - JULY 2025 // Electronica - Industrial - Techno - EBM - Breaks - Electro

eclectro

TL Premiere #1153 (2023.02.03) : Blackploid - Silent Room [Central Processing Unit]

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For this 18th Premiere of 2023, we have a track by the veteran German Electro DJ, producer & composer Martin Matiske, aka "Blackploid" (@martin-matiske), titled ‘Silent Room’ from his forthcoming LP "Enter Universe" on the independent British record label, founded in Sheffield in 2012, specialising in electronic music : Central Processing Unit (@cpurecords).

The album will be available on February 17, 2023 in Limited edition 2x12" vinyl LP + Digital. 

▶︎ Pre-order : https://shop.cpurecords.net/album/enter-universe

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Release Info :

Blackploid - Enter Universe 

Blackploid has become one of Central Processing Unit’s stalwarts in the past couple of years. Martin Matiske’s project contributed a trio of EPs to the Sheffield label across 2021 and 2022, with each of them showing off the kind of electro chops and production sensibilities that made Blackploid an ideal fit for an imprint which also boasts the likes of Cygnus, Silicon Scally and Bochum Welt among its catalogue.

Now, for CPU’s first release of 2023, Matiske levels things up with the debut Blackploid LP Enter Universe. Across these twelve tracks, Matiske leaves us in no doubt that he’s a prime mover in the world of modern electronic music. Enter Universe does not let up from start to finish, delivering a dozen pieces of leftfield electro that draws from the sound’s greats while also showcasing an unpredictability and flair that is all of Blackploid’s own.

The tone is set from the first frosty chords of opening cut ‘Pulsation’. The track traverses the starscape on pitter-patter drums and chirruping synths, a lively and slightly dystopian roller with an adventurous undercurrent reminiscent of classic Rephlex drops. It’s a style which Blackploid often draws for throughout the rest of Enter Universe, albeit with elements added or subtracted at each stage.

Indeed, this album features some of the most unusual production you will hear on any record this year. While the grooves pulse away in a manner reminiscent of Drexciya or Legowelt, Blackploid layers the mixes with a whole cornucopia of synth tones. ‘The Mission’ boasts a bleep-bloop breakdown that sounds like malfunctioning rotary telephones; ‘Silent Room’ is a ghoulish jam which harks back to Warp’s legendary Artificial Intelligence compilations; ‘Automatik’ and ‘Wormhole’ are defined by some brilliantly strange low-ends - you’ll be thinking of Mr. Oizo’s ‘Flat Beat’ with the wiggly former, while the gurgling, writhing anti-lead that dictates ‘Wormhole’ is oddly thrilling and more than befits the track’s title.

This inventive approach is also apparent in some of the structural choices on Enter Universe. While the tracks here all keep a steady, dancefloor friendly pulse, several of them surprise you by switching up the approach after a minute or two. ‘Pulsation’, ‘Automatik’ and ‘The Mission’ all feature moments where a new element - extra hi-hats, a synth line entering from leftfield - inject fresh impetus into the tune to keep the listener on their toes.

Blackploid may push the sonic envelope on Enter Universe, but this does not mean there is no room for melody. In particular, the cuts here which most strongly channel ‘Computer World’-era Kraftwerk do so by fronting some slyly tuneful work, particularly in the low end of the mix. ‘Unidentified’ serves up delightfully springy chords, ‘Cell Mutation’ leads from the bassline, and ‘Space Curve’ features little cells of melody and counter-melody working together to close Enter Universe out on a high.

Blackploid’s debut LP Enter Universe marries Drexciyan electro and Warp-school electronica with some brilliantly inventive production choices.

Tracklist :
01. Pulsation
02. Material Collapse
03. Planetary Nebula
04. Automatik
05. The Mission
06. Wormhole
07. Silent Room
08. IQ
09. Unidentified
10. Cell Mutation
11. Vacuum Movement
12. Space Curve

Enter Universe

Silent Room

TL PREMIERE : Blackploid - Silent Room [Central Processing Unit]

