Great track Frank - I've included it on my new playlist; A SoundCloud Christmas Volume 2.

✨🎄✨🎅🏼✨🎄✨❤️🪄✨  Wonderful !  🙏🏼

Gorgeous and fanciful. Wonderment of the season captured so beautifully Frank. Durge

Every song you write is a gift...longing for the true light of Christmas and a child's dream. :)

Voici une pièce que j'ai faite il y a un certain moment avec Gary Courtland-Miles (Anomon).  Il m'a demandé si je pouvais ajouter des orchestrations sur une de ses magnifiques pièces de piano.  Sur le thème de l'Amour et l'importance de sa place dans nos vies.

Here's a piece I did some time ago with Gary Courtland-Miles (Anomon).  He asked me if I could add orchestrations on one of his beautiful and heartfelt piano pieces.  This is all about Love and the importance of it in our lives.

https://soundcloud.com/gary-courtland-miles

It's Something Like This - with Anomon

The first time I listened to BoxTox's music, about a year ago, I thought that I would really like to play with him. Lately, when I wrote this piece, I immediately thought maybe it was the right one for his clarinet .. I proposed it to him and ... voilà!
In the photo, from left to right: me, the sound engineer, Boxtox and Mrs. Soundcloud.
We hope you enjoy it!

For his classy, elegant jazz here: @user-247600493

Composition and all arrangements: Francesco Cartocci

Et voilà - with BoxTox

Morning Walk

Vox and Final Mix by Eleyan Di Palma (Queen of Beatz )

Gonna Fly

Ayava

It was an honor and a pleasure to sing to the sound of a delightful composition by two wonderful artists such as Debra Buesking(@debra_buesking) on piano and David Dunham(@david-dunhamuser589535203) on guitar. Thanks for this priceless opportunity.
Below the Italian / English lyric

Dimmi dove sei
Torno a casa e non ti trovo più
Le tue calze sopra il letto
Sempre accesa la TV

Non dimentico 
Le tue promesse in bilico
e le domeniche
Sempre spese solo dove decidi tu
Forse ho il cuore troppo piccolo
Per lasciarti la tua libertà
casca il mondo 
quando te ne vai

Mille baci e poi
All’improvviso il vuoto fra di noi 
Non so perché rimango appeso qui
Il tuo canto mi ha ingannato 
e come Ulisse mi salverò
Ma poi ricadrò
nella tua tela ancora

Sei sparita ormai
irraggiungibile
ma è sicuro io ti troverò per dirti che
che non mi arrendo e voglio solo te
Puoi scommetterci
Vorrei sentire ancora i brividi
Mentre stringo la tua mano
 per non lasciarti più
………………..
Dimmi dove sei 


Tell me where you are
I come home and I can't find you anymore
Your socks over the bed
Still on the TV

I do not forget
Your promises in the balance
and Sundays
Always spending only where you decide
Maybe my heart is too small
To leave you your freedom
the world falls
when are you leaving

A thousand kisses and then
Suddenly the void between us
I don't know why I'm hanging here
Your singing deceived me
and like Ulysses I will save myself
But then I'll fall back
in your web again

You're gone now
unattainable
but it's sure I'll find you to tell you that
that I'm not giving up and I just want you
you can bet
I wish I could still feel the chills
As I hold your hand
  not to leave you anymore
……………… ..
Tell me where you are

"Easy to Please" Debra Buesking and David Dunham (vocal version)

Video: https://youtu.be/DKZ1hkMe9s8
The soul tree

Far out, lonely in the barren space
stands an ancient willow tree
still from the heathen times,
gnarled and wrinkled, split and hollow.
No one cuts it, no one dares
to pass by, when it is no longer day,
no bird sings to it in the dry branches,
rustling only the east and west haunt it;
but when in the evening the shadows darken,
you hear it like buzzing and whispering.
And if you approach the willow at midnight,
you'll see it guarded by gray children:
On all branches they crouch close,
Lisping and whispering and not moving.
These are the little souls who far and wide
Had to die before the baptism consecrated them:
In the coffin lies the little body,
The little soul may not enter the kingdom of heaven.
And always new ones, - do you see it? -
In silent flight flit to it.
There they sit now the whole year
Like a sleepy flock of owls.
But Christmas, when the snow lies all around
and over the countries the Christ Child flies,
then it stirs, it chats, it laughs,
Our little buggies have woken up!
They peek out, who sees what, who?
Yes, of course, the Christ Child is coming!
With his bright sky shine
He flies right in between them:
"Little people, now I am here - do you believe in me?
do you believe in me?" They shout: "Yes!"
There it nods with its dear face
and hugs the poor and is not shy.
Then he claps his hands, wraps his arm around the next one
around the next one - upward the swarm buzzes
after him and high above forest and meadow
straight on its way to paradise.

