Neural Dust

Big sci-fi and pop culture nerd. I like to craft music that is inspired by dark future comics and movies (*cough* cyberpunk).

The fastest way to contact me is to just DM me on Instagram;)

Contact:  krobrunner@gmail.com



Electronic - Experimental - Ambient - Chillout.

Started Producing music July 2017 and enjoying every moment of it. DJ from the early 90's and fond collector of vinyl. If you can feel the vibe, then I have succeeded in my endeavor. Big Thank You for all the support and comments. Much appreciated.

Past & Current Collaborations:
じゃみっと (Jamit)- https://soundcloud.com/jamitjames
Analogstøy - https://soundcloud.com/analogstoy
Alvonmars (NoHealer) - https://soundcloud.com/alvonmars
Ernestus Webber - https://soundcloud.com/31666
Della Alpha - 
TC Newman - https://soundcloud.com/user-345599158
Matrioshka Brain - https://soundcloud.com/matrioshkabrain
Yolanda Polanco - https://soundcloud.com/yolandapolanco
Poison Ivy - https://soundcloud.com/poisonivymcr
Some of my older tracks can be found here: https://hearthis.at/kroissenbrunner/


Nikolaus Werther from Cologne, Germany produces under the synonym Pappelallee minimal electronic music in different styles, like minimal techno, deep house, tech house, minimal house and club house.


Thank you for your support and enjoy listening!

Dark Downtempo  with an Ambient flavour from Cambridge UK.

***Debut album Relinquished - OUT NOW on all streaming platforms***

Producer of Experimental Ambient, Bass and Electronica based in the North West of England - influenced by artists such as Aphex Twin, Machine Drum, Autechre, Plaid and Boards of Canada.

Sylph combines industrial, glitchy drums and percussion with airy, ethereal pads, gritty synths and sweeping bass.

On Instagram, Twitter, Facebook and Bandcamp - links below... like and follow for all info on future releases

Email: sylph.music.producer@gmail.com

Covert Acoustics is a creative sound collective dedicated to shaping immersive, genre-fluid sonic worlds.

Rooted in collaboration, we emerged from the world of production music — but have since outgrown those boundaries. Today, we focus on deeply crafted cinematic electronica and ambient downtempo, often blending music with foley, speech, and design to create narrative listening experiences.

Our catalogue spans EPs, albums, and singles — offering curated soundscapes that are as listenable as they are conceptual. Whether you’re tuning in for focused listening or seeking rich sonic textures for creative work, we aim to provide sound that resonates: deliberately, emotionally, and originally.

We’re here to reimagine what listening can be — one immersive release at a time.

Listen to HoodyLoops - Bass In Your Face (FREE DOWNLOAD) by Bunshin Records on #SoundCloud
https://on.soundcloud.com/SNLUt


Check out our new EP on Microgarden Deep

https://microgardendeep.bandcamp.com/album/island-in-the-sky-ep-incl-a9000-remix


https://hoodyloops.bandcamp.com/releases

https://www.instagram.com/hoodyloopscrew/

Beats on Traktrain :

https://traktrain.com/hoodyloops

Youtube channel 

https://youtube.com/channel/UC2ZHmgdmifTbEjtzEL3MA8w

Spotify 
https://spotify.link/aNLavIcuPyb

Check out our collab with DeuceLikePoop on Spotify

https://spotify.link/UkWeSXiuPyb

Available Streaming everywhere-
Eksis

Follow to stay updated with new music!

Share the love- like and re-post <3

Email contact: foxkraft@protonmail.com

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

With little to no experience of making music before Summer 2020, Stopyral armed nothing more with an iPad, imagination and desire decided to experiment in creating sound textures & blending beats in a variety of interesting & unique ways. 
 
With over 140k plays on SoundCloud since January 2021 and hitting the top 20 RepostExchange Underground Charts on a consistent basis suggests this was not a bad idea after all😉
 
If you like what you hear - feel free to follow me on the links below:

New album out at Bandcamp
https://laar.bandcamp.com/album/movere-ii

More music available for Download at Bandcamp
https://laar.bandcamp.com/album/sherbet-interlude
https://laar.bandcamp.com/album/ontologie
https://laar.bandcamp.com/album/kernproblem
https://laar.bandcamp.com/album/actio-iniuriam
https://laar.bandcamp.com/album/pax
https://laar.bandcamp.com/album/medusalum
https://laar.bandcamp.com/album/movere
https://laar.bandcamp.com/album/glimmering-downbeat

Neural Dust

Fox Kraft