Tech house

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2019

liebe

Age of Love - Sven Vath

Paul Oakenfold & Cassandra Fox
“Touch Me”

Continuing the run of single releases from Paul Oakenfold’s recent Trance Mission album, we present a cover of what is arguably the biggest electronic vocal record of all time “Touch Me”. Originally by Rui Da Silva & Cass Fox and released in the early 00s the new adaptation by Paul Oakenfold took things in a more chilled direction – but still featuring a completely fresh take of vocals from Cassandra Fox. 

“If ever there was a timeless vocal classic to cover it’s “Touch Me” by Rui Da Silva and Cassandra Fox. Originally released in 2001 this was a number 1 hit in numerous countries around the world including the UK top 40. I adore this record. The lyrics and vocals are so perfect that when it came to make the cover version I knew two things had to happen – firstly we had to try and get Cass to re-sing the vocals (part of the rules of making a cover means you can’t use any audio from the original composition – everything needs to be remade or replayed) and secondly I wanted this to be a really stripped back almost chill out track so that the vocals had loads of room to breathe and take center stage. I love how this turned out and I was so excited that Cass got really involved when she came in to re-sing her vocals. It’s a completely fresh, exciting and emotionally charged take on the original record and I love it. “

Perfecto Records are proud to present a package of fresh & exciting club and radio mixes.

Traversing styles from progressive house to trance this package contains something for everyone. From Paul Oakenfold’s big room house ‘Stateside’ mix to the deep house interpretation with Marcellus Wallace, from the uber cool Mike Koglin take or the party vibe Joyriders mix. From the tougher Perfecto Club mix to the all out trance fest from Thomas Datt – this first package covers all bases. 

Watch this space for the release of the official “Touch Me” video. Coming soon. 

www.pauloakenfold.com
www.facebook.com/oakenfold 
www.twitter.com/pauloakenfold 
www.perfectorecords.com
www.facebook.com.perfectorecords
www.twitter.com/perfectorecords


Paul Oakenfold & Cassandra Fox - Touch Me (Paul Oakenfold vs Marcellus Wallace Mix)

J.Phlip & Chris Lorenzo - Lights

http://www.mixmag.net/music/exclusive-music/prem-adam-beyer

'Valium & LFO’s' has already done some serious damage on the Amnesia terrace and we're not surprised. All it takes is 30 seconds of listening to know that this bass-heavy roller, loaded with tough bass-notes and earth-shattering drops is enough to inspire a mass-frenzy within any crowd.

More exclusive music

Premiere: Adam Beyer 'Valium & LFO's'

As has become traditional over recent years, around this time I like to give away a track as a token of my appreciation for those who have supported me so here it is, my 'These Are The Times' rework of Subspace - Thirteen. Enjoy! :)

Sub Space - Thirteen (Alan Fitzpatrick These Are The Times Rework)

It was a real honour to be asked to do a remix for Sasha's Last Night On Earth label and I was really pleased with how this one turned out. A big trippy melodic rave bomb :) 

Dubspeeka - K241Z (Alan Fitzpatrick Remix)

Dubspeeka - K241Z (Alan Fitzpatrick Remix) [Last Night On Earth]

'Gimme' has got us excited and it doesn't mess around. 

There's no quiet intro or easing you into this one as fierce bass and thudding percussion slams in from the off. After two minutes, the outrageous mutant riffs that sound like Mr Oizo on acid come hurtling in and after that it's an all-out monster.

Premiere: Walker & Royce 'Gimme'

Calvin Harris - Sweet Nothing (Crizify Bootleg).mp3

Pre-Order from the fabric website: www.fabriclondon.com/store/save-fabric.html

Pre-Order from Bandcamp: found.ee/savefabric-BC

artist: Various
title: #savefabric
label: fabric Records & Houndstooth
date: 4th November 2016
cat.#: FABHTH001
format: 111 track - Digital Compilation

The closure of fabric has seen a reaction that has been completely humbling and overwhelming to all of us on the team here, from over 150,000 signing a petition of support to raising in excess of £300,000 in donations to help our legal fight.

Support has come from every corner of the industry, with fundraising events at a number of different venues being held up and down the UK. This response perfectly encapsulates everything the electronic music community represents.

Both fabric Records and our artist led label Houndstooth decided a release that embodies this spirit would be a further powerful way to demonstrate the collective power of our community. We asked artists associated with both labels to donate a track to the cause, needing to act fast we gave a deadline of just 3 weeks in total, from inception to final master. The brief was simple, we asked for a previously unreleased track, either brand new or an alternative version of an old classic.

The response has been far greater than we could have ever anticipated, with an array of amazing artists delivering stunning tracks. Given this generosity every track that has been submitted is featured on the release, meaning an incredible 111 tracks make up the final running order, presented in alphabetical order.

Due to touring and time constraints many more artists could and would have like to have been involved, and we can’t give enough thanks to all the labels that have generously allowed their artists to contribute.

In the era of the playlist, this compilation represents a comprehensive overview of electronic music from the outer fringes of experimental explorations right through to music aimed squarely at the dancefloor.

