"The Little Drummer Boy" (originally known as "Carol of the Drum") is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941.[1] First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since.[2] In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus's mother, Mary, recalling, "I played my best for him" and "He smiled at me".

This version is performed by Robert Brogan. Thanks for listening! Check out more of his music and dont forget to like, follow, & subscribe! Thanks so much!

Acoustic Christmas

Little Drummer Boy

Solo Piano - Chris Bright

places i've been 1208 - 12:8:22, 10.12 PM

Welcome to this small Flute Concerto in F-Major 
- 3rd Movement: Gently advancing.
Dedicated to a flute playing friend in Austria.

Flute Concerto in F major

Flute Concerto in F major - 3. Gently advancing

Concerto for Flute and Orchestra - 3. Gently advancing

SWEET AWAKENING (From First Symphony)

Portals

Cailleach na Mointeach (Scottish Bog Witch)

Most Cailleachan are considered to be the embodiment of winter, others are causers of storms, protectors of animals or creators of certain lakes, rivers, mountains or islands. Traits of older Celtic local and earth goddesses have been transferred to the Cailleach figures. Related figures are the Black Annis or Gentle Annie, Gwrach y Rhibyn, Banshee, Bronach and Mal. According to Max Dashu (American historian), Irish oral tradition links the Cailleach with Neolithic monuments. Some passage tombs bear her name, others she is said to have erected. Examples include Calliagh Birra's House at Slieve Gullion in County Armagh, Leabhadh Chailligh and the "Crone's Bed" in County Cork, but in particular she is associated with Loughcrew.

Cailleach na Mointeach

Dream Project

静夜思

“Pages” 📖 turns my life into chapters — inked memories, torn edges, quiet rewrites, and the next steps waiting ahead. Every beat flips to a new page, carrying the past while moving into what’s coming. Growth, change, and motion in sound. 📖✨💫

#️⃣ #Pages #NewChapter #SoundtrackOfLife #EmotionalWave #DreamyVibes #JourneyMusic #MusicDiary #EtherealEnergy

Pages

I wish I wish (Instrumental)

Nocturne N°1

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Cailleach na Mointeach

Frank Mehl