Musique contemporaine

Lies
Everybody knows
You lie
To keep up your control

Tell me one more time
What you mean to me
An enemy in you is all i ever fucking see
I cannot calm my mind
I cannot tame my soul
Until my fucking life is under my own control
Everything you say
Everything you do
If you wanna be free you gotta be you
All you really wanna know is the ride
Well I'll take you down to the darkness deep inside

I 
Force
You
To think about Everything
That you don't wanna think about 
That you don't wanna even know
Don't you wanna see what your brains gonna be
When you free it from the demons that are screaming

At You

Screaming Demons

All sounds come from the initial spoken phrase 'Why don't you stop' .. and roughly follow the shape of it's waveform for overall structure. The sounds at any particular point in the piece are generated by the associated lexeme in the vocal phrase using an Akai s950 hardware sampler and its built in editing routines.

Performed 'live' straight into the mixing desk via the separate outputs. Sequenced by Logic. Mastered onto cassette.

Why Don't You Stop

Why Dont You Stop

In music, the term “arabesque” refers to a highly ornamental melody whose free unfolding expresses a slowing of time within the composition. Unlike the straight line, which is the most direct path from A to B, the curving movement of the arabesque creates an effect of circular phrases that conjure perpetual melodies. Debussy referred to "arabesque" as a piece of music with exquisite detail and clear repetitions of ideas and artistic balance. This term is used for various kinds of melodic, contrapuntal, or harmonic ornamentation. Several composers including Claude Debussy and Robert Schumann have used this term as a title for compositions. The term "arabesque" is taken from the Arabic art and architecture which was very ornate. THANK YOU FOR LISTENING!

Arabesque

The Hunting Wood by Jeamland & WÜST

only modified natural cowbells from allgäu (r.s.stropharia + a.schwarzer) 09.02.2024

Counting to six this time, trying more kicks, perhaps I'll make a track one day with nothing but kicks. It'll be Kyx.

Styx

painting: Sunday Afternoon by Georges Seurat (1886)
The lady in the foreground is walking a monkey?

Lyrics with James Booker

not my monkey

when days burn short
and nights grow long
when hope and dreams
refuse to sing yer song
(return)

good old days
are happening now
cause we're too close
to see what's right and wrong

not my monkey
not my circus
can't step in the 
same river twice

the past and future
on the tip of yer tongue
good old days
are happening now

sky blue
cotton candy summer day
like a Sunday Afternoon 
down the promenade

yeah, she walked past
like perfume in the wind
color, sound and shadow
masterpiece

did angels make the record skip?

not my monkey

Wild Flowers

15Jun24

My naviarhaiku545 track
https://naviarlab.tumblr.com/post/753087367565443072/naviarhaiku545-white-petals
:D

floating memories [naviarhaiku545]

2024-06-16

Thawing

Sinfonia N°3 « Atlantide » - November 2014
Franck Douvin © Sinfonias
Thanks for listening. I hope you'll like it!
you can see the score on YouTube :
https://youtu.be/AnI1YCcwW1g

Sinfonia N°3 « Atlantide »

First snowflakes (for flute quartet)- 2016
Vienna Symphonic Library

Franck Douvin 2016

First snowflakes (for flute quartet)

Spira Mirabilis (for piano solo) - 2006 - revised in 2013
spirals into the flowers...
VSL Bosendorfer piano and Vienna MIR Konzerthaus Mozartsaal
You can see the score on YouTube :
https://youtu.be/WGZnE2WfVk4

Spira Mirabilis (for piano solo)

String quartet N°1 (2000)
in live by the quatuor of Moscou in february 2003
recorded by RSR Espace2 (Lausanne SMC)
Video on YouTube : https://youtu.be/mjXw8pdw3Ug
This quartet is written in only one movement. The principal idea is a search for sonorities through the confrontation of two sounds very close one to the other (semitones) as well as regular alternation between a vertical writing (agreements) and horizontal. With this proximity of two sounds, the listener with the feeling of a friction. Ambiguity is born from these confrontations. Its role is, with the renewal of the writing, to arouse an constant interest with listening. Technically, the writing is made up of a mode of six notes and uses in all (with the transpositions) eleven notes of the chromatic total on.

String quartet N°1

Sinfonia N°2 « Temporal Travel » for Orchestra
Composed on September - December 2019
Franck Douvin © 2019 Sinfonias
In Memory my GrandFather Gilbert Wagner
Thanks for listening - I hope you'll enjoy!
My GrandFather and Me in 1976 :

Sinfonia N°2 « Temporal Travel » for Orchestra

« Zéphyr's Song » for Strings Orchestra
Franck Douvin © 2020 Compositions and Recordings
Thanks for listening. I hope you''l enjoy!

« Zéphyr's Song » for Strings Orchestra

I am a flute teacher, concertist flutist, composer and software engineer.
I have taken back the study of piano since May 2018. I am a member of the Sacem in Paris and of the Swiss association Archebole located in Lausanne.
My flute teachers were :
Jacques Lévêque
Maurice Beugnon
Alain Marion
Michel Debost
Pierre Lambert
Robert Hériché and
Shigenori Kudo 
My composition's teacher was :
Lucian Metianu
I'm on Facebook since 2017 : https://www.facebook.com/franck.douvin
You can follow me on my website : https://www.franckdouvin.com and on the composers's  plateform : https://www.soundcloud.com/franckdouvin
If you want to support my compositions and recordings posted on my YouTube channel : https://www.youtube.com/channel/UCq-H2y_Kg_7ftLiY4n3qxSw or simply support my activity as a musician, you can donate to me via Paypal : 
https://www.PayPal.me/franckdouvin
Thanks, Franck

In my music, I try to inspire me different forms that are in the nature, where microcosm and macrocosm intertwine closely.
It is really pleasant to be able to share our musics through our passions and ideas...
I currently have 67 Opus and all scores are available. 
Thank you for listening, comments and reposts !

Je suis professeur de flûte traversière, flûtiste concertiste, compositeur et ingénieur software.
J'ai repris l'étude du piano depuis Mai 2018. Je suis Membre de la Sacem à Paris et de l'association Suisse Archébole dont le siège est à Lausanne.
Mes professeurs de flûte traversière furent :
Jacques Lévêque
Maurice Beugnon
Alain Marion
Michel Debost
Pierre Lambert
Robert Hériché et
Shigenori Kudo 
Mon maître de composition était :
Lucian Metianu
Je suis sur Facebook depuis 2017 : https://www.facebook.com/franck.douvin
Vous pouvez me suivre sur mon site internet : https://www.franckdouvin.com
ainsi que sur la plateforme compositeurs : https://www.soundcloud.com/franckdouvin
Dans ma musique, j’essaie de m’inspirer des différentes formes qui se trouvent dans la nature, là où microcosme et macrocosme se mêlent étroitement.
C’est vraiment agréable de pouvoir partager nos musiques, nos passions et idées...
J’ai actuellement  à mon actif 67 Opus et toutes mes partitions sont disponibles.
Merci pour votre écoute, commentaires et reposts !

Si vous souhaitez soutenir mes compositions et enregistrements postés sur ma chaîne YouTube : https://www.youtube.com/channel/UCq-H2y_Kg_7ftLiY4n3qxSw ou tout simplement soutenir mon activité de musicien, vous pouvez vous me faire un don via Paypal  :
https://www.PayPal.me/franckdouvin
Merci, Franck

« Zéphyr's Song » for Strings Orchestra

Franck Douvin | Composer

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