𝙎𝙒𝙄𝙉𝙀 𝙋𝙍𝙀𝙈𝙄𝙀𝙍𝙀 ► SUTA (@talfaja)

☗ @postworldmusic announced their latest, and biggest compilation yet. 9-track EP will be called "GLOBAL METANOIA" and will feature artists like SUTA, Beatrix Weapons, Die In Polar, EXTRaBLOOD and others.

"Hatching Of A Fragile Tear Droplet" is a track by a mysterious Hungarian artist called SUTA. @talfaja is a one-man band emerging from an inglorious spot of the Hungarian lowlands: Talfaja. His music is influenced by the innocent playfulness and repetitive melodic attributes of the early 2010s EDM scene, SUTA binds these features with obscure textures and diverse sound layers.

☗ Read more in the article >> https://swinedaily.com/premiere-suta-postworld/ ☗

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GLOBAL METANOIA

Hatching Of A Fragile Tear Droplet

Pre-order

[Swine Premiere] SUTA - Hatching Of A Fragile Tear Droplet (Postworld)

Regresiva

Download

Kazuki Koga - Strangler Gorge

Boy Lucid - Organ Play

Before You Snap

FACE OFF - FLIP

Round and round the circle spins (KIDS VERSION alpha)

Entre os paredões dos bailes funks nas comunidades, casas noturnas lendárias como os Clubs Tamoio e Mauá, tradicionais batalhas de rap como a Batalha do Tanque, além de forte cultura afrobrasileira, São Gonçalo e suas periferias têm uma história inseparável com o Funk e o Hip Hop, sendo um dos berços e grandes epicentros desses movimentos no Brasil. Grandes nomes como DJ Marlboro, Claudinho e Buchecha, Gaiola das Popozudas, Castelo das Pedras, Furacão 2000, Avassaladores e MC Carol tem forte história com a cidade, assim como eu, cria papagoiaba que nasci e cresci lá por 23 anos. SÂO GONÇALO RIDDIM trás essa mistura de sonoridades com o grime e o funk para o club, com uma batucada marcante, graves elétricos, samples de proibidões dos bailes e MUITO ritmo envolvente
 
Produção, mix e design: FILAIPE 
Masterização: Enigma
Fotografia: João Salgado

SÂO GONÇALO RIDDIM

DOWNLOAD HERE: https://calmdot.bandcamp.com/album/tattooed-parrot-fish

FRAGILE & KLAHRK - Tattoed Parrot Fish

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

an (((excerpt))) taken from /Passive Memory Rejection.

full^^^ mixtape releasing September 25th.

<3 <3 <3

2x Wings <<

Contact: calmrecs.uk@gmail.com
@calmrecs
FRAG1 Out now everywhere:
Bandcamp: https://calmdot.bandcamp.com
Spotify: https://open.spotify.com/artist/2Isbm9UzWSgqy6A9Da5pi1?si=t8jXSTzLSOaZ1Jf7pOHBbg
Tidal: https://tidal.com/album/93114475 
Perishable Video - https://www.youtube.com/watch?v=rRFlKQLd8PA&t=6s