Ahead of the court date which will determine the long term future of fabric nightclub we’d like to present this compilation as a document of this moment in time but also as the perfect embodiment of everything fabric is and stands for.

FABHTH001. ℗ & © 2016 fabric Records / Houndstooth. The copyright in this sound recording and artwork is owned by fabric Records.

#Savefabric

Broken Wing

iTunes

Marc Houle - Broken Wing [#savefabric]

My debut track out now on @dirtybird !!!

Supported by Claude Vonstroke, Eats Everything, Justin Martin, Skream, Patrick Topping, Latmun, Weiss, and more

Buy Link: fanlink.to/YaKidding

YA KIDDING

Alejandro Paz - Sin llorar
Parte del LP "Sin llorar" (Geiser Discos 2017).
Alejandro Paz: Composición, programación, líricas, mezcla y masterización.
Diego Morales: Guitarras.
Felipe Sancho: Teclados.
Ed Lafuente: Arte y diseño.

2- Sin Llorar

Support by hitting the [↻ Repost] button!


Follow Curt Reynolds:
Soundcloud: @curtreynolds
Instagram: instagram.com/curtreynoldsla
Twitter: twitter.com/curtreynoldsla
Facebook: facebook.com/curtreynoldsla

Follow Sam Blacky:
Instagram: instagram.com/samblacky
Twitter: twitter.com/SAMBLACKY
Facebook: facebook.com/djsamblacky

✖️ FREE DOWNLOAD ✖️

Work It (Curt Reynolds & Sam Blacky Remix)

Fisher - Stop It (Original Mix)

Destructo feat Yo Gotti - Loaded
Stream / Download > https://awal.lnk.to/Loaded
FOLLOW DESTRUCTO
Facebook: facebook.com/destructoAMF/
Twitter: twitter.com/DestructoAMF
IG: instagram.com/destructoAMF/
Youtube: https://www.youtube.com/user/destructoHARD
Spotify: smarturl.it/DESTRUCTOSpotify
Soundcloud: https://soundcloud.com/destructoamf

Stream / Download

Destructo ft. Yo Gotti - Loaded

Faithless - God is a DJ

Our remix of https://soundcloud.com/louisthechild ft. https://soundcloud.com/wafia is out now on https://soundcloud.com/interscope

Spotify: https://open.spotify.com/track/1vb08b6KxhJBo6WB9MHUTS?si=b83eswcwTzmUZlq21aNv4g

Follow @golfclapdet:
instagram.com/golfclapdet
www.facebook.com/golfclapdet
twitter.com/golfclapdet

Spotify

Louis The Child ft. Wafia - Better Not (Golf Clap Remix) - Interscope

Our song "Shake It" out today on The Banquet compilation from https://soundcloud.com/mediumrarerecordings . Out now here: https://www.beatport.com/release/the-banquet-vol-4/2331378

instagram.com/golfclapdet
www.facebook.com/golfclapdet
twitter.com/golfclapdet

Various Artists 'The Banquet Vol. 4' Pt. 1 [Medium Rare Recordings]

Golf Clap - Shake It - Medium Rare Recordings

Our remix of https://soundcloud.com/zhu & https://soundcloud.com/tame-impala "My Life". 
Free Download: https://www.toneden.io/countryclubdisco/post/zhu-tame-impala-my-life-golf-clap-remix
Appreciate any reposts. 

instagram.com/golfclapdet
www.facebook.com/golfclapdet
twitter.com/golfclapdet

Free Download

Zhu & Tame Impala - My Life (Golf Clap Remix) - Free Download

He has done it again! With his second full EP on SNOE, the mystical Alec Troniq delivers two new bangers that are destined to set every dance floor they come across on fire. “Key Mo” is the title track, and the sound is dirty, rough and ecstatic at the same time, just as we love it. An eerie synth introduces the whispering vocal building up to a big momentum where the track erupts in fury. 

Andreas Henneberg has joined in on the EP with his own interpretation of “Key Mo”. The heavy bassline in the remix vibrates along the synths and skilfully molded vocal elements from the original, giving it a true Henneberg touch while still keeping the oh, so explosive style. Rounding up the EP is “Chivy”, a slightly lighter but not less groove infested tune with a whirlwind of sounds working together towards the addictive, synth underlined drop where you just can’t stand still. 

What a release, we are happy to give you our SNOE nr. 37!

Alec Troniq - Key Mo (Andreas Henneberg Remix) // SNOE037

After the big success of "Tabu" last year we welcome back ARTBAT with another weapon on INSTANT fryhide. "Papillon" works with an unusual less obvious approach though but doing this in style and high energy.

buy: bit.ly/fhins006

www.fryhide.com
facebook.com/fryhide

ARTBAT - Papillon [Instant]

Starkato - Hydra (Boy Next Door Remix)

EXTRAWELT - UNKNOWN - CORLP044

Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown, is the tenth studio album from the producer team, and the fourth under the name Extrawelt. Its largely devoted to another side of their creations.

Something’s different. Well, Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, I can’t help but notice again: something’s very different. Feet are bouncing, mind is traveling and my fingers speed across the keyboard like they’re on fire. I’m trying to imagine what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers. Listening to Extrawelt on crappy speakers is anyway never a good idea, as it really deserves the backing of the loudest and best possible sound system.