Ferdinand Avenarius (1856 - 1923), Ferdinand Ernst Albert Avenarius

-------------------------------------------------------------------------------------------------

Der Seelchenbaum

Weit draußen, einsam im öden Raum
steht ein uralter Weidenbaum
noch aus den Heidenzeiten wohl,
verknorrt und verrunzelt, gespalten und hohl.
Keiner schneidet ihn, keiner wagt
vorüberzugehn, wenn's nicht mehr tagt,
kein Vogel singt ihm im dürren Geäst,
raschelnd nur spukt drin der Ost und West;
doch wenn am Abend die Schatten düstern,
hörst du's wie Sumsen darin und Flüstern.
Und nahst du der Weide um Mitternacht,
siehst sie von grauen Kindlein bewacht:
Auf allen Ästen hocken sie dicht,
lispeln und wispeln und rühren sich nicht.
Das sind die Seelchen, die weit und breit
sterben gemußt, eh' die Tauf' sie geweiht:
Im Särglein liegt die kleine Leich',
nicht darf das Seelchen ins Himmelreich.
Und immer neue, - siehst es du? -
in leisem Fluge huschen dazu.
Da sitzen sie nun das ganze Jahr
wie eine verschlafene Käuzchenschar.
Doch Weihnachts, wenn der Schnee rings liegt
und über die Länder das Christkind fliegt,
dann regt sich's, pludert sich's, plaudert, lacht,
ei, sind unsre Käuzlein da aufgewacht!
Sie lugen aus, wer sieht was, wer?
Ja freilich kommt das Christkind her!
Mit seinem helllichten Himmelsschein
fliegt's mitten zwischen sie hinein:
"Ihr kleines Volk, nun bin ich da -
glaubt ihr an mich?" Sie rufen: "Ja!"
Da nickt's mit seinem lieben Gesicht
und herzt die Armen und ziert sich nicht.
Dann klatscht's in die Hände, schlingt den Arm
ums nächste - aufwärts schwirrt der Schwarm
ihm nach und hoch ob Wald und Wies'
ganz graden Weges ins Paradies.

Ferdinand Avenarius (1856 - 1923), Ferdinand Ernst Albert Avenarius

📼 Video (HD)

Bon Voyage Santa Claus

Piano composition, and piano: Debra Buesking https://soundcloud.com/debra_buesking
Melody for the voice, poem, photo  and voice: Oddrun Eikli

Thank you from my heart Debbie, for sharing music with me. It`s such a Joy.
The Photo is a meeting in Blue. Harpa Reykjavik, Island.

We will float through the clouds
I look beyond me
And i see you there
The thought is real
So Complete
There is silence
A breath from the Wind
From a distance
I can see

Sketch In Blue. Feat. Debra Buesking and Oddrun Eikli

Le regard qui fuit

L'appel de la nuit est un feu obscur et gris
chuinte des mots dimensions de l'esprit
gouffres de l'âme nos visages endoloris
humeurs et drames sont des jeux interdits

Vérités sur les hommes au dessous des visages
Postures debout combattre l'ennui
rides et cernes mornes et alanguies  
reflètent les sillons obscurcis par les âges

De tous ces miroirs, ne restent que l' envie
Ne rien écrire, de bons mots impolis
les fuites du temps dessous le vent
les yeux dans les poches le regard qui fuit

chorus

Mais un jour sur ses visages de vides et de peurs
renaitront les images réelles du bonheur
Dans le regard des hommes des ombres pleurent
A revivre sans bruit de belles choses ailleurs

Le Regard Qui Fuit

Verry Happy about this collaboration with my great Sound cloud Friends, Tim on Bass, Mike on Guitar,Joetxworx on his great Sax, and the Ratzzz with a new Triangle Pervormance, hehe
https://soundcloud.com/joerxworx
https://soundcloud.com/mikepolcari
https://soundcloud.com/user-672449547

Lunatics 85 Elfentanz / Mike Polcari/lofi Menta/Joerxworx&Ratzzz

Resulting from a collaboration with Taron (Taronium) this is a colorful quiet track inspired by the feeling of a bath in the woods.
We created this track for the April-24-OSC using the DAW MuLab9 and 22 instances of the great synth Charlatan-3 (three instances for Taron's almost inaudible birds!) plus a couple of Wider, Auburn Sounds Panagement, Valhalla Supermassive, Abstract Chamber.
Mid-Side and Echo (MuLab intern)
Ott, Bassline-Infra and Loudmax on the master.

A bath in the woods

(collab Taron) A Bath In The Woods.Wav

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Bon Voyage Santa Claus

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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