Disquiet Junto Project 0479: Truck Radio Rain. Locate three sound sources and make something with them.

The rain is from last year's summer, the car and tram noises (no trucks today, sorry) from todays stroll in the sun and the radio was recorded with an cheap (digital) old world receiver (via headphone output, which nearly drove me mad). A "melody" can be heared, which is me manually switching LW 279, 278, 277 … and back, which was kind of melodious (maybe more like a filter sweep). I wanted to add some websdr recordings from number stations but it did'nt work out. – Arrangement in a generative Live setup. The original was much longer, but (maybe after all that disturbing noise from the radios) I thought it's better below 3 minutes, because I'm not convinced. I feel like I need some new age pads now… 

If you want to have a tram: https://freesound.org/people/krakenkraft/sounds/562128/

More on this 479th weekly Disquiet Junto project — Truck Radio Rain (The Assignment: Locate three sound sources and make something with them) — at:
https://disquiet.com/0479/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0479-truck-radio-rain/

Rain Tram Radio [disquiet0479]

White Lace

https://archive.org/details/ET-059
https://1834.bandcamp.com/album/et-059-time

Time

Performed by Ensemble intercontemporain
Conducted by Matthias Pintscher
Recorded live on June 14th 2019 at Cité de la Musique, Paris

Le lieu et la formule (2019) for large ensemble

Track 1 on my new Music Cassette.
https://djdeppenhorst.bandcamp.com/album/15-trivial-miniatures

Music Cassette

A01 - Release the Electronic Ponies

Using two brilliant tracks from @meaganjohnson and @sevenism from the 20x20 Project ...

SC won't let me put links to the albums! But check out the 20x20 Project on bandcamp! It's awesome!

More on this 448th weekly Disquiet Junto project, Seamless Bridge (The Assignment: Create a 20-second piece of music to connect two preexisting 20-second pieces of music), at:

https://disquiet.com/0448/

Major thanks to 20×20’s Neil Stringfellow for proposing this project. More on 20×20 at:

https://20x20project.bandcamp.com/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0448-seamless-bridge/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image background for this project is the logo design for the 20×20 series. The logo is by David Barrington.

MFA seashells

halF seamlesS [disquiet0448] - with Mrs Dink & Sevenism

Wednesday night, playing with loops, one seven beats long, the other eight, then layering occasional accent notes. Fade in and out just turning the knob on the amp once the loops were left to their looping. Recorded to phone put in front of the amp. Not sure why the eight-beat loop is more prominent than the seven-beat one, except perhaps that it's in 4/4 so the brain registers it more easily. Also not sure about that one hiccup at :46 seconds. Something suddenly went out of alignment and then came just as suddenly back into alignment. The bit at the very end isn't a tape cassette stopping. It just sounds like that.

Wednesday Loops

The Guiltless (with Tim Watt)

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

A track lifted from my new album  oilithrigh

oilithrigh vi

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Phase Transition.
The Assignment: Record the sound of ice in a glass and make something with it.
https://disquiet.com/0471/

Ice cubes fall into a glass.
Recorded with a Tascam DR-100MKII + built-in mics Uni.
The Tascam is placed vertically on the glass, in contact.
A Pure data patch lets you hear the recording transposed to 3 voices  and brings out their harmonic components by spreading out them over time.
At the beginning we hear the untransposed sound.
This is the same Pure data patch as for:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Phase Transition.
Enregistrer le son d'un glaçon dans un verre et faire quelque chose avec.

https://disquiet.com/0471/

Des glaçons tombent dans un verre.
Enregistrés avec un Tascam DR-100MKII + micros intégrés Uni.
Le Tascam est posé verticalement sur le verre, en contact.
Un patch Pure data fait entendre l'enregistrement transposé sur 3 voix et fait apparaitre ses composantes harmoniques en les déployant dans le temps.
On entends au début le son non transposé.
C'est le même patch que pour:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

Le lieu et la formule (2019) for large ensemble

Franck Bedrossian