Blackploid has become one of Central Processing Unit’s stalwarts in the past couple of years. Martin Matiske’s project contributed a trio of EPs to the Sheffield label across 2021 and 2022, with each of them showing off the kind of electro chops and production sensibilities that made Blackploid an ideal fit for an imprint which also boasts the likes of Cygnus, Silicon Scally and Bochum Welt among its catalogue.
Now, for CPU’s first release of 2023, Matiske levels things up with the debut Blackploid LP Enter Universe. Across these twelve tracks, Matiske leaves us in no doubt that he’s a prime mover in the world of modern electronic music. Enter Universe does not let up from start to finish, delivering a dozen pieces of leftfield electro that draws from the sound’s greats while also showcasing an unpredictability and flair that is all of Blackploid’s own.
The tone is set from the first frosty chords of opening cut ‘Pulsation’. The track traverses the starscape on pitter-patter drums and chirruping synths, a lively and slightly dystopian roller with an adventurous undercurrent reminiscent of classic Rephlex drops. It’s a style which Blackploid often draws for throughout the rest of Enter Universe, albeit with elements added or subtracted at each stage.
Indeed, this album features some of the most unusual production you will hear on any record this year. While the grooves pulse away in a manner reminiscent of Drexciya or Legowelt, Blackploid layers the mixes with a whole cornucopia of synth tones. ‘The Mission’ boasts a bleep-bloop breakdown that sounds like malfunctioning rotary telephones; ‘Silent Room’ is a ghoulish jam which harks back to Warp’s legendary Artificial Intelligence compilations; ‘Automatik’ and ‘Wormhole’ are defined by some brilliantly strange low-ends - you’ll be thinking of Mr. Oizo’s ‘Flat Beat’ with the wiggly former, while the gurgling, writhing anti-lead that dictates ‘Wormhole’ is oddly thrilling and more than befits the track’s title.
This inventive approach is also apparent in some of the structural choices on Enter Universe. While the tracks here all keep a steady, dancefloor friendly pulse, several of them surprise you by switching up the approach after a minute or two. ‘Pulsation’, ‘Automatik’ and ‘The Mission’ all feature moments where a new element - extra hi-hats, a synth line entering from leftfield - inject fresh impetus into the tune to keep the listener on their toes.
Blackploid may push the sonic envelope on Enter Universe, but this does not mean there is no room for melody. In particular, the cuts here which most strongly channel ‘Computer World’-era Kraftwerk do so by fronting some slyly tuneful work, particularly in the low end of the mix. ‘Unidentified’ serves up delightfully springy chords, ‘Cell Mutation’ leads from the bassline, and ‘Space Curve’ features little cells of melody and counter-melody working together to close Enter Universe out on a high.
Blackploid’s debut LP Enter Universe marries Drexciyan electro and Warp-school electronica with some brilliantly inventive production choices.

PREMIERE : Blackploid - Pulsation

Mad - MH00A

We start a new year by welcoming for the first time Mexican duo Damo Mementto teaming up with Anna Forest on Darlyn Vlys' Polaris.

Combining indie dance and electronic rock, ‘Futturo Desconocido’ is nostalgic and, as the name suggests, ‘futuristic’, taking the audience on a deep and cosmic adventure.
The original is a collaboration with producer Anna Forest and has been remixed with two of the monster names in indie dance, Damon Jee and Rigopolar.
Get ready to dance


The track gets off to a strong start with a psychedelic base intertwined with hypnotic synths and distorted guitar riffs merging perfectly with Anna Forest’s poetic and evocative Vocals. Blending romanticism, cosmic imagery, and spiritual empowerment, leading the audience to a mesmerizing drop.

Damon Jee raises the tempo with his version of Futturo Desconocido, keeping the vocals but bringing in the drums and reworking the original into a dark, dancefloor-oriented work, with convoluted arpeggios and echoing vocals in a unique remake of the original.

Born in Mexico but based in New York, Rigopolar's mental remix of Futturo Desconocido will take you on a magical journey through time and space with its shimmering, arpeggiated synths, while the deeper cowbells will have you tapping your feet.

FEINSTOFF PREMIERE: Damo Mementto - Futturo Desconocido ft. Anna Forest (Rigopolar Remix) [POLARIS]

@hnrqlx is a DJ, programmer and yogi. It’s in this multidisciplinarity that he finds center, bringing together Yin and Yang. He debuted in 2006 in the small bars of Bairro Alto, Lisbon and since 2008 he has been a regular presence in clubs and festivals across the country. 

In 2018 he began his journey in Yoga Iyengar and since 2021 he has been in training to become a teacher in the future. In 2020 he was invited to join the @lux Frágil team and in 2023 he debuted his Visceral night. His sets take us through the most sumptuous jungles that dance music culture has to offer and stand out in these times marked by a constant excess of pragmatism and functionality.