With this, I leave the audio confines of my lo-fi laptop world and get in the car. Cranking up the stereo, I cruise around aimlessly — lost in appreciation of the music from within the bubble of my metal highway-pod on wheels. I’ve got the urge to speed up — which is surprising considering I’m a usually a very sensible driver. The bass and the beats blow up in my face. Something uncluttered. Something broken. Something grimy. Something sideways. Something undeniably Extrawelt, yet inherently different to what we’ve come to expect from the Hamburg pair. I don’t plan on getting all emotional, but something about this twelve track journey fits together so superbly it’s hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, I keep coming back to these sounds. Again and again these sounds. On one hand you feel that you know them, on the other hand you don't know them at all. Is that a synthesiser or a voice? Is it rotating or just linear reinvented? Whatever the answer, my mind goes astray. Whether this is exotic or native doesn't matter: all I know is that it’s great. Meanwhile I’ve reached track seven and now I realise what’s been different all along — it isn’t techno! Somehow, they’ve accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, you can find a couple of similar tracks on a few of their previous releases, but here you’ve got a whole album full of it. I gotta listen to track seven again. As a music writer I’m asking myself: what genre of music is this actually? Neo-Electro? Alternative Electronica? Emo-EDM?? Ah, whatever — these guys don’t like to be put into boxes anyway. It’s simply Extrawelt.

As I talk to Arne and Wayan later on, I discover that the tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they’d end up releasing them. Come 2018 though, the time felt right to dedicate an entire album to this side of their musical spectrum. This also explains how Unknown appeared so quickly after their most recent LP ‘Fear Of An Extra Planet’. As the guys mention “We just felt these tracks a lot when we made them, and never cared really if anyone would be interested in it”.

We’re definitely interested!

Yours sincerely,
Cocoon

http://smarturl.it/07wwnn

Unknown

EXTRAWELT - UNKNOWN

07 EXTRAWELT - ST.-MORLEY - CORLP044

The title track "Superfruit" weighs high octane power based on ever spiralling vocal cuts, hefty drumrolls, ecstatic oldskool stabs and blasting hover signals for maximum dancefloor excess, fusing contemporary production techniques with loads of beloved, classic elements - catering an amalgamation of joy that's about to have maximum impact on heaving bigroom crowds for sure.

Hashtag

FMKdigi057 1 Chris Hartwig - Superfruit

Established in 2009 by Berlin-based DJs and producers Jakob Hildenbrand and Franziskus Sell, known, praised and recognized by fans and followers of electronic club music under their conjunctional moniker Format B, Formatik Records was initially installed as a homebase for the pairs own productions.

After their so-called Motor Funk-sound, a forward thinking take on pumping, straightforward, high octane electronic music represented both by releases on labels like Highgrade Records or Stil For Talent as well as an endless string of captivating live sets, had caught the attention of clubbers and media alike the pair felt the need to create a platform of their own that would grant them full creative freedom as well as unlimited quality control for a fertile and fecund future.      

Whilst taking care of the A& R side of things Format B teamed up with electronic music veteran Hawks Grunert on management duties, setting up an imprint that soon gained massive traction, became one of the major forces on the global club circuit and quickly grew way beyond the teams initial plannings and intentions.
 
With its core sound being defined by the powerful Motor Funk / Tech-Funk production of its founders Formatik Records soon became home and mothership for a vast array of likeminded producers and friends whose single releases are still rocking dancefloors all over the place.

Spreading the labels trademark sound further and catering towards the needs of an ever growing fanbase the label soon expanded and started to set up Formatik Records club nights and showcases all over Europe back in 2014, selling out  shows and leaving punters in awe whereever these nights are taking place.

Aside from carving out an in demand niche as club promoters the Formatik Records crew also started to take care of their artists bookings with their very own booking agency Formatik Booking which was subsequently renamed, restructured and relaunched in 2017 under the name of VIVID Artists which is now successfully handling things bookingwise for a good portion of the labels roster plus a carefully picked selection of other aspiring as well as well established artists and performers.

In addition to these musings the ever busy Formatik Records team established a second, rapidly growing musical outlet in 2017. Embracing a broader musical spectrum than its Motor Funk-oriented mothership, the freshly founded label FMK+ provides a home for a new generation of producers covering a wide range of electronic club music incorporating a musical spectrum including all things House, ElectroHouse, TechHouse, Techno and beyond. With more than 10 red hot releases within the first year the new FMK+ branch has received much love amongst DJ's and from an international dancefloor crowd and quickly turned out to be a launchpad for fresh, upcoming talent from all over the globe.

Branching out even further Formatik Records launched an additional subdivision in early 2018 – FormatikSounds. Focusing on the ever growing demand for high quality samples and grooves this specific and one of a kind label provides exclusive sample packs for DJ's and producers alike, starting operations with Format:B's “TechHouse Signature Cuts”, an acclaimed release which sees the upfront production team unveiling some of their best kept secrets soundwise, catering to the needs of every creator of contemporary club sounds of today.