Neural Dust

A-laise is a Tuckey production solo project. “A-laise” is derived from the French word “alaise,” signifying comfort. A-laise, an accomplished artist and musician, delivers original tracks with a smooth, mellow, and upbeat sound. These tunes are designed to soothe and relax, providing a pleasant backdrop or more, tailored to your personal preferences.

The new album "VOYAGE AROUND THE WORLD"  is out!
Available on:
Bandcamp https://davideangelini.bandcamp.com/album/voyage-around-the-world-full-album-2025 
Spotify  https://open.spotify.com/intl-it/album/3elsDJfdgwCRStfQDYmTW7
Apple  https://music.apple.com/it/album/voyage-around-the-world/1812850653

Davide Angelini is an italian musician (He plays organ, keyboards and piano), composer, singer, songwriter and producer of different kind of music (pop, synth pop, synth rock, ambient, electronic, classical).
The sound reminds especially of the 80s/90s music.

He doesn't use any A.I. support for his productions, neither autotune for his vocal performances.

This is the discography:
- PERSONAL (1998)
- IMAGES FROM A MIRROR (2007)
- WELCOME TO MY LIFE (2009)
- RAPTURED BY THE SOUND (2013)
- SYMPHONY FOR A NEW GENERATION (2014)
- THE MYSTIC OPERA  I  (2016)
- INTROSPECTION (2019)
- THE MYSTIC OPERA II  (2022)
- THE MYSTIC OPERA III (2024)
- REACTION (EP, 2024)
- VOYAGE AROUND THE WORLD (2025)


Nikolaus Werther from Cologne, Germany produces under the synonym Pappelallee minimal electronic music in different styles, like minimal techno, deep house, tech house, minimal house and club house.


Thank you for your support and enjoy listening!

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

***Debut album Relinquished - OUT NOW on all streaming platforms***

Producer of Experimental Ambient, Bass and Electronica based in the North West of England - influenced by artists such as Aphex Twin, Machine Drum, Autechre, Plaid and Boards of Canada.

Sylph combines industrial, glitchy drums and percussion with airy, ethereal pads, gritty synths and sweeping bass.

On Instagram, Twitter, Facebook and Bandcamp - links below... like and follow for all info on future releases

Email: sylph.music.producer@gmail.com

Depeche Mode meets dark soundtrack music with a bit of EDM & dark ambient thrown in for good measure.
80's & 90's remixes done in a darker and more modern fashion.
I love layered vocals and music that always has something going on in the background.  Bored of cookie-cutter electronic music, I strive to build soundscapes that are deep and complicated.

Seeking collaborations and remix opportunities.

Available Streaming everywhere-
Eksis

Follow to stay updated with new music!

Share the love- like and re-post <3

Email contact: foxkraft@protonmail.com

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

New album out at Bandcamp
https://laar.bandcamp.com/album/movere-ii

More music available for Download at Bandcamp
https://laar.bandcamp.com/album/sherbet-interlude
https://laar.bandcamp.com/album/ontologie
https://laar.bandcamp.com/album/kernproblem
https://laar.bandcamp.com/album/actio-iniuriam
https://laar.bandcamp.com/album/pax
https://laar.bandcamp.com/album/medusalum
https://laar.bandcamp.com/album/movere
https://laar.bandcamp.com/album/glimmering-downbeat

Neural Dust

Fox Kraft