Selección Dura: HNRQ

"Yocantar" by Flight Status is a captivating mid-tempo track dominated by vintage synthesizers that evoke a nostalgic and immersive atmosphere. As it progresses, warm tones unfold, creating a rich and emotive sonic experience.

The stunning remix from TDWS, raises the tempo and transforms the track’s essence into an energetic explosion, perfect for the dance floor. A perfect blend of warmth and dynamism that is sure to leave a mark in any sonic setting.


BURNING SYNTHS
instagram.com/burning.synths/
@burningsynths

FLIGHT STATUS
instagram.com/flightstatus10/
@flightstatus10

TDWS
instagram.com/tdwsmusic/
@tdwsmusic

FEINSTOFF PREMIERE: Flight Status - Yocantar (TDWS Remix) [BURNING SYNTHS]

The history of electronic music has been defined by a handful of key synth manufacturers. Iconic brands, like Roland, Yamaha, Sequential Circuits and others, have pushed boundaries and blazed trails. But what gives each synthesizer its own unique sound? What makes one synthesizer sound distinctly different from another? And, what would happen if you only used one synthesizer to create a track? The major players of electronics are the building blocks for this music machine homage. Rack Sessions takes one synth and gives it the spotlight, the instrument is the star. The style pursued corresponds to the unique sound of the chosen piece of equipment. Looming silver screen grandeur for “The D (Roland D-550)”, stargazing elegance with “Bell Hope (Yamaha TX81Z) or gentle rolling nostalgia for “MiR (Korg M1R)”, each work is the product of the tool selected. Beats take a backseat on the flip. Open highways and burgeoning dawns are conjured in “802 Nights (Yamaha TX802)” as the listener is transported to the expertly crafted tones of the 1980s. Koolhaas chooses his elements with subtlety, adding colour to his palette to create deeply evocative works. Attack ships cruise in the spatial “SOB (Oberheim Matrix-6)” before the stalker hunts the sodden streets of “MC202’s Act Like They Don’t Know (Roland MC-202)”. The result is an album that is utterly distinctive. An immersive audio journey that guides the listener deep into the sounds of these very special synthsizers and the broad influences of this new talent.

FEINSTOFF PREMIERE: Jesse Koolhaas - 802 Nights (Yamaha TX802) [BORDELLO A PARIGI]

Originally composed by FK Club featuring Eva Peel for the lyrics, this track is Badknife's reinterpretation- with his betwitching mustache, his short hair and his pimpish look -Badknife is an unusual electronic music producer. He started his career in Paris training musicians on Logic Pro and now on Live Ableton, getting his firts tracks published on HMS records . He now reveals his musical DNA between italo-disco synthetizers & analog house drum machines. We're happy to release this remix on Deviant Disco.

https://deviantdisco-music.bandcamp.com/

FEINSTOFF PREMIERE: La Notte Di Parigi - Isola (Badknife Remix)

Dina Summer launch into 2025 with the final single, ‘Promise Me’ from their forthcoming album, Girls Gang. Featuring Curses and Joshua Murphy, the captivating new single is released on January 7th via Iptamenos Discos.

‘Promise Me’ is an intense and passionate track that encapsulates the all-encompassing feeling of love. Together, they create a romanticism that deepens the core themes of obsessive love that echoes throughout the Girls Gang album. Beginning as a sorrowful and emotive lament, the track builds emotional intensity, the multi-layers reflecting the complexities of romantic turmoil and desperation, finally erupting in an emotional crescendo.

Dina Summer's new album, Girls Gang, out on January 24th, is the highly anticipated follow-up to 2022’s acclaimed 10-track LP Rimini. Ahead of its release, the group has unveiled seven singles, including the title track, ‘Girls Gang’—an uncompromising, seductive track dedicated to goth icons like Morticia Addams and Elvira; the intense, euphoric-yet-melancholic ‘Schall & Rauch’; the dramatic and theatrical ‘Zombie’; the bold anthem ‘Nothing To Hide’; and the laid-back, pop-infused ‘Hypnotized.’

‘Promise Me’ collaborator, the Berlin-based Curses, fuses New Wave, Post-Punk, and 80s EBM into a genre-defying sonic experience. Known for his haunting vocals and electrifying guitar riffs, Curses channels the dark energy of the 80s with a modern edge.

