Across two mammoth, critically acclaimed compilations Berlin-based Musician and DJ Curses' Next Wave Acid Punx series has shone a blacklight onto the darker side of club music. Featuring tracks from the 1970s right up to the present day made by both musical legends and up and coming talents alike, Curses has expertly threaded the needle between Experimental Pop, Post Punk, EBM, Electro, Techno and more to produce a stunning alternative history of clubland.  

But, as every good digger knows, there's always more gems to uncover and so once again Curses has crowbarred open the electronic music's vaults to bring us four more long forgotten tracks, each one "Revamped" for maximum Dancefloor effect with Curses himself providing 2 edits alongside precision tooled reworks from Melbourne based Stockholm Syndrome and NYC's Andi.  

First up from Curses is his Revamp of Deborah Sasson’s (Carmen) Danger In Her Eyes, a curio from the wildly inventive mid late 80s that saw the American opera singer collaborate with German producers MCL (MicroChipLeague). A European chart topper on its original release, it's long since languished in obscurity but in Curses' hands is now ready to once again add more than a touch of melodrama to dancefloors.  

For his second edit, Curses reworks J.W.B. Hits The Beat's House Fatale, having previously taken a razor to their Body On Body track on Next Wave Acid Punx DEUX. Originally released in 1988, House Fatale is a classic example of just how fast electronic music was evolving back then, bringing together elements of Electro, Freestyle, House and more amongst a riot of samples, all elements Curses retains whilst nudging the tempo and giving the track a harder edge.

Sticking with the same Westside label that gave us House Fatale, Stockholm Syndrome turns his attention to Voyou's Houseman. Or, as it happens, the 1988 edit by LA's Razormaid that first honed its edges for club play and merged the title track with its b-side. The resulting edit rejuvenates this classic slice of late Cold War club music, its pounding beat, portentous strings and the repeated overdriven vocal refrain of Germany Calling perfect for basement clubs today, in Berlin and beyond. 

Finally to complete the EP we have sample-heavy 1988 cut Not Leaving Without Jerry by Belgian duo Marc Borgions & Jo Lijnen aka Philadelphia Five. Originally produced by Luc Van Acker, (better known for his work with the likes of Front 242, Ministry and Revolting Cocks), the track has been handed over to NYC producer Andi, who ups the tempo and hones in on the rhythm section, putting the focus on the staccato drums and throbbing bass line the focal point now and creating a perfect soundtrack for sweat lashed bodies.   Together these four tracks revisit a moment in clubland when the rules were still being written, as Curses explains. "This was a pivotal moment where all genres were still evolving, figuring out what sounds would eventually become staple elements of one another which gave it all this naive, innocent and punk feel. You’ve got Trance arpeggios, those heavy snares of early EBM, chopped vocals in the style of Chicago and NY formative House music all mixed with Electrofunk and percussive Latin freestyle grooves. A time when we were dancing without boundaries, something very much in the spirit of Next Wave Acid Punx.”

FEINSTOFF PREMIERE: Philadelphia Five - Not Leaving Without Jerry (Andi Revamp)

Adrián Peña Sánchez (Calystarr) is a DJ, producer and electronic researcher from Chiclana de la Frontera (Cádiz). His style could be compared to night and day, on the one hand, dynamism and depth and on the other, elegance and freshness.
His sounds are full of psychedelic atmospheres full of harmony using nuances and resources, in most cases, of a retrospective nature. Calystarr usually works under many musical influences, betting mainly on retro and underground indie sounds. In his sets and productions it is common to hear Nudisco, Italo, Classic House, New Beat, Indie Dance, Acid, Electro, EBM and Dark Disco styles.

He has worked musically with a multitude of national and international artists such as James Rod, Parissior, Moo Monster, Neurotiker, Pumuki, CMIND, Gameboyz, ROTCIV, Ilya Santana, Tronik Youth, Kay-Chi, Chinosynth and Astore working for music labels such as Golden Soul, Espacio Cielo, When Disco Goes Wrong, Melómana Records, Channel Six, Burning Synths, Nein Records, Club Mackan, Astrolead Records, Logical Records and Emerald & Doreen.
As for performances, Calystarr has been in many venues, events and festivals sharing the bill with many artists of great projection such as Avant_Y, Chagar, Lollypop, Rick Golden, Nubaen, Vinny Carmona, Bonny Stuche, Dalila, Göo!, Sedjat and many more.
Worthy of mention is his performance at Electrolunch, Edición Sevilla XXL where he shared the bill with Reka and Jennifer Cardini and Interestelar Sevilla 2025 where he shared the line up with Marta Flores, Undo and Blondex.
Currently, Calystarr is working on a parallel project in full adaptation to the performance format through the Live Set and Hybrid Set, introducing the alternation through digital and analog systems.
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Releases & remixes:
- Culto Recordings
- Bolonia Recordings
- Golden Soul Records
- Dacusan Music Records
- Sustain Music
- Channel Six
- Asane Records
- Espacio Cielo
- When Disco Goes Wrong
- Nein Records
- Emerald & Doreen
- Club Mackan
- Astrolead Recordings
- Melómana Records
- Burning Synths
- Logical Records 
--------------------
Contact/Info: calystarr@gmail.com
https://linktr.ee/calystarrmusic

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