This is the third part of a collaboration project with:
https://soundcloud.com/morgulbee
https://soundcloud.com/paul-beaudoin

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Junto Drone (disquiet0527 with morgulbee and paul-beaudoin)

This track consists of minimally viable music celebrating the minimally viable spring of 2022 - you can't help but notice the promising signs of spring, even if the current state of our world is dire.

Major thanks to Saga Söderback for having come up with this project.

More on this 530th weekly Disquiet Junto project – Minimally Viable Music (The Assignment: How much less is just shy of too little?) – at: https://disquiet.com/0530/ 5

More on the Disquiet Junto at: https://disquiet.com/junto/ 2

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0530-minimally-viable-music/

Minimally Viable Spring (Disquiet0530)

naviarhaiku426 – the long night

the long night
made longer –
a dog barking

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Night made longer ( naviarhaiku426 )

a = wofol wee becle X 10

threnody for the avant garde

a track by Marco Lucchi re-imagined by sevenism

settembre 2022

Marco Lucchi & sevenism - Rainbowing (rain mix)

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

Track 4 from my latest album in 2023 "The Leaves Don´t Leave The Tree"

The Free Harvest

Rain cloud

The legendary city of Agartha lays deep underground. Atmospheric ambient music. soundscapes and drones by Vril Ya

Recorded August 2025
© 2025 Aeon Records
℗ 2025 Ditto Music LTD

Website

Hidden Realm

Drone ambient tune, what I always wanted to do really

Lurulu redux

Fnubi is sound detail and melody driven music from Munich, Germany by Florian Lorenz.
Though sounding up to date digital the basis of the Fnubi-typical sounds most of the time is the result of unreproducible analogue one-takes - a counter-position to the paralysing hyper-optionalism in the creative musical process and in our society in general.
Another basic idea behind Fnubi is to keep all steps of the music creating process in one hand. This contains songwriting, instrumentation, recording, sound design and mixing.
After an explorational period of focusing on shaping sounds away from the instruments origin with FNUBI these elements are now brought into song context.