RSNNC & Concepción Huerta - Torrente

nothin' says lovin' like cold hard cash

By Kytha Gernatt and Paris Kiz

COLD HARD CASH DRAFT 4

The haunting is the second mood of a longer piece and represents a half sleeping, half waking nightmare  based on a few fragments from Sylvia Plath's book; 'The Bell Jar'

The haunting

सभी का जीवन समान रूप से महत्वपूर्ण है!
एडॉप्टर परिवार अमानवीयता के किसी भी कृत्य की निंदा करता है और उन सभी परिवारों के प्रति अपनी संवेदना व्यक्त करता है जिन्होंने न केवल ईरान में बल्कि पूरे विश्व में स्वतंत्रता के मार्ग में अपने प्रियजनों को खो दिया है।
हम एक चंगा दुनिया की कामना करते हैं जहां निष्पादन जैसी कोई चीज मौजूद नहीं है, जहां लोग वह हो सकते हैं जो वे बनना चाहते हैं और जो कुछ भी बताना चाहते हैं वह कह सकते हैं।
हम अपने गलत तरीके से कैद भाइयों और बहनों के लिए न्याय और स्वतंत्रता देखने की आशा करते हैं

All live are equally important! 
Adaptor family does not condemn any act of inhumanity and sends its condolences to all families that have lost a loved one in the path of freedom, not only in Iran but all around the globe.
We wish for a healed world where no such thing as execution exists, where people can be whoever they want to be and say whatever they desire to convey. 
We hope to see justice and the freedom for our wrongfully imprisoned brothers and sisters. 
In the name of  < Woman Life Freedom >
@pooja_b_ikigai

Woman_Life_Freedom Episode 6 By Pooja B

A body in crisis, sweaty movement and a hard kick to move your trouble away. Here, outside world crisis is irrelevant and the dance floor crisis is to remain.

Voices Radio - Crisis on the dancefloor - FunkyKid | Voices at Night 23.02.2023

FLORILEGIO’S MIXTAPE #17
A tapestry of contemporary experimental and underground tracks from Florilegio’s worldwide network of female musicians.
www.florilegio.org
https://www.freeformfreakout.com/florilegio-mixtape-17/

TRACKLIST:
Arushi Jain “Richer Than Blood” Under the Lilac Sky (Leaving Records) 00:01-03:37
Ya Tosiba “Mənəm” ASAP inşallah (Huge Bass) 03:31-07:38
Clara 3000 “You Only Fall In Love With Pictures” (Self-released) 07:25-12:11
Yeah You “REAP YOUR DEFECTS’” KHOT< (Slip/Opal Tapes) 12:03-14:54
Laure Boer “Kein Bock” Chicanes (Kolala Productions) 14:52-18:50
Bana Haffar “Elemental” intimaa’ إنتماء (Touch) 18:47-23:34
Nondi_ “FCD (Floaty Cloud Dream)” Flood City Trax (Planet MU) 23:33-27:57
Alina Kalancea “Alchemical Preview” Letters Never Sent (Important Records) 27:35-31:09
TV Dinner Education “External Borders” Nya Perspektiv (Cudighi Records) 31:02-35:56
WaqWaq Kingdom “Doggy Bag” Essaka Hoisa (Phantom Limb) 35:53-39:43
Rachika Nayar “Hawthorn” Fragments (expanded) (RVNG Intl) 39:42-41:41
Tina Hitchens ”Webbed” Right into the River (TBC Editions) 41:34-43:58
kritzkom “Stars Generations” Fuziness (Jollies) 43:54-48:43
Lucy Liyou “April In Paris (봄)” Dog Dreams (개꿈) (American Dreams Records) 48:27-59:40

FLORILEGIO’S MIXTAPE #17

cancion 6: el amor crecerá
This last piece is more than twice the length of the previous piece. Not intentional, but
everything is slow moving and needed its time to evolve. The piece evolved from my own
experience of personal growth after feelings of loss and despair. It started as lamentations of
feeling marginalized, invisible and an Outsider (thank you Audre Lorde) but the last third was
inspired by a certain short period where I started healing and thinking of the child inside and
this section tries to represent a vision I had while exercising: eyes closed, in a dark but warm
space and I realized that this was where the child would rebuild her life, brick by brick but it
would be her life not one related to the past or to anyone else. This image and experience is
played out in the final section where I try to create a sonic version of the space I envisaged and
the text, part of a poem by Mary Oliver, The Journey, speaks to this experience.
So, if that was the artistic impulse, past composers have influenced me: Iannis Xenakis for the
tortuous glissandi of the opening though but I also felt the presence of Mahler’s Ninth. The
middle section is the most tortured part of the piece, and the gradual crescendo of the crickets
represents a state of mind which bears the mental suffering cutting through everything else.
But…
the new title reflects leaving behind victimhood and embracing growth. So, it is ‘el amor
crecerá’.
lyrics
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do—
determined to save
the only life you could save.
The first three were created in Turin, Italy and the last three, here in México.
Special thanks to the 'Centro Mexicana para la Música y las Artes Sonoras' for the residency allowing me to complete and master these works.
https://www.cmmas.org

