For Project Info, Artists & Artwork:
https://hellfeeder.com/mabon/
https://soundcloud.com/hell-feeder/sets/mabon-remix-project

The celebration of the Autumnal Equinox, Harvest Home, Mabon, the Feast of the Ingathering, is a modern Pagan ritual of thanksgiving for the fruits of the earth and a recognition of the need to share them to secure the blessings of the Goddess and the God during the coming winter months. The name Mabon was coined by Aidan Kelly around 1970 as a reference to Mabon ap Modron, a character from Welsh mythology. Among the Sabbats, it is the second of the three Pagan harvest festivals, preceded by Lammas / Lughnasadh and followed by Samhain. (Source Wikipedia)

Hell Feeder shared our track Mabon to remix with a number of invited artists from Soundcloud. These artists were handpicked simply because we were big fans of their creative output.

Information for Artists remixing Mabon
Aim

To release this track in tandem with all the remixes presented in a playlist. Ideally around the 21st-24th Sept ’21. We are limited by time and understand that you are too. Therefore, there is no hard and fast deadline. We can delay release of the track until the remixes are completed and/or add subsequent remixes to the playlist.

Furthermore, once all remixes are complete, we can discuss further collaborations involving us remixing your remixes or you remixing each other’s remixes. Since we appreciate and respect the output of all the artists we have invited, it would please us if previously unconnected creators collaborated.

Limitations

The concept of this remix project is to use only the samples/stems provided. There will be plenty of material to choose from, so we insist on this limitation. The sounds and samples provided should only be used for the purpose of this remix.
For unity of presentation we advise naming tracks in the following manner:
Hell Feeder – Mabon (YOUR NAME Remix)
Should everyone agree to permanently host their remix on their own page then we will repost all remixes and create a playlist. If people are limited on the amount of time/space on their profile (for those with unpaid accounts) we can discuss solutions regarding where the remix is posted.

Liberties

You are completely free to use the provided material in any way you choose (for the purposes of this remix project alone). You may reconstitute the provided sound through sampling/processing/FX as you desire. Any BPM, genre, style or vibe. It is entirely your choice. We enjoy experimentation and welcome you to experiment with our sounds taking them in whatever extreme direction suits you. We admire everyone we have invited (and many more we have not invited). We do not require that you use all the sounds, nor that your finished remix resembles the original at all. We invite you to bend and stretch these sounds to your taste with the confidence that we invited you to do so. DO YOU!

Artwork for the remix.

Hell Feeder will provide you with the artwork for your remix. If you have already made artwork for your remix please email it to hellfeederband@gmail.com and we will add it to this page and also post it on our social media channels crediting you.

Additional Info

Should this invitation reach you at an inopportune time and you find yourself inclined and interested yet unable to collaborate, please let us know. We will then keep you in mind for future collaboration possibilities.
Respect
Hell Feeder

Contributing Artists thus far:
Order 0v Thee Octopi
DROWN / Backstab
Blink Twice / Mood Exhibit
Tuonela
Negative Headpohone
Grim Heka
Insatiable Void
Lady of Fire Poetry
Boson Spin
Wayfarer DG

Mabon

It was supposed to be named Sample Sunday, but I have actually finish it on Monday, it is an long-form exercise in improvised loop switching and live mixing.

Gray Ice Castle Moat

FROGS in Hell

Video on YOUTUBE at https://www.youtube.com/watch?v=d48Hy_gtpGo
Slow bluesy/jazzy guitarsong played on YAMAHA SG-2000 & US Fender Strat Plus. Picture by Roger Chang Guzman (pic & video not for sale)

In My Thoughts

Dark Days

instrumental: SUNHEAD/THUNDERVISH - Stalker (Fuck Buttons cover)
https://soundcloud.com/anubranchovlightning/sunheadthundervish-stalker-fuck-buttons-cover?in=anubranchovlightning/sets/20-post-larval-sonics
from album *MAGNETICK SAMSARA* 08/21
https://neurologickthunder.bandcamp.com/album/magnetick-samsara

Original music by SanjanG @anubranchovlightning
Original artwork by Astarte 23 @astarte23
Added lyrics, vocals, & cover design by Myrh @myrhyum

FACE MYSELF
__________________________
fast n forward for my gain
Now I know I didn’t do nothin wrong

(But) I found myself up on
Up on upon upon

I feel like I brought this upon myself
And I”m gonna face myself
I’m gonna face myself
I’m gonna face myself
I”m gonna face

Every kind of fallacy
Weakness
Compromise
That I find - I won’t understand
Maybe I saw myself from another’s eyes

Does it matter?

Maybe I see myself from another’s eyes!
Can you believe I see myself from another’s eyes?

It’s not why
It’s not why
It’s not why …

How
How How
How?
How!?

Wine up!
Whine up!
Wind up Wind up! Wind up!

Oh, Said I’m wanted
Said That I am haunted
Said  I am wanting
Said that I’m wanting
Said That I’m Wanting
Said I am Wanting

Face Myself | MAAT > SUNHEAD/THUNDERVISH - Stalker (Fuck Buttons cover)

Ceryx

[AFRICAN MUSICAL INSTRUMENTS HUGH TRACEY KARIMBA] LAMELÓFONO compuesto por quince láminas de acero elástico fijadas mediante un puente de este mismo metal a una caja de resonancia de madera de árbol africano(mukwa, mubmavaropa, kiaat)con afinación europea u occidental (sistema de Pitágoras, temperamento igual, escala cromática) en TONALIDAD LA MAYOR que mantiene en el tiempo una progresión de acordes con variaciones armónicas, melódicas y rítmicas interpretada por accionamiento manual de forma ACÚSTICA y captando además el sonido y vibración a través de un MICRÓFONO DE CONTACTO interno aderido a la tapa superior que es conectado a un pedal [MXR DUNLOP ELECTRONICS] ECHOPLEX DIGITAL DELAY para ser enviado a unos MONITORES de campo cercano activos y biamplificados ESTÉREO [TASCAM VL-X5] y a su vez recogido todo ello junto al SONIDO AMBIENTE por dos MICRÓFONOS de CONDENSADOR en configuración A-B ESTÉREO AMPLIO en un grabador multipista digital portatil [TASCAM DR-40] con una FRECUENCIA de MUESTREO de 96KHZ y RESOLUCIÓN 24bits.

La karimba echoplexada '

music box

In German culture, "Ostalgie" is nostalgia for aspects of life in DDR. It is a portmanteau of the German words Ost (east) and Nostalgie (nostalgia). 

hypnotic depersonalizing experimental modular dark ambient

FULL ALBUM => https://mebitek.bandcamp.com/album/ostalgie

01. Berlin Radio International (00:00 - 05:20)
02. Der Ostalgieschritt            (05.20 - 17:03)
03. Modulpropaganda             (17:03 - 28:24)

experimental video art -> https://www.youtube.com/watch?v=XUaFBNgBhZg

all videos and voices are from original soviet and DDR footage and radio
except extracts from the Soviet propaganda animation film "Interplanetary Revolution" (1924)

all music has been produced exclusively with Modular Synthesizers
modulargrid rack: https://www.modulargrid.net/e/racks/view/1201627

artwork by mebitek

Radio Berlin International (Ostalgie)

See also main 1st account of Next Avenue Band @frank-poelman-627653181 Website www.nextavenue.be Support our band!: https://www.patreon.com/nextavenue YOUTUBE channel: https://www.youtube.com/channel/UCL5s7KaYtBJQeUvf5pTmtgw Banner-picture by Majid Ghahravi Zade at unsplash.com

In My Thoughts

FRANK POELMAN (SONGWRITER/SINGER)

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