Los Abuelos De La Nada - Lunes Por La Madrugada (Dj Esteban Sanchez Edit)

Como Se Curan Las Heridas-Las

Cover de Celofan, Babasonicos, solo guitarra y voz.

Celofan (cover) - Babasonicos

Seru giran - desarma y sangra

Andres Calamaro is one of the most popular Argentinean pop/rock songwriters, and considers himself a song craftsman. Born in 1961, he began his professional musical career at the age of 17 playing keyboards in Raíces. In 1981 he joined one of the main bands of the '80s Argentinean rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the group's hits, such as "Mil Horas," "Así Es el Calor," "Sin Gamulán," and "Costumbres Argentinas." In 1984 he made his solo debut with Hotel Calamaro. The album was a bizarre mix of styles and musicians, and it didn't gain much public or press support. In 1985, Calamaro left los Abuelos de la Nada and recorded his second album, Vida Cruel. Despite the presence of important musicians and guests such as Luis Alberto Spinetta and Charly García, the album was a disappointment both commercially and artistically. Although Calamaro appeared to be out of luck as a songwriter, he had an intense and successful run as a producer for bands like los Enanitos Verdes, los Fabulosos Cadillacs, and Don Cornelio y la Zona. He also worked and collaborated with many artists of different styles and genres, a constant goal throughout his whole career. Calamaro's third album, Por Mirarte, found him in better form fronting an established band. Released in 1988, it contains some outstanding songs such as "Con los Dientes Apretados" and "Me Olvidé de los Demás," while other songs like "Cartas Sin Marcar" and "Loco por Tí" helped the album gain popularity. When Calamaro released Nadie Sale Vivo de Aquí in 1989, Argentina was struggling in the midst of a difficult economic crisis; consequently, few albums were released, and the production of Nadie Sale suffered. Calamaro left Argentina and settled in Spain, following a road taken by many Argentinean rockers. There he met Ariel Rot and Julian Infante, former members of Tequila. They formed los Rodríguez in 1991, a pop/rock band that was very popular in Spain and Latin America. Calamaro's songs began to be popular in the early '80s, and the hitmaker was back on the road again. Curiously, working from Spain, he was conquering Argentina. While performing with los Rodríguez, he didn't released any new solo material, just Grabaciones Encontradas, Vols. 1 & 2, a couple of CDs that contained unreleased and rare material from the '80s. After los Rodríguez split, Calamaro returned to his solo career, recording Alta Suciedad in 1997, an album produced by Joe Blaney. Alta Suciedad brought him the commercial success that had previously eluded his solo endeavors, and it sold 300,000 copies in Argentina alone, certainly a huge number considering that country's small market. No doubt, Alta Suciedad put him in the big leagues, alongside other Latin legends on the national rock scene. Before that album, Calamaro was considered an important character, appreciated by the other musicians, but not by the popular culture at large. After breaking up with his Spanish girlfriend, he released the double-CD Honestidad Brutal in 1999. Recorded when he was 37, it contained 37 songs of despair, love lost, drugs, and regret. It was not as successful as the previous album, but showed a new Calamaro: desperate, decadent, and often elegant at the same time, with a new and raw lyrical approach. El Salmon followed in spring 2001. Throughout 2001 and 2002, Calamaro released a number of free downloads, as well as giving fans permission to remaster his works. He returned to the studio for El Cantante in 2004 and released a live album, El Regreso, the following year. His next studio album was La Lengua Popular, released in 2007. The following year, Calamaro released live album Dos son Multitud, which was recorded in Getafe, Spain with Fito & Fitipaldis. Nada se Pierde followed in 2009 before the singer released On the Rock, his twentieth studio album, in 2010.

Fuego - Andrés Calamaro

Flash Familly Mindset 100%

"Originally written and performed by our band in the late 1990s, these songs have been reimagined using the original recordings combined with modern AI technology. This process has allowed us to finally realize the sound we always envisioned—something that was beyond our reach at the time. These tracks now reflect the true spirit and ambition we had from the very beginning."

The Shadow of the Dragon Wings (25)

Charly García despidió el ’91 con un show en Ferro. Esa noche, eligió entrar al escenario a bordo de una ambulancia, para burlarse de la internación en una clínica que había vivido unos meses antes.

Fue una noche fuera de lo común, con Mercedes Sosa, Fito Páez y los Illya Kuryaki como invitados.

Recordamos “Cerca de la revolución”, “Tuve tu amor/No bombardeen Buenos Aires/Fabrico cuero”, “Peluca telefónica” y “No se va a llamar mi amor”.


Charly Garcia en Ferro  91 - Invitados: Mercedes Sosa, Fito Páez e Illya Kuryaki

PROFUGOS (Cover) Soda Estereo

Cover de Plan B (Massacre/Catupecu Machu) by Franco Gravante & Billie Gonzalez

Guitar, Drums, Bass, Strings & Backing Vocals: Franco Gravante
Vox & Backing Vocals: Billie Gonzalez

Franco Gravante Ft. Billie Gonzalez - Plan B - Massacre/Catupecu Machu Cover

Grabado en 2009 en Estudio Sature Records. 

Mirame - Los Mentirosos

grabo y mezclo todo lo que subo aca
https://www.facebook.com/francogravante.oficial

Franco Gravante Ft. Billie Gonzalez - Plan B - Massacre/Catupecu Machu Cover

Franco Gravante

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