Jamie combines art practice with field recordings and sound composition to enable non- anthropocentric readings of post-industrial sites. His experimental practice research methods include multi-sensory technological methods of observation, employing VHF, radio waves, Geiger counters, handmade synths and devices. Alongside using the latest software applications of granular synthesis and spatial audio Jamie creates immersive sound installations and extended electroacoustic/acousmatic compositions.
Jamie is a multi-award-winning artist researcher, has presented his work at International and National symposia and has exhibited and published widely including:

Jamie's work in sound has been broadcasted on Radio 3 Mixing it London (UK) and Resonance  FM  London (UK).Most recently Migration Sounds Oxford University UK,Sites and Memory Project and working with The Freshwater Sounds Archive in collaboration with Dr Jack Greenhalgh Canada Foundation for Innovation.

-Speaker at 6th International Conference of Photography & Theory (ICPT2022) Cyprus EXPANDED VISUALITIES: PHOTOGRAPHY AND EMERGING TECHNOLOGIES
-CAST Cornubian Arts & Science Trust Helston (UK). Test Space: Expositions of practice-led research Symposium.
-Feature on my field recordings on Resonance FM London UK
-Phytogenesis II Provocations of Plants, Philosophy and Photography. International Symposium University of Plymouth, North East Photography collective, Newcastle University. I delivered an academic paper on my practice through the lens of Deleuze.

leaf sound /// wave sound

https://frankiwals.bandcamp.com/
https://www.frankiwals.com/

Chao-Ming Tung is a Taiwanese-born composer and gu-zheng player (Chinese zither) based in Cologne, Germany. His music encompasses stage, instrumental, vocal, and electro-acoustic works, and multimedia-performances with visual arts and dance.  Since 2000 he has gradually incorporated Chinese instruments into his music, and improvises with gu-zheng and live electronics in concerts. 

Tung’s work has been presented in concerts of numerous festivals throughout Europe, Asia, and the USA.  He has collaborated with choreographers, dancers, painters, musicians, ensembles, sound-, media- and video artists, e.g. Annegret Heiln, René Pieters, Bernhard Gal, Klang Forum Wien, Ensemble Ictus, Ensemble Modern, ensemble 2e2m, Ensemble On-Line Vienna , ensemble DEDALO, and China Found Music Workshop Taipei.
He was awarded the Bernd Alois Zimmermann Scholarship for Composers from the City of Cologne in 1999, the Scholarship of National Culture and Arts Foundation Taiwan in 2001 and Stipendium of Villa Aurora Los Angles 2004. From 2006 – 2007 , he was  composer in residence of China Found Music Workshop Taipei. Since 2007, he teaches composition at the Ciao Tung University in Taiwan.

SunWei is a sound artist and phonography artist who uses sound and installations as sampling carriers. Its creation involves the field recording of environmental soundscapes, live performances, and environmental sound installations. He has been featured and performed in experimental events in China.

You can also hang out with us at https://www.radioisaforeigncountry.org/
​

Le travail sonore d'Emmanuel Holterbach vise à révéler la richesse des motifs acoustiques émergeant spontanément du vaste océan de sons dans lequel nous vivons. Captations de fréquences et enregistrements de terrain, pratique non-orthodoxe des instruments de musique, méthodes visant à suspendre le temps par un usage minutieux du son et de l'espace : l'œuvre sonore d'Emmanuel Holterbach pourrait s'apparenter à de la musique, mais est avant tout un outil pour induire les gens en rêverie ou les plonger dans une contemplation active. Il se joue là une révélation des forces poétiques naturellement à l'œuvre dans notre environnement sonore quotidien.
Emmanuel Holterbach a inventé et fabriqué une partie des instruments, microphones et haut-parleurs qu'il utilise. Son travail d'installation sonore in-situ a été présenté depuis 1992 en Europe, au Québec et en Chine. Il joue dans plusieurs groupes : Orbes, eHœCo, ou en solo dans La Chambre Bas-Parlante. Il compose des pièces électroniques et électroacoustiques réalisées à partir de prises de sons d'environnements naturels et industriels, de bruissements de créatures, de vibrations de matériaux et de bâtiments, il compose aussi des pièces pour instruments acoustiques classiques et exotiques.
Depuis 1994, Il présente des conférences sur le thème des arts sonores et de l'écoute active, dans des écoles d'art, bibliothèques ou festivals, et anime régulièrement des ateliers de pratiques du sonore à la Cité de la Musique. Il organise la publication des archives d'Eliane Radigue depuis 2004, joue sa musique électronique en concert et a écrit sa biographie, paru dans la série Portraits Polychromes de l'INA/GRM.
Il est occasionnellement conseiller artistique pour des événements liés à l'art sonore. Il a écrit dans les revues Tacet, Mettray, Tausend Augen, Revue & Corrigée. Il est aussi le fondateur des Productions Fluorescentes, label de production d'objets sonores.

Tjerk Stoop is an artist and musician with a background in environmental engineering and sonology, specializing in field recordings to capture the unique and diverse sonic characteristics of soundscape ecologies.

Franki Wals is following