https://buymeacoffee.com/peterheckmann 

BIO: Independent Music / Film / Theater Producer, Musician, Mixing / Mastering Engineer and Multimedia Production Specialist with over forty years of experience in the entertainment and multimedia design industries. 

I worked with a broad spectrum of clients in both the entertainment industry and corporate sectors. 

My expertise has been achieved through nearly five decades of professional involvement in documentary video, feature film and music production, audio recording and engineering, stage design and theatrical production, multimedia and graphic design, investigative journalism and project management.

Cecilia Muylaert is a composer and classically trained pianist whose work bridges classical tradition and contemporary electronic soundscapes. Her music often combines orchestral writing with electronic textures, creating an expressive and modern sonic landscape.

https://linktr.ee/ceciliamuylaert

hypnagogic audio alkhemi. 

live looping, multi instrumental sound jøurneys

live one take sessions of original composition

IG:@xylem_._phloem

Composer and pianist, living in England. Author of a free guide to Piano Technique (see link).

Tina Guo is an internationally acclaimed and Grammy-nominated virtuoso acoustic/electric cellist, recording artist, and composer.  With a multi-faceted career and mastery in a wide range of genres, her passion for musical exploration, artistic expression, and technology are expressed through live performance and visual media.  Tina can also be heard as a featured soloist in many Blockbuster Film, Television, and Game scores.

As a classical soloist, Tina's engagements with orchestras around the world include the San Diego Symphony, the State of Mexico National Symphony, the Thessaloniki State Symphony in Greece, the Petrobras Symphony in Brazil, and the Vancouver Island Symphony in British Columbia. She collaborated with violinist Midori Goto in Dvorak's American String Quartet at Walt Disney Concert Hall in Los Angeles, and completed four national tours of Mexico and Italy performing the Shostakovich, Dvorak, Haydn, and Saint-Saëns Cello Concertos.

Tina is featured in commercials for Mazda and United Airlines, and was also a soloist in Cirque Du Soleil's Michael Jackson "The Immortal" World Tour from 2011-2013 performing in sold out arenas around the world.  The tour performed to over 3.7 million people and is one of the highest grossing tours of all time.  Tina is also featured on the Epic Records release "Immortal," replacing the original guitar solo in "Beat It" with an Electric Cello/Guitar Battle-style duet with guitarist Greg Howe.  She performed with Skrillex, Dplo, and Justin Bieber at the 2016 Grammy Awards.

Performing alongside Hans Zimmer at the Premiere of Inception, and at a concert celebrating Kung Fu Panda 2 for Dreamworks with Hans and John Powell- Tina is passionate about soundtracks and the wide range of music and feelings it expresses.  She was a featured performer at the League of Legends World Championship at a sold-out Staples Center in Los Angeles and an audience of 33 million streaming online. Tina was featured on the Electric Cello with The Crystal Method, Wes Borland (Limp Bizkit), Danny Lohner (NIN), Joe Letz (Combichrist), and the Hollywood Scoring Orchestra.  She has also been a featured performer at Comic Con, Blizzcon, and with Video Games Live.  Tina toured Europe with Guitar Virtuoso Al Di Meola and was the guest soloist in Baroque-Rock group Vivaldianno's "City of Mirrors" Tour appearing throughout Europe.  

Tina has been featured as a soloist on the scores of Sherlock Holmes, Iron Man 2, Batman vs Superman, Pirates of the Caribbean 5, The Monkey King 2, Clash of the Titans, Red Riding Hood, Abduction, Olympus Has Fallen, Escape Plan, CSI:NY, Vikings, The Borgias, Sleepy Hollow, Dominion, Iron Chef, My Little Pony: Friendship is Magic (as Octavia,) Blizzard's Diablo III and Hearthstone, Call of Duty: Black Ops II, Call of Duty: Black Ops III, Assassin's Creed Syndicate, Revelation Online by Chinese game giant Netease, and Journey, which was nominated for a Grammy for Best Score Soundtrack. The Tina Guo Sample Library by Cinesamples is one of the most popular cello solo libraries available on the market today, used by composers and producers in countless media music projects.  

Tina's Music Video for "Queen Bee" won Best Short Film/Music Video at the Downtown Los Angeles Film Festival.  Her songs "Queen Bee" and "Forbidden City" are also available for download to play for Rockband on Xbox 360 and PlayStation 3.  Metal Hammer Magazine UK described Tina as "an international sensation" and she was also featured in Glamour Magazine Russia with a 2 page spread.  She is currently a 2017 Grammy Nominee for Best New Age Album for "Inner Passion" with pianist Peter Kater. 

In October 2016, Tina signed an exclusive recording contract with Sony Music and her debut Sony album will be released February 10, 2017. 

Full Bio: www.TinaGuo.com

All WIP, shit soundsystem.. most on private for now!
Work on releases for Pogoskank /Obskur / Joey Hätz / Mono & Stereo
* /Taaladvies ("Translation" underneath the dutch part)
/Plotsklaps / eensklaps / plotseling
Wat is juist: plotsklaps of plotseling?

Het is allebei juist. 
Plotsklaps is de jongste vorm; deze is waarschijnlijk ontstaan als vermenging van plotseling of plots en eensklaps. Er zijn mensen die het een lelijk of kinderachtig woord vinden, maar plotsklaps is inmiddels ingeburgerd als bijwoord. In 1976 (tiende druk) werd het voor het eerst in Van Dale opgenomen.

Eensklaps krijgt in taaladviesboeken soms nog de voorkeur boven plotsklaps, maar het wordt steeds meer als een wat formeel en ouderwets woord gezien. Plotseling, opeens en onverwachts zijn tegenwoordig gebruikelijker.

In informele teksten of bij weergave van spreektaal kan plotsklaps gerust gebruikt worden. Voor andere teksten is het waarschijnlijk toch nog wat te informeel, en kan het best een van de alternatieven gebruikt worden. Een paar voorbeelden:
 Zoooooooooooo, plotsklaps kwam de kick er in! (informeel)
 Opeens/plotseling kwam de bassdrum er in.
 Oke.. die hats kwamen er wel erg plotsklaps in. (informeel)
 De hats kwamen er plotseling/onverwacht in.
 Plotsklaps stond iedereen los te gaan. (informeel)
 Plotseling stond iedereen te dansen alsof het leven er vanaf hing.
__
/ Language advice (means language advising; translate on google!)
/ Suddenly / suddenly / suddenly
What is correct: suddenly or suddenly?

It is both right.
Suddenly the youngest form; it probably arose as a mix of suddenly or suddenly and suddenly. There are people who find it an ugly or childish word, but suddenly it has become established as an adverb. In 1976 (tenth edition) it was recorded for the first time in Van Dale.

Suddenly language advice books sometimes prefer to go over suddenly, but it is increasingly seen as a somewhat formal and old-fashioned word. Suddenly, suddenly and unexpectedly are more common nowadays.

In informal texts or in the presentation of spoken language can suddenly be used safely. For other texts it is probably still too informal, and it is best to use one of the alternatives. A few examples:
 Soooooooooooo, suddenly the kick came! (informal)
 Suddenly / suddenly the bass drum came in.
 Okay .. those hats came very suddenly. (informal)
 The hats suddenly came in / unexpectedly.

Suddenly everyone was let go. (informal van Gaal-ish)
Suddenly everyone was dancing as if life was hanging from it. (van Gaal-ish)

https://fr.wikipedia.org/wiki/Olivier_Calmel

FOGGY is following