this is great! super evocative. the effected sax also sits in the mix really well.

This is so good!! Sax into QTRON is kinda wild. Ableton 11 is a blast, right?! 

awesome. if I lay down and listened to this with my eyes closed I am 90% sure I would start floating

Psīa

You Said It Was A Beautiful Day

More on this 487th weekly Disquiet Junto project — Carillon Quotidian (Assignment: Turn a recurring sound from your life into music) — at: https://disquiet.com/0487/

This project was developed by Marty Petkovich (aka K Joule) as part of the celebration of the upcoming 500th consecutive weekly Disquiet Junto project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

https://llllllll.co/t/disquiet-junto-project-0487-carillon-quotidian/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Jade, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/2sThNR

https://creativecommons.org/licenses/by-nc-sa/2.0/

The OB (disquiet0487)

Star Crossed Lover

When warming up for recording the greensleeves cover I've uploaded two weeks ago I did this little improvisation over the main melody of 'For The Love Of God' by Steve Vai. 

I used the Ibanez JEM77FP into the boosted clean channel of the Bluguitar Amp1 into the Blubox (set on Black 1x12 I think) and used a Mooer A7 for the reverb. 

Also: I've got my first soundtrack on Bandcamp, so if you want a free download of cool sci-fi sounds head on over to the following link. You can also check out the last three original albums I've done. 

https://saschamuhr.bandcamp.com/album/cheese-louise-original-soundtrack

Also if you'd like to hear more original stuff you might want to check out Spotify and Youtube:
https://open.spotify.com/artist/7ti7ScpoJPlzAuh8beNTCV?si=7oZ3N-ljRam026I0y55ONA

https://www.youtube.com/channel/UCI50R673GNlv0aG_zSVfTDw

Improvisation_20: ambient take on the melody from Steve Vai's 'For The Love Of God' with the JEM77FP

Loose Ice

Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical (rather than philosophical) usage.

In George Puttenham's The Arte of English Poesie (1589), aporia is "the Doubtful, [so] called...because often we will seem to caste perils, and make doubts of things when by a plaine manner of speech we might affirm or deny [them]". In a reference from 1657, J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" (OED). Herbert Weir Smyth's Greek Grammar (1956) also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say" (674).

More modern sources, perhaps because they come after the advent of post-structuralism, have chosen to omit the rhetorical usage of the term. In William Harmon's A Handbook to Literature, for example, aporia is identified as "a difficulty, impasse, or point of doubt and indecision", while also noting that critics such as Jacques Derrida have employed the term to "indicate a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself" (39). Julian Wolfreys, in his essay "Trauma, Testimony, and Criticism", characterizes trauma as aporia, a wound with unending trail. Valiur Rahaman, in his book Interpretations: Essays in Literary Theory (2011), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
Source: wikipedia

Aporia(ᾰ̓πορῐ́ᾱ)

This track was created for the Naviar Haiku group.
417 week haiku
https://www.naviarrecords.com/2021/12/29/naviarhaiku417-on-new-years-day/

2021-12-30

On New Year’s Day  ( Naviarhaiku 417 )

The silver threads drift through the night,  
I reach to touch the quiet light

The Space Between Our Stars

ARABEATS - HIP HOP INSTRUMENTAL BEATS (18)

Spotify: https://open.spotify.com/artist/5eAFB9ytVgtqR0TYetIjRA?si=Rg8tml_5Rou2LFn_2FKuDw

Apple Music: music.apple.com/us/artist/ryno/1575598667

YouTube: youtube.com/@rynomusic?si=iXltZkFDznuK78A3

Instagram: https://www.instagram.com/ryno.rn/

Bandcamp: https://rynomusic.bandcamp.com/

Bandcamp

Liberate

I'm playing along Matthias Boss @bosspfaeffli 's wonderful https://soundcloud.com/bosspfaeffli/violins-should-be-played-only-with-clean-fingernails on contrabass recorder.

Fingernails [Matthias Boss and Markus Reineke]

Made for Naviar Records' 361st Haiku Challenge. Details and other inspirations at https://www.naviarrecords.com/2020/12/02/naviarhaiku361-abandoned-farmhouse/

Ghosts of ice and snow [naviarhaiku361]

[[bandcamp]]

vax xistuns - trike rmx

Such A Strange Place

More on this 478th weekly Disquiet Junto project — Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) — at:

https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:

https://cba.fro.at/series/kopfkino

More on the Disquiet Junto at:

https://disquiet.com/junto/

Qusaphone Collage

Quasaphone Collage (disquiet0478)

for this track I first auditioned and downloaded multiple parts from freesound.org, from textures and synth noises to radio tunings (all creative commons free licences - see below for a comprehensive list). These where assembled into a drum rack in ableton and randomly triggered. I set random velocities which would trigger the sample offsets to create added variety. Furthermore I used live 11's new PitchLoop89 effect to create an active stereo mix.

Samples Used:
52713__kathakaku__nano-loop-square-1
67024__kanukanakina__boxki3
79547__cognito-perceptu__amplitude-rich
195926__efecto-fundador__beep-1000-hz-length-of-1-frame-to-25-frame-sec-code-pal
291173__modularsamples__fender-chroma-polaris-twang-a-1-34a-0-jakj
308321__modularsamples__roland-jx-8p-noisy-decade-b3-59b2-ouge
311272__modularsamples__roland-sh-2-two-finger-bass-f-4-67g3-xzsj
314643__modularsamples__yamaha-cs-30l-soft-to-harsh-g3-soft-to-harsh-56-54
399331__anthousai__plastic-bubble-wrap-handling-02
401535__gcguest1__amcs-jh-ti22-tang-kiteng-kiteng
420352__14gpanskabokoc-maksym__5-hologram-game
437086__craigsmith__g52-23-old-wagon
454236__kyles__traffic-heavy-under-brooklyn-bridge-train-pass-overhead
542810__rippleys-circus__808-3
547454__guiperlin__garrafa-plastica

More on this 478th weekly Disquiet Junto project — Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) — at:

https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:

https://cba.fro.at/series/kopfkino

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0478-collage-of-collages/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by the late Jeffrey Melton (a very early Junto participant), and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/4zoz46

https://creativecommons.org/licenses/by-nc/2.0/

The Politics Of Turbulence [disquiet0478]

Fnubi is sound detail and melody driven music from Munich, Germany by Florian Lorenz.
Though sounding up to date digital the basis of the Fnubi-typical sounds most of the time is the result of unreproducible analogue one-takes - a counter-position to the paralysing hyper-optionalism in the creative musical process and in our society in general.
Another basic idea behind Fnubi is to keep all steps of the music creating process in one hand. This contains songwriting, instrumentation, recording, sound design and mixing.
After an explorational period of focusing on shaping sounds away from the instruments origin with FNUBI these elements are now brought into song context.

Quasaphone Collage (disquiet0478)

Fnubi

Recent comments

6匹のおさかな

fisherbody

Fake Genius

Benedict Mortimer

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