With releases on labels like Dischi Autunno, Innervisions, Hoga Nord, Throne of Blood, and his own Ombra International label, Curses has become a leading figure in the darkwave scene. His new album Another Heaven (2024) on Italians Do it Better and his genre-defining Next Wave Acid Punx compilations on Eskimo Records cement his reputation as a pioneer of boundary-pushing, cinematic soundscapes.

Joshua Murphy was born and raised in rural Australia, before eventually moving to Berlin and becoming involved in the local scene as a member of various bands (Crime & The City Solution), local promoter and music venue curator released his debut solo EP Lowlands (2022) on aufnahme + wiedergabe.

‘Promise Me’, the epic final single from Dina Summer’s upcoming album Girls Gang, featuring the Curses and Joshua Murphy, is out on January 7th ahead of the album release on January 24th.


FEINSTOFF PREMIERE: Dina Summer - Promise Me feat. Curses (Club Version)

https://soundcloud.com/amand_sound
https://soundcloud.com/jugaar-records
🛒 https://jugaar.bandcamp.com/album/all-you-can-hear-ep-jr004
🔊 https://youtu.be/my1e2kvShCA

With its roots in Karachi and Bangkok, Jugaar Records is a label working to shine a light on the vibrant scenes in both territories whilst casting a wide net in scooping up producers from around the world who dial in with their open minded approach to music.

So far the catalogue has been richly varied and full of hybrid, odd-ball club music that touches on sub-heavy strains of Electro, Breaks, Minimal and Bass.

Next up is Berlin based Amand - FKA She's Drunk - who returns from a 5 year production hiatus and dovetails neatly with the label's sound. JR004 is a 4-track pack of tightly wound steppers which in his words is 'a melting pot of experiments' including a collaboration with Jamaican MC Ijahbar.

'Nuna' kicks off with a stripped back but full-bodied sound that sends cleverly braided percussion skipping over a hefty UK Funky bone-structure. Smooth synths, bashy bass tones and some trippy seasoning make for a dizzying brew.

'Step In' follows up and features Kingston based, Roolings Muzik head Ijahbar. Mangled drums, warped synth tones and chattering claps form a high-energy backing for Ijahbar's flow and the result is raw, stroppy and infectious.

'Vissi' follows up with warped Electro tool. Robotic bleeps, frazzled percussion and panned melodic blobs create a sparse, impactful bridge track that'll pop out of DJ sets with memorable force.

Sam Interface then closes things up with his take on 'Step On'. Upfront and overdriven, his revision harnesses the original whilst injecting it with a certain bouncy charm that adds yet another shade to a nicely varied record.

Tracklist: 

1. Nuna
2. Step In feat. Ijahbar
3. Vissi
4. Step In feat. Ijahbar (Sam Interface Remix)

PREMIERE: Amand - Nuna [Jugaar Records]

Feel Sort

By Socials

In recent years, Blackploid has come to be one of Central Processing Unit’s signature artists. The German producer has averaged more than a record a year for the Sheffield imprint since he first landed on CPU in 2021. This prolific run continues with Cosmic Drama, Blackploid’s second LP for the label. The album takes the baton from its predecessor Enter Universe in style, delivering twelve tracks of top-quality machine-funk that draw down from electro’s classic artists while also imbuing proceedings with a playfulness that very much gives things a signature Blackploid-ish flavour.

Cosmic Drama sets its stall out from the off. The opening run of ‘Alien’, ‘World Construction’ and ‘Virtual State’ all deliver piston-snapping beats which anchor pleasing melanges of B-movie synth lines. Alongside this, Blackploid adds little flourishes which add buoyancy to each joint - a syncopated bassline reminiscent of I-f’s late-90s classic ‘Space Invaders Are Smoking Grass’, crackling robo-voiced commands, skittering synth chords which wash across the mix and so on. It’s the work of someone completely at ease with their craft, comfortable enough to take risks without upsetting the apple cart of their sound’s core appeal.

Blackploid’s idiosyncratic approach to synth work is something which distinguishes Cosmic Drama from the pack. Electro has long been a genre which prides itself on innovation on the keys, but few producers are willing to push their sonics as far as Blackploid does - take the seasick churn of pads and processors on ‘Multiverse’, for instance, or the way John Carpenter-esque single-note lines dovetail with gurgling synthetic pulses and eerie, spacious chords on ‘The Lab’, a highlight of Cosmic Drama’s midsection.

