You´v done a pretty god job with this track. Waiting for you to coming up with some more! Good job! Well done! :)

Read our interview with @johntejadaofficial and check out this mix's track list here: bit.ly/TejaPod

Groove Podcast 299

Tracklist

Groove Podcast 299 - John Tejada

A rehearsal of Lay-Far's birthday dj set, which was played by @xio and @manb4

Artem Xio & MB4 @ Bang! Lay-Far's Birthday / Blanc Moscow / 30.04.2021 (Rehearsal)

J Dilla | In Space (1998) 15 Minute Vinyl Mix

Enjoy and support this special session as we reach our 500th episode! 

www.facebook.com/johntejadaofficial
www.electronicgroove.com/index.php/podcast/more/id/500

With both his parents being professional classical musicians, it might not be a surprise that John Tejada has become known as one of the most prolific and consistent producers in today’s eletronic music landscape. Trained on drums and the piano from an early age, the LA-based synth mastermind has since amassed his own impressive skill set, embracing the music as a personal frontier, expanding on his resume as a techno recording artist as producer, remixer, DJ, and label owner. Known for crafting a brand of subtle, musical sonics, his recorded output ranges across tempo and genre lines, from chilled out affairs with spacious arrangements to pulsating, densely layered, deeply energetic tracks that work magnificently in the hands of DJs as well as on the home stereo.

Before hooking up with Kompakt, the much-acclaimed studio wizard had already made his own dent in the musical universe, thanks to a flurry of top-tier releases on labels such as Steve Bug’s Pokerflat Recordings, the legendary Plug Research imprint, 7th City, R&S and many more - but nothing prepared the world for those exquisite bangers „Sweat On The Walls“ and „Mono On Mono“, both released in 2004, with the latter being one of the most fervently beloved classics on John’s own label Palette Recordings. It’s here that John has continuously honed his skills, together with friends and long-time collaborators like Arian Leviste, Justin Maxwell or classical jazz guitarist Takeshi Nishimoto (as band project I’m Not A Gun).

Besides his work in the trenches of modules, patches and other things spelled synth, John has developed some serious DJ acumen over the years - travelling around the globe to light up renowned clubs and festivals such as Movement (the event formerly known as the Detroit Electronic Music Festival), Sonar Festival (both the Spain and Tokyo instalments), Dance Valley (Netherlands), Sync Festival (Greece), Mutek Mexico, Fabric (London), Yellow (Tokyo), Rex Club (Paris), The Walt Disney Concert Hall (Los Angeles) and many, many more. It’s somewhat admirable, then, that the man still finds time for his studio explorations - but the quality of the releases he has unleashed upon Kompakt alone (including brilliant full-length offerings and a couple of much-liked 12“es) bears witness to the musical genius that is John Tejada. 

Download 

EG.500 John Tejada

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Jazzve w/ Artem Xio @ KURS radio 29.11.24

CRU | Dat Sh__ (1996)

Notoriously enterprising, vocals for analyzing
I move, defiant speech more deeper than Poseidon
Give me, the highest esteem like hundreds of cream
Lick a shot off like Spock with the laser beam
Its the, greatest vocabularian in era
My styles vary like leathers, niggas rocking the serum
Living forever 40 ki's couldn't measure to the treasure
from these pedigrees I flow larger than seas
Cristal and Dom-P, getting sexed in the 'telly
From bitches, who's in the running (how they look?) up with Halle Berry
I'm far from ordinary, I pitch a K like the arm of Satchel
Beware from the strength of the Natural

Now from below I die trying like a Japanese zero (kamikaze)
Lyrics are Kilo's the outcome nothing but cee-lo's
Leave those, unprofessional pros alone
Enjoy the sound that's now emitting out the microphone
I'm every word personified, create astonishing lines
Go inside and pull a paragraph or two from my mind
Then decline the competition and recline inside the vision
Of uncanny type precision, hit 'em in all positions
Let it be known, my apparatus is stone
Inject the hyper tone inside the space between your headphones
I'm naturally grown, but leaving it sewn just like a surgeon
Money I'm splurging, that mean I got to leave it burning (right)
The simple fact, I'm like a Mac when I hit
Reality perceived to me, this ain't no counterfeit shit
Doing my thing-thing, I pitch a K like the arm of Satchel
Beware from the strength of the Natural

Mic Geronimo | The Natural (1995)

coexst 90s raves special

RE:QUEST w. R07_0037 - 8 August 2025

Class of 1988-Storm in Winter

It's time for another round of OUFFFCAST ladies and gents. This time we're super happy to welcome our American bro - Alex Pastor!

A devotee and passionate selector of underground tunes hailing from Los Angeles via San Salvador, Alex enjoys journeying between the quirky side of house music, broken beats, and vivacious minimalism, creating an eloquent groove that entertains both body and mind. Apart from being a dedicated selector, he is also a resident for LA's MARBLE parties and the host of Little Creatures Radio (@littlecreaturescast) based in Bristol, UK.

In his contribution to OUFFFCAST, Alex showcases the depth of his musical knowledge and channels his passion for dope ass tunes in a way that leaves us inspired and eager to go Discogs hunting. The poddy has already given us immense listening pleasure. Hope you dig it too! Thanks for the music Alex!

➤ Follow Alex Pastor

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IG: https://www.instagram.com/somewhereinsound

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Class of 1988-Storm in Winter

Ilya Bartashevich.

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