The Perpetual Recreation - ©2021

Ozymandias

Composed, arranged, performed, and produced by
Carlos Vivanco

Dreams In A Blender

Obscurity

“Pretty Darling (I’m of Two Minds)”

Falling down stairs
Are romantic affairs
Our two lips touch
Like two conjoined hands
The feel of the push
Is the flush of the glands
And what begins in a rush
Often ends in a crash
If it’s more than a crush
It outlasts a hot flash
And so it is patience
We ought follow as our guide
It reigns slow cadence
Yet renders safe our stride
So patience be prude
Lest we fall too soon, I say

Pretty darling
Hush is the word
And by hush we ought abide
Only fools gush their love
Let’s not lose our minds
Pretty darling
Patience is wise
Where the heart doth preside
The way of love is narrowly set
But heartbreak opens wide

Crawling down stairs
Are retarded affairs
Our two feet tied 
By an inept plan
Patience as a guide 
Is a foiling con man
It proceeds at a dawdle
And deceives in the fast
Darling, immortal
Love shall always last
But we time beggars
We’ll never get the chance
So let us embrace lovers
And join in the dance
And if a fall ensues
At least I’ll fall with you

All for your love
Can’t wait no longer
All for your love
Love is pushing harder
All for your love
I see no danger
All for your love
Both got the hunger

Pretty darling
I’m of two minds
But my will is set on one
In the contest of feeling and reason
I feel my heart’s as good as won
Pretty darling
Patience is wise
But it’s love that doth preside
The way of love is narrowly set
We shall walk it side by side

All for your love
Can’t wait no longer
All for your love
Love is pushing harder
All for your love
I see no danger
All for your love
Both got the hunger
What confounding labor
All for your love

- - -
Music by Corey Ball
Lyrics by August Lysy

Mastered by Spencer Martin

Pretty Darling (I'm of Two Minds)

The Instrumental Player says it all, from the guitar to the piano,  I recorded this track for my new album with Piano pieces on, I take joy from this instrument in the depth of sound and added colour to my mixes, it helps me to create new boundaries for my projects, I hope you enjoy this piece.

The Instrumental Player

Smile, praise, love and let go are the four "words" that make it easier for us to connect with others. Come with me....

Lächeln, loben, lieben und loslassen sind die vier »L-Wörter«, die uns den Kontakt zu anderen leichter machen.

Kommt mit mir...

Come With Me

■概要
確定申告・・領収書を集めて会計ソフトに入力したり大変ですね・・という曲です。大事なことは後回しにせずに、先にやってしまいましょう。
最近は暗い雰囲気の曲ばかり作っていたので明るい曲にしました。
(2022.3.23 微調整　※最後の叫びなど除去)
(2022.3.23 Fine adjustment * Removed the last cry etc.)

■ Overview
Entering into accounting software, collecting receipts, and filing tax returns are difficult! It is a song called.
Don't put off the important things, let's do it first.
Recently, I've been making only songs with a dark atmosphere, so I made it a bright song.

■歌詞
一年に一度やってくる　憂鬱な時期だよ
これを乗り越えないと　がんばらないと
税金　払わないと

確定申告が　やってきた
確定申告が　やってきた
一年分の領収書をかき集めるのさ


強い味方は　会計ソフトだけど
出された数字の　根拠がわからない
これを乗り越えないと　見直しもしないと
税金　払わないと

確定申告が　やってきた
確定申告が　やってきた
これが終われば自由の身だから

■ Lyrics (Google Translate)
It's a gloomy time that comes once a year
I have to get over this
I have to do my best
Yes, I have to pay taxes

It's time to file a tax return
It's time to file a tax return
Collect a year's worth of receipts


A strong ally is accounting software
But I don't know the basis of the numbers given
I have to overcome this and have to review it
Yes, I have to pay taxes

It's time to file a tax return
It's time to file a tax return
I'm free when this is over

Kakutei_Shinkoku

More music: https://linktr.ee/streamhere ♥

Mera Khai - Moroccan Goddess (slowed + reverb)

Why Can't We Be Friends? - Jamie Rhind

Vinyl Dreams

The Groove

The album is entitled PULSE, and the included tracks follow this theme. Pulse relates to the heart of a person as they navigate through life, the ups and downs, adventures, love and ultimately the great beyond.

Pulse Life

Flux

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Come With Me

Frank Mehl