Cosmic Drama skips along at club tempo throughout - every one of these joints will get bodies moving in dark rooms across the galaxy. However, even when tracks maintain their single-minded pursuit of machine-funk perfection, they never forget to deliver on the hooks. Blackploid has lead lines (and counter-melodies) to burn here, and each track knots them together in ever-more intriguing ways as they plough onwards. Drexciyan heads will be thrilled by the sci-fi delights of ‘Species’, for instance, while Blackploid brings melodies as cold as they are catchy on the aptly-named ‘Polar Dunes’. By the time Cosmic Drama hits upon the vroom-vrooming bassline line of closer ‘Contact’, you’re fully enthralled to the album’s combination of broken-beat heft and synthetic melodiousness.

RIYL: Drexciya, I-f, Cygnus, AFX

Cosmic Drama

Blackploid - Cosmic Drama

TL Premiere #1958 (2025.07.10) : Blackploid - Alien [Central Processing Unit]

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For this 117th Premiere of 2025, we have a track by the veteran German Electro DJ, producer & composer Martin Matiske, aka "Blackploid" (@martin-matiske), titled ‘Alien’ from his forthcoming LP "Cosmic Drama" on the independent British record label, founded in Sheffield in 2012, specialising in electronic music : Central Processing Unit (@cpurecords).

The album will be available on August 1, 2025 in Limited edition 2x12" vinyl LP + Digital. 

▶︎ Pre-order : https://centralprocessingunit.bandcamp.com/album/cosmic-drama

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Release Info :

Blackploid - Cosmic Drama

Preview here: soundcloud.com/cpurecords/blackploid-cosmic-drama

In recent years, Blackploid has come to be one of Central Processing Unit’s signature artists. The German producer has averaged more than a record a year for the Sheffield imprint since he first landed on CPU in 2021. This prolific run continues with Cosmic Drama, Blackploid’s second LP for the label. The album takes the baton from its predecessor Enter Universe in style, delivering twelve tracks of top-quality machine-funk that draw down from electro’s classic artists while also imbuing proceedings with a playfulness that very much gives things a signature Blackploid-ish flavour.

Cosmic Drama sets its stall out from the off. The opening run of ‘Alien’, ‘World Construction’ and ‘Virtual State’ all deliver piston-snapping beats which anchor pleasing melanges of B-movie synth lines. Alongside this, Blackploid adds little flourishes which add buoyancy to each joint - a syncopated bassline reminiscent of I-f’s late-90s classic ‘Space Invaders Are Smoking Grass’, crackling robo-voiced commands, skittering synth chords which wash across the mix and so on. It’s the work of someone completely at ease with their craft, comfortable enough to take risks without upsetting the apple cart of their sound’s core appeal.

Blackploid’s idiosyncratic approach to synth work is something which distinguishes Cosmic Drama from the pack. Electro has long been a genre which prides itself on innovation on the keys, but few producers are willing to push their sonics as far as Blackploid does - take the seasick churn of pads and processors on ‘Multiverse’, for instance, or the way John Carpenter-esque single-note lines dovetail with gurgling synthetic pulses and eerie, spacious chords on ‘The Lab’, a highlight of Cosmic Drama’s midsection.

Cosmic Drama skips along at club tempo throughout - every one of these joints will get bodies moving in dark rooms across the galaxy. However, even when tracks maintain their single-minded pursuit of machine-funk perfection, they never forget to deliver on the hooks. Blackploid has lead lines (and counter-melodies) to burn here, and each track knots them together in ever-more intriguing ways as they plough onwards. Drexciyan heads will be thrilled by the sci-fi delights of ‘Species’, for instance, while Blackploid brings melodies as cold as they are catchy on the aptly-named ‘Polar Dunes’. By the time Cosmic Drama hits upon the vroom-vrooming bassline line of closer ‘Contact’, you’re fully enthralled to the album’s combination of broken-beat heft and synthetic melodiousness.

Tracklist :
01. Alien
02. World Construction
03. Virtual State
04. Universe Research
05. The Lab
06. Species
07. Shadow
08. Polar Dunes
09. Multiverse
10. Lift Off
11. Cosmonaut
12. Contact

releases August 1, 2025

All tracks written and produced by Martin Matiske.
Mastered at Computer Club Sheffield
Design by Human / www.humanstudio.com

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

Alien

TL PREMIERE : Blackploid - Alien [Central Processing Unit]

Greek duo Bonnie & Klein serve up an Aegean musical escape with their new Glam Pulse EP on Hell Yeah.