cancion 6: el amor crecerá
Esta última pieza es más del doble de larga que la anterior. No es intencionado, pero
todo es lento y necesita su tiempo para evolucionar. La pieza evolucionó a partir de mi propia
experiencia de crecimiento personal tras sentimientos de pérdida y desesperación. Empezó como un lamento
de sentirme marginada, invisible y marginada (gracias Audre Lorde), pero el último tercio se
inspirado en un breve periodo en el que empecé a curarme y a pensar en el niño que llevaba dentro.
esta sección trata de representar una visión que tuve mientras hacía ejercicio: ojos cerrados, en un espacio oscuro pero cálido.
pero cálido, y me di cuenta de que era allí donde la niña reconstruiría su vida, ladrillo a ladrillo, pero sería su vida, no una vida relacionada con el pasado.
pero sería su vida, no una vida relacionada con el pasado ni con nadie. Esta imagen y experiencia
en la sección final, en la que intento crear una versión sonora del espacio que imaginé.
el texto, parte de un poema de Mary Oliver, The Journey, habla de esta experiencia.
Si ese fue el impulso artístico, compositores del pasado me han influido: Iannis Xenakis por los
Iannis Xenakis por los glissandi tortuosos de la apertura, pero también sentí la presencia de la Novena de Mahler. La sección central de
La sección central es la parte más torturada de la pieza, y el crescendo gradual de los grillos
representa un estado de ánimo que soporta el sufrimiento mental que atraviesa todo lo demás.
Pero...
el nuevo título refleja dejar atrás el victimismo y abrazar el crecimiento. Así, es 'el amor
crecerá'.

Cancion 6: El Amor Crecerá

cancion 5: ser mujer

What it is to be a woman? This is based around a recording I made in my second week here in Morelia. I joined the 8 March International women’s day in Morelia as the different groups played drums, burnt incense and chanted “Las mujeres de Michoacán!” The drums became a theme throughout the piece and towards the end I separated the drums from the original video recording as well as the two main chants and arranged them as if there were two groups
entering from different sides of the street. I remembered from my university days hearing a piece by Charles Ives where he simulated two marching bands playing different tunes on different
sides of the street, something he had witnessed as a child in his hometown.

¿Qué es ser mujer? Esto se basa en una grabación que hice en mi segunda semana aquí en Morelia. Me uní al 8 de marzo, Día Internacional de la Mujer en Morelia, mientras los diferentes grupos tocaban tambores, quemaban incienso y cantaban "¡Las mujeres de Michoacán!". Los tambores se convirtieron en un tema a lo largo de la pieza y hacia el final separé los tambores de la grabación de vídeo original, así como los dos cánticos principales, y los dispuse como si hubiera dos grupos
entrando por distintos lados de la calle. Recordaba que en la universidad escuché una pieza de Charles Ives en la que simulaba dos bandas de música tocando distintas melodías en distintos lados de la calle, algo que él había hecho en el pasado.
lados de la calle, algo que había presenciado de niño en su ciudad natal.

canción 5: Ser Mujer

@thelabsessions  presents HOUSE SOCIETY!!. Plenty of classy music. Available only on HOUSE ATTACK RADIO.

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CEYDA (NLD) - HOUSE SOCIETY - TLS

ᴀʙᴏᴜᴛ ᴛʜᴇ ᴀʀᴛɪꜱᴛ

AGF aka Antye Greie-Ripatti a sound artist and electronic music producer. Her work inhabits an augmented space where pounding {Berlin} experimental after-techno, spoken word, abstract video art, feminism and radical ecology create a self-sustaining environment. Originally from East Germany, she started to develop a DIY approach early on, while also using her voice to fight against oppression by supporting marginalized communities and calling out injustice, most recently through female:pressure, a support community and promotional platform for female-identified electronic musicians. Currently based in Northern Finland, Antye founded the local arts organization Hai Art in Hailuoto. Since its inception in 2011, Hai Art has been involved in numerous sound-related projects, focusing on working with children. Antye acts as its director, curator and workshop instructor. Active since the early 90’s, she has collaborated with strong names in electronic music such as French pioneer Eliane Radigue, German legends Gudrun Gut and Ellen Allien, British avantgardist Kaffe Matthews, Finnish IDM treasure Vladislav Delay and classical composer Craig Armstrong.

http://poemproducer.com/
https://agf-poemproducer.bandcamp.com/
https://soundcloud.com/agf-antye-greie
https://www.instagram.com/poemproducer/
https://twitter.com/poemproducer

🌿 ᴀʙᴏᴜᴛ ꜱᴏɴɪᴄ ᴀɢᴇɴᴄʏ

We stand in global solidarity with the part of our societies that has no part.
We are raising our voice for those who are silenced, unheard and rendered invisible – dehumanised.
We are advocating for peace, justice, equality, and freedom for every human being on this earth.
We protest collectively against oppressive systems and systems based on exploitation, authoritarian regimes, fascist ideologies, and reactionary governments everywhere on this planet.

…being together, in community

Read the full curatorial statement here
strumandiodine.com/article/sonic-agency/

SONIC AGENCY - AGF - "can you hear them"

Sound / Simulacra f. Thomas Nordlund Trio 3

Experimental composer, currently working in the field of Acousmatic music; she has ADHD which means that she often leaves the tap (faucet) running, tries to do too many things at once (at one time, this was considered a virtue and called multi-tasking); but can be a blessing to her creativity. She is also a committed feminist and activist; “I only fight the battles for justice, equality and diversity.” 💜🌈  Member of: https://soundgirls.org/  and https://womensaudiomission.org/  and https://immujeris.morelia.gob.mx/

canción 5: Ser Mujer

Frà Maria

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