Name: FRAGILE & KLAHRK - Tattoed Parrot Fish by FRAGILE in TATTOED PARROT FISH
Duration: 2 min 44 s
Description: DOWNLOAD HERE: https://calmdot.bandcamp.com/album/tattooed-parrot-fish

About bloody time for a new tune lets goooo

DOWNLOAD HERE: https://calmdot.bandcamp.com/album/tattooed-parrot-fish

TATTOED PARROT FISH

Saviour - KAVARI

SACO! 150BPM - VOREM IPSUM

Regresiva

Tufi & Oliver Torr join forces for Tied With Wire, their debut on WARE.

Tied with Wire is a slowly cooked collaborative project. In this EP, Tufi revisits sketches from 2019, reshaping and morphing them with Oliver Torr into adventurous club music, full of twists and turns. Drawing from Tufi's multi-genre influences, the seeds of his Argentinian cultural background, and Oliver's precise sound design, evolving textures, and harsh atmosphere, the result is a cohesive four-track EP, where the weird and the familiar become one piece tied with wire.

Partly completed during a week-long studio session in Athens with an organic approach, the project reflects an ongoing learning process—a fertile ground for experimentation without any time pressure. In an age where reality is accelerated, prevailed by anxiety, individualism, competition, and the relentless race against time, this EP aims to decelerate time. A break and a reminder of the urge of collective spirit.
Adding to this collective sense, the duo invited long-time friend Bungalovv to conclude the project with the artwork.

Text by Abadir

WARE022

Tied With Wire

Purchase on Bandcamp⬎

Bodixxx

Boy Lucid - Organ Play

c66k up

CONCRETE JUNGLE - Grimey London Streets UK Hip-Hop Beats Mega Pack

Underworld - UK Hip Hop Instrumental Beat

140 Bpm Dub that i made with my homie Sass!

ASTRALBORN

Download here: https://calmdot.bandcamp.com/album/tattooed-parrot-fish

Gaping Cornea

FRAGILE & KLAHRK - Tattoed Parrot Fish

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

an (((excerpt))) taken from /Passive Memory Rejection.

full^^^ mixtape releasing September 25th.

<3 <3 <3

Download

2x Wings <<

Contact: calmrecs.uk@gmail.com
@calmrecs
FRAG1 Out now everywhere:
Bandcamp: https://calmdot.bandcamp.com
Spotify: https://open.spotify.com/artist/2Isbm9UzWSgqy6A9Da5pi1?si=t8jXSTzLSOaZ1Jf7pOHBbg
Tidal: https://tidal.com/album/93114475 
Perishable Video - https://www.youtube.com/watch?v=rRFlKQLd8PA&t=6s

FRAGILE & KLAHRK - Tattoed Parrot Fish

FRAGILE

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