George Fountzoulas and Thanasis Skouzis are lifelong Balearic brothers who offer up their own soul-stirring take on the sound on labels like Music For Dreams and NuNorthern Soul. They are inspired by the sunsets and seas of their homeland and bring great imagination to their melodies as this new outing proves.

'Glam Pulse' sets a gorgeous tone from the off with wavy grooves and a peppering of percussion. As well as some singing guitar riffs, sundown synths and shimmering chords make this a steamy and seductive gem. 'Haleakala' is another perfect soundtrack to lazing on the beach and watching the sun sink into the sea while new age motifs wash over you and carry away your woes. Proggy guitars speak to the soul on 'Horizon Avenue' as woody xylophones and wispy leads ride on dubby bass and 'Sunion' closes with hints of melancholy - a lament for the final dance of a long hot summer with lingering trumpets lodging deep in your heart.

Bonnie & Klein tap into real Balearic magic on this EP and effortlessly transport you to a sandy paradise.

download

Bonnie & Klein - Sunion

'A decade has passed since Infinity Night graced Bordello A Parigi with his wonderful Winter and Summer EPs. After too long a wait, the French producer returns with the aptly titled Le Temps Qui Passe. Six slices of select synthesizer music make up the 12”, tracks lovingly crafted with Frederic Bergamaschi’s trademark analogue warmth. A melancholic melody meanders through brightness in “Tu Ne Me Réponds Pas”, dulcet words hidden under the machine gauze of a vocoder. Skittish percussion gives way to the refrain of “It’s Full of Stars”. Hazy keys appear as an arpeggiator rumbles below a shimmering sky. “Les Souvenirs De Valerie” picks up where its predecessor left off. Astral notes are beamed into the heavens, echoing into the while crisp cymbals tether the piece. Infinity Night has always sought that point of balance in his music, a bittersweetness he accentuates and explores. This is true in the darker shades of “Nymphomania”. Beats are bolstered, key stabs piercing the tenderness of analogue trills. The title track is a rich patchwork. A burbling undercurrent supports forays into diverse tangents with lyrics surfacing through key shifts and sliding scales. Marching to militaristic rhythms, “I Comme Icare” is the curtain call. The stringent drums are broken by sailing synthlines, vocals masked in a familiar mesh to close. Le Temps Qui Passe, well worth the wait.'

Vinyl: https://bordelloaparigi.com/shop/vinyl/infinity-night-le-temps-qui-passe/
Digital: https://bordelloaparigi.bandcamp.com/album/le-temps-qui-passe

Infinity Night - Les Souvenirs De Valerie

● Blood Money V/A is a protest release that denies the laws of power and the system, he is a thug. Fresh electro sound that shakes your heads and makes you dance to these breaks. This time, the release features 4 Ukrainian musicians and in particular the debut track from the Lviv DJ and now artist T0kE1. You should prepare your ears for bass training because we continue to conquer the electro sound again. With love, Connectome Records
Preorder and buy release on our Bandcamp

Mastering - Grid User

● Artist: Adi Yair
https://soundcloud.com/adi-yair
https://www.instagram.com/adiyair1/

● Label: Connectome Records
https://soundcloud.com/connectome_records
https://www.instagram.com/connectome.records

● Release: 2025.07.08

🛒 https://connectomerecords.bandcamp.com/album/blood-money-v-a

📺 https://youtu.be/MZJ8aTdGWVE

𝙋𝙧𝙚𝙢𝙞𝙚𝙧𝙚 : Adi Yair - Hustler Mentality [Connectome Records]

A year on from his effortlessly escapist Senza Estate album on Hell yeah, My Friend Dario's 'Tellaro' from 2023 gets a digital rerelease next to a standout SIRS remix.

Dario is a core part of the neo-Balearic world with his blend of downbeat, disco, acid and breakbeat. 'Tellaro' very much embodies that with a late-night twist. It has deep, propulsive drums, expansive soft acid lines and twinkling keys, all making for smooth, romantic dance floor hypnosis

Sirsounds Records label head SIRS was last here with a remix of Aura Safari and is in top form again. He flips 'Tellaro' into something with dubby low ends and more psychedelic leads for freaky broken beat fun. 

