For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Well, that was a weird couple of months. Apologies for the lack of transmissions but I’m sure everyone understands the complete lack of motivation and inspiration that has been cast across the world. That being said, it hasn’t slowed everyone down that's for sure. I’m completely backed up with incredible mixes from incredible people, so let’s get back to our original program. 

In celebration of such, we’re excited to return with a (gentle) bang in the form of episode 60, via the incredibly talented Kia. Unless you’ve been living under a rock (which is completely understandable) you would’ve noticed Kia’s light in many facets; an incredibly talented DJ, a passionate and dedicated label boss, and associated mix series runner (big ol tip’o’that to Animalia // link below), woolen based wunderkind, and most importantly a fucking lovely human being. 

And if you do know Kia then as you would expect, her submission to the series is nothing short of breathtaking. A perfectly constructed soundscape, daydreaming of an above-average paradise. Emotionally inciting on all fronts, it’s nice to feel things again and I think this is perfectly timed with the world opening back up again. The subtly rhythmic pulses of 4x4 drums reactivating that lost sense of liberating yourself on the dance floor (finally back in our sights) and the ethereal harmonies that keep you grounded on the bedroom floor. What Kia manages to do in an hour is exceptional, a short story that translates to a full novel, a true testament to her talent and understanding of music and all of the concepts that go with it. Best served through headphones with room to move.

Enjoy it every way you can. 
 
I hope you’re all well and thank you for listening. 
 
Love. 

Her sounds >>> https://soundcloud.com/kia-sydney

Animalia >>>> https://soundcloud.com/animalia-label

FHUO # 60 // Kia

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Number eighty-five comes courtesy of locally sourced DJ Lily Dalton, exploring sonic adventures with a rhythm-based narrative, complex computer romances with eccentric undertones, sprinkled with a good amount of thump to get the heart rate up. A perfect insight into the art of abstemiousness. 

Her sounds >>> https://soundcloud.com/toypoodle

Her label >>> https://soundcloud.com/maybe_recs

FHUO # 85 // Lily Dalton

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Eighty six comes fresh from the murky depths of Eora, from none other than Command D aka Charles Fester, born of royal blood, professor of mad dubs, and a 4 wheeled aficionado. Saturate your speakers in fat for the next 70 minutes and then fry until crisp. Stone-cold static rhythms, deep-ended depth charges, and echoes beyond space.

his sounds >>> https://soundcloud.com/commandd

FHUO # 86 // Command D

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

As our trajectory accelerates head-first into another year, it’s more important than ever to slow down and catch your breath. As automatic as that may seem, I’m talking more about the metaphorical meaning of breath aka a self-imposed moment of peace and quiet. To comprehend such a thing nowadays it’s crucial to have a soundtrack, and this episode of FHUO from the Daisy Records crew is the perfect accompaniment to refill the oxygen tanks. Frankifettucini & Obelix have created something truly special in this two-hour time frame, a magical trip through the sky, hopping from cloud to cloud, chasing a never-ending sunset. 

This mix is a true masterclass in immersion, which is what you would expect from two music nuts who run an incredible record store, as well as releases under the Daisy Records sub-label and curated events that really showcase what Naarm has to offer. They get it, and so will you after you listen to this. Enlightenment at its absolute finest, lose yourself then proceed to find yourself. See you on the other side. 

Peace & Love 

Their sounds >>>> https://soundcloud.com/daisyrecordsmelbourne

Their store >>>> https://www.daisyrecords.com.au/

FHUO # 92 // Daisy Records

Pepperprint bacon and eggs and some words from the artists -

"In March, by a small stream in a valley on Dharawal Country near Gerringong, the first Pepperprint festival was held. Over an afternoon, evening, and then morning, about 300 people came together for a special musical experience. The lineup was programmed with time-of-day and a considered arc in mind: live hip-hop, rolling tech house, an arps-and-acid live PA reminiscent of early days orbital, and an all-wax electro set to polish it off.

We were lucky enough to be asked to wake up first on the Sunday morning, power up the generator, and play the bacon-and-egg-roll set from 8am to 2pm, to get the weary revellers out of bed to cement the dancefloor friendships of the previous night. We woke up, left our comfy car (tim) and tent (gus), and had a Rainbow Boss and a dip in the river. As the sun slowly started to creep into the valley and lift the mist and the dew, we had the joy of powering up the generator and Funktion Ones and getting the morning started.

Our SD card only lasted for two of the five hours that we played for, so here’s what we got - from minute 45-or-so onwards; just before we broke our “no drums for the first hour” rule.

Cheers to Tuc, Body Corp, Cousin, Command D, Au4r33y, and many, many more for blowing our minds and hearts on the Saturday night. Cheers to Ghi, Sherry, Rhys, Juj, G-Lyon, and those who danced it out to Soul Capsule with us. Thanks to Oska for being the perfect focus group to run our next few tunes by, and sorry we never played any Shackleton. 

Huge thank you to Kev, to Jake, the property owners, and sincere apologies to the neighbours. Thanks and love to the whole Pepperprint crew. We can’t wait to come back."

Moonshoe Selects 00028 - tgmn & Angus Mills

Interview: https://truantsblog.com/2024/truancy-volume-327-command-d

Soundcloud: @commandd

Access the download and full tracklist (Added) on our Patreon. However if you need anything leave us a nice comment and either us or Command D will get back to you! Your support helps cover all our costs, allows us to now pay our guests and allows Truants to continue running as a non-profit and ad-free platform.

http://truantsblog.com

Command D

Truancy Volume 327: Command D

g u i at Praia - Waking Life '24

@danakuehr at cochilo

foto: ewoutdewaelheyn

Dana Kuehr at Cochilo - Waking Life '24

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Artzooai - Zero Gravity

Cosmic Fairytale is an immersive electronic album blending cinematic soundscapes with deep trip-hop, downtempo, and breakbeat elements. Each track unfolds like a story, guiding listeners through a surreal journey across cosmic realms, where ethereal melodies meet pulsating rhythms.

Beyond Time

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

FHUO # 60 // Kia

For Home Use Only