Moans from Inside

A story calls it all unfolds a shadow hanging over me
A path Is paved but who wait behind the open door 
The waves they always roll too close to me
In my mind I know you will Stampede all over me

Feeling Like a block of stone thinking of the unknown
they whisper words you like to hear those beautiful lies
I travelled many miles to see and hear the same 
They turn your mind inside out until your paralysed 

stampede all over me

Stampede

En hommage à Socrate et Villon
 En vieux français " fors que moi-même" = "hormis moi-même", "sauf moi-même"
PAROLES
Je connais l’arbre à son feuillage
 Je connais l’homme à son visage
De l’amour je connais la chanson
J’en connais la trame et la chaîne
Comme le disait si bien Villon
 Je connais tout, fors que moi-même.

De la mer je connais le sel
 De la terre je connais le ciel
Je connais l’or des saisons
Et celui, serti, des poèmes
Comme le disait si bien Villon
 Je connais tout, fors que moi-même.

De Socrate je connais la science
 J’en connais la sage ignorance
 De la vérité la passion
Et d’Aristote les enthymèmes
  Comme le disait si bien Villon
Je connais tout, fors que moi-même.

Jetons qui sonnent et qui trébuchent
 J’en connais l’odeur et l’embûche
Et tous ces nouveaux Harpagon
Qui croient posséder ceux qu’ils aiment
 Comme le disait si bien Villon
 Je connais tout, fors que moi-même.


Du lilas je connais la fleur
 De l’arc-en-ciel les couleurs
La Voute ouverte à l’horizon
 Eclairant nos faces de carême
Comme le disait si bien Villon
 Je connais tout, fors que moi-même.

Je connais les parfums d’Orient
Et sais aux îles Sous-le-Vent
Mille sanctuaires aux poissons
 Je connais le chant des Sirènes
 Comme le disait si bien Villon
 Je connais tout, fors que moi-même.

Je connais l’enfant à la source
 De la vie je connais la course
 De la mort ? Non, sans façon,
 A peine n’en connais-je le terme
 Comme le dit si bien Villon
Je connais tout, fors que moi-même.

Du monde même connais la ruine
Je sais les menaces qui minent
Toute sa beauté par effraction
Autant le dire, pour ta gouverne,
 N’est-ce pas parce que, comme dit Villon
 Je connais tout, fors que moi-même ?

Henri Elie (copyright déposé par M-Editer 2023)
_____________________________________________________________
In homage to Socrates and Villon ( in old French "fors que moi-même" = "except myself",
WORDS
I know the tree by its foliage
I know the man by his face
Of love I know the song
I know the weft and the warp
As Villon said so well
I know everything, except myself.

Of the sea I know the salt
Of the earth I know the sky
I know the gold of the seasons
And that, set, of the poems
As Villon said so well
I know everything, except myself .

Of Socrates I know science
I know its wise ignorance
Of truth the passion
And of Aristotle the enthymemes
As Villon said so well
I know everything, except myself.

Tokens that ring and stumble
I know the smell and the snare
And all these new Harpagons
Who think they possess those they love
As Villon said so well
I know everything, except myself.

From lilac I know the flower
Of the rainbow the colors
The Vault open to the horizon
Illuminating our Lenten faces
As Villon said so well
I know everything, except myself.

I know the perfumes of the Orient
And know the Leeward Islands
A thousand sanctuaries to fish
I know the song of the Sirens
As Villon said so well
I know everything, except myself.

I know the child at the source
Of life I know the race
Of death? No, without ceremony
I hardly know the term of it
As Villon says so well,
 I know everything, except myself.

Of the world itself knows ruin
I know the threats that undermine
All its beauty by breaking and entering
Might as well say it, for your information,
Isn't it because, as Villon says
I know everything, except myself?

Henri Elie (copyright registered by M-Editer 2023)

A Villon

Claudius

Murder On Echo Lake

Ready to Bite The Bad Ass

The Sidewinder

This My Heart

4th Advent - Merry Christmas 🎄🎁🌟

Only Call Me If You Want Me

Small project cue - Cubase BBCSO and CineBrass

Awakenings

Dive into a world teetering on the brink with "Outbreak Origins," a compelling collection of 10 meticulously crafted music tracks designed for survival video games. Each composition within this anthology encapsulates the haunting echoes of desolation, the unwavering pulse of hope, and the relentless grit necessary to endure against all odds.

"Outbreak Origins" carries players through the chilling breeze of abandoned ruins, the eerie silence of forsaken cities, and the heart-pounding dread of unseen dangers lurking in the shadows. Each track is a high-quality audio narrative, embodying the essence of survival amidst relentless adversity.

Crafted with a fine-tuned sense of atmosphere and emotive resonance, the music within "Outbreak Origins" is more than just a background score; it's the unseen companion of every survivor, the rhythmic heartbeat of persistence that propels players forward through each challenge thrown their way. With a blend of orchestral richness, ambient textures, and modern synth elements, this collection traverses a wide sonic spectrum, ensuring a deeply immersive experience for players.

Tailored for game developers and content creators, "Outbreak Origins" is a royalty-free treasure trove, ready to be seamlessly integrated into your projects. Its thematic resonance and auditory depth are engineered to enrich the narrative and atmospheric essence of your game, ensuring a harmonious marriage between visual and auditory storytelling.

Whether your game narrates a post-apocalyptic struggle, a harrowing journey through uncharted lands, or the desperate fight against an unseen menace, "Outbreak Origins" provides the sonic canvas to paint your narrative with shades of fear, hope, and the indomitable spirit of survival. Let the haunting melodies and resilient harmonies of "Plagued Bastion" escort your players through the harrowing yet exhilarating journey of survival that defines your game.

2 - Phat Phrog Studios - Outbreak Origins - Zombie Zest

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

4th Advent - Merry Christmas 🎄🎁🌟

Frank Mehl