My Friend Dario - Tellaro (SIRS Remix)

V/A - EVVA002
BUY LINK : https://evolv3events.bandcamp.com/album/evva002
Label: Evolve (https://soundcloud.com/evolvelabel)
https://www.instagram.com/evolve_label
> MBV (https://soundcloud.com/mbvnotaus)
https://www.instagram.com/mbvmusic

Evolve was conceptualised out of a love for psychedelic electronic music. Genre-fluid and ever-shifting, EVVA002 presents a deeper, slower sonic palette that defines the label’s evolving identity. From goa-laced club tracks to warped breaks, leftfield IDM and dubbed-out prog and techno, each track adds its own twist to the psychedelic thread that runs through the heart of the label.

Produced by MBV
Mastered by Carlo Gaeta
Artwork by Anahi Valcarcel

BUY LINK

PREMIERE : MBV - Wolf Cuts

In recent years, Blackploid has come to be one of Central Processing Unit’s signature artists. The German producer has averaged more than a record a year for the Sheffield imprint since he first landed on CPU in 2021. This prolific run continues with Cosmic Drama, Blackploid’s second LP for the label. The album takes the baton from its predecessor Enter Universe in style, delivering twelve tracks of top-quality machine-funk that draw down from electro’s classic artists while also imbuing proceedings with a playfulness that very much gives things a signature Blackploid-ish flavour.

Cosmic Drama sets its stall out from the off. The opening run of ‘Alien’, ‘World Construction’ and ‘Virtual State’ all deliver piston-snapping beats which anchor pleasing melanges of B-movie synth lines. Alongside this, Blackploid adds little flourishes which add buoyancy to each joint - a syncopated bassline reminiscent of I-f’s late-90s classic ‘Space Invaders Are Smoking Grass’, crackling robo-voiced commands, skittering synth chords which wash across the mix and so on. It’s the work of someone completely at ease with their craft, comfortable enough to take risks without upsetting the apple cart of their sound’s core appeal.

Blackploid’s idiosyncratic approach to synth work is something which distinguishes Cosmic Drama from the pack. Electro has long been a genre which prides itself on innovation on the keys, but few producers are willing to push their sonics as far as Blackploid does - take the seasick churn of pads and processors on ‘Multiverse’, for instance, or the way John Carpenter-esque single-note lines dovetail with gurgling synthetic pulses and eerie, spacious chords on ‘The Lab’, a highlight of Cosmic Drama’s midsection.

Cosmic Drama skips along at club tempo throughout - every one of these joints will get bodies moving in dark rooms across the galaxy. However, even when tracks maintain their single-minded pursuit of machine-funk perfection, they never forget to deliver on the hooks. Blackploid has lead lines (and counter-melodies) to burn here, and each track knots them together in ever-more intriguing ways as they plough onwards. Drexciyan heads will be thrilled by the sci-fi delights of ‘Species’, for instance, while Blackploid brings melodies as cold as they are catchy on the aptly-named ‘Polar Dunes’. By the time Cosmic Drama hits upon the vroom-vrooming bassline line of closer ‘Contact’, you’re fully enthralled to the album’s combination of broken-beat heft and synthetic melodiousness.

Blackploid -  Universe Research

READ > inverted-audio.com/premiere-o-wells-park-jit

Having released the first of the series, @orson-wells returns to @die-orakel with a three track banger named 'Presents Frankfurt Bass' - ranging from spacey downbeat breaks to futuristic electro.

O-Wells - Park Jit [Die Orakel]

READ > inverted-audio.com/premiere-jensen-interceptor-assembler-code-natural-control

After surfacing last year on Boysnoize Records with the blazing '6th Element' EP, the joint venture of Sydney-based producers Jensen Interceptor and Assembler Code reemerges on Muscovite imprint @privatepersons for a roaring second volume of their muscular electro-tech workouts.

PRIVATEPERSONS006

Jensen Interceptor & Assembler Code - Natural Control [Private Persons]

READ > https://inverted-audio.com/premiere-brenecki-effective-side-information

Hot on the heels of his top-notch latest offering for Natural Sciences, Brooklyn based mutant tech trader @brenecki steps up on Singapore's @midnight-shift with 'Mnemonic', a blazing new five-tracker hybridising lopsided machine funk, off-axis electro pulsations and overly gritty motorik.

