Taken from Forescape Interfered Volume II
Release date: 02.12.2019

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Jeremy Rowlett — 12th Hour (Taken from Interfered II)

The thin lines between......
Progressive / Techno / Trance

Born and raised in the small rural town of Wilmar in southeastern Arkansas, US. With no local music scene, his only exposer to music at a very young age was through attending church but also digging into his mother and brother's vinyl and cassette collections listening to hip-hop, r&b, blues, soul and motown artists. In his elementary years he joined his school choir and learning the basics of piano and reading sheet music. Later, at 12yrs. old he joined his high school concert band learning to compose and write and playing alto saxaphone and later added tenor and baritone sax to the list. This opened his exposure to classical music. In addition, he later developed a taste for percussion; learning snare and eventually full drum set. Having been exposed early on to rock and metal music, this led him to being recruited as drummer for local a progressive metal band. Having been introduced to computers while enrolled in a technology course, he stumbled across music production software. Realizing he could use this as a creative medium musically in a way he had never imagined, he quickly learned this software, mimicing hip-hop beats and eventually creating his own. Unsatisfied with the sounds, he wanted more. A close friend then introduced him to electronic music artists such as Paul Oakenfold, Timo Maas, Nick Warren, John Digweed and more. This was a sound unlike anything he had ever heard. He studied these producers sounds and quickly started producing his own tracks and uploading them to forums online. After several years of crafting his sound he gathered the attention of the likes of world renowned DJs such as Paul Oakenfold, Markus Schulz, Solar Stone, M.I.K.E. and John 00 Fleming to name a few, with releases on labels such as Saturate Audio, In Sessions and an assorment of labels under the Proton Music label catalog. 


Record Label Affiliates:

@Saturate-audio / @joof-recordings / @forescapedigital

For more guest mixes and live sets, go to www.mixcloud.com/jeremyrowlettmusic

Send all promos, production requests and other inquires to: 

jeremyrowlettmusic@gmail.com

Deep and Hypnotic Trance label by @enlusion

Send your demos via Label Radar:
labelradar.com/labels/forescapedigital/portal

We only reply to suitable demos.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

Enlusion is a DJ and producer of Trance (Deep / Hypnotic) music, based in Belgrade, Serbia. 

A&R at @joof-recordings
Owner of @forescapedigital

Resident at DI.FM (DJ Mixes channel):
di.fm/shows/forescape-radio

Guest on:
@john00fleming's JOOF Radio 026
@pauloakenfold's Perfecto Black Radio 040
@rank1official's 'Radio Rush' 040 and 046

Wow, hadn't realised what a journey SoundCloud would take me on.  After many years of passive listening to music I've dieted on a variety of tastes. My appetite for new sounds is undiminished and SC provides plenty of food. I am not a musician and have only recently started to listen positively to the sounds. My early years began listening to music from ABC, The Beatles, The Carpenters Dire Straits Eagles Fleetwood Mac Genesis Elton John Led Zeppelin Gilbert O'Sullivan Rod Stewart Supertramp Tangerine Dream Vangelis The Who and many more.
If you can't spot a trend in my current likes it may be because it is diverse. I love listening to all my playlists which contain tracks that I like and if you like any of the music you must thank the artists not me.

Jeremy Rowlett — 12th Hour (Taken from Interfered II)

Forescape Digital