Mnemonic EP

Brenecki - Effective Side Information [Midnight Shift]

READ > https://inverted-audio.com/premiere-maelstrom-blue-stamp

Across five cuts of frenzied electronics passed through the lo-fi grill, @maelstrom new ‘Detection‘ EP for @privatepersons navigates on sight between a straight out UR-nurtured electro pulse and a faded, breaks-strewn nostalgia akin to that of the Den Haag school.

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Maelstrom - Blue Stamp [Private Persons]

"Research A" by @anthony-rother will be released on April 15th through Mistress Recordings @dvs1. More info: bit.ly/RotherResearch

Mistress 12

Research A

Anthony Rother - Research A

For Demos & Requests: label at feinstoff . info
Feinstoff is contemporary nostaglia.

2024
NOV 16 POSTGARAGE TAEKOVER ⦿ Graz
SEP 14 VILLA WERNER TAKEOVER ⦿ Zagreb 
MAY 30 RENATE TAKEOVER w/ HOUSE OF LUNACY 
MAY 10  CONTROL CLUB TAKEOVER ⦿ Bucharest
MAY 04 TAGADA CLUB TAKEOVER ⦿ Vienna

2023 
DEC 16 CONTROL CLUB TAKEOVER ⦿ Bucharest
MAY 06 CONTROL CLUB TAKEOVER ⦿ Bucharest 
JAN 27 PIEKŁO NAD NIEBEM TAKEOVER  ⦿ Warsaw 
2022 
APR 16  Mensch Meier Takeover ⦿ Berlin
2020 OKT 17 H13 Festival Takeover ⦿ Berlin
XX 2020 JUL 17 Kater Blau ⦿ Berlin XX
XX 2020 JUN 05 Wilde Renate ⦿ Berlin XX
XX 2020  MAY 01 Mensch Meier ⦿ Berlin XX
XX 2020 MAR 13 Mensch Meier ⦿ Berlin XX
2020 MAR 07 Colour Box Takeover ⦿ Cape Town 
2019 DEC 20 Anita Berber ⦿ Berlin
2019 NOV 15  Mensch Meier ⦿ Berlin
2019 OCT 05 Mensch Meier ⦿ Berlin
2019 JUN 21 Mensch Meier  ⦿ Berlin
2019 MAY 24 Kater Blau  ⦿ Berlin
2019 FEB 14 Slakthuset Takeover ⦿ Stockholm
2019 JAN 25 Feinstoff ⦿ Kater Blau
2018 DEC 08 Feinstoff ⦿ Kater Blau
2018 OCT 20 Feinstoff ⦿  Kater Blau
2018 SEP 14 Feinstoff ⦿ Crack
2018 AUG 24 Feinstoff ⦿ Nein
2018 JUN 23 Feinstoff ⦿  Kater Blau
2018 MAY 18 Feinstoff ⦿  Kater Blau
2018 MAY 11 Feinstoff ⦿ Crack
2018 APR 21 Feinstoff ⦿  Kater Blau
2018 FEB 23 Feinstoff ⦿  Kater Blau
2018 JAN 9 Feinstoff ⦿  Kater Blau
2018 JAN 5 Feinstoff ⦿  Kater Blau
2017 NOV 10 w/ Feinstoff ⦿  Kater Blau
2017 OCT 07 Feinstoff ⦿  Kater Blau
2017 SEP 09 Feinstoff ⦿ Kater Blau
2017 AUG 04 Feinstoff ⦿  Kater Blau
2017 JUL 14 Feinstoff ⦿ Disco 3000
2017 JUN 30 Feinstoff ⦿  Kater Blau
2017 MAI 20 Feinstoff 9th Wave
2017 MAR 31 Feinstoff ⦿ Sulk Magic
2017 MAR 24 Feinstoff  ⦿ Nein
2017 MAR 11 Feinstoff ⦿  Kater Blau
2017 FEB 11 Feinstoff ⦿  Kater Blau
2017JAN 07 Feinstoff ⦿  Kater Blau
2016 DEC 3 Feinstoff ⦿ La Dame Noir

An iconic berlin-based event series organically grown into a music platform and label featuring a streamlined curation. Well-known to offer a plethora of authenticity, Feinstoff delivers a significant edge on next-level electronic music and disco movements. 

Feinstoff is created by Freudenthal of Pardon Moi