G-Memento Mori

Une étude est, à l'origine, une œuvre instrumentale pour un instrument soliste, destinée à aider le musicien à acquérir une plus grande maîtrise de son instrument.

🫣

Menuet de l'amour | L'improvisation en do majeur

String Theory

This transcendent composition emerged out of the Musical Aether as my SC friend Jörg Stohwasser @joerxworx  added his amazingly Sonorous Saxophone to the Setting i created with my ES7 Electric piano.  
And wow! ... something wondrous was created! 😃

Just have a Listen.
                                                                                                  
Originally released as a much shorter version, i felt i owed it to those wanting to 'get lost' within the tones and spaces of this piece, to create an extended version. 

May you enJoy... and find it as magically transporting as we did. 😊

© Gary Courtland-Miles &  Jörg Stohwasser 2023
℗ Gary Courtland-Miles &  Jörg Stohwasser 2023

Photo 'Luminescence'  ©  Pxfuel.Com

The Gentler Way * w. Sax by Joerxworx

This song was recorded on the toilet

Mick Mack - Drums
Big Pharma - Guitar, "Vocals" (taking a shit)

2018

Pipe Bombs & Anthrax demo

Unfortunately, more and more people of music are leaving us. Fortunately, great music remains. Tina Turner passed away a few days ago and that's what prompted me to do this cover.
Video can be watched here:
https://youtu.be/8zl_gyC0rdw
I invited Per (PJ Project) to collaboration. He accepted the invitation (thanks Per!) and added another guitar, bas, drums and mixed it all up. Here's what came out of it. This is placed for now on my YT channel.
https://youtu.be/KaHDTVOnZfY

Tonight, Tina Turner, David Bowie, cover

Nobody’s fault, but mine…a song about culpability… accused or accurate… nobody perfect here, except LJC… you can lay blame, or repent… but ultimately it’s up to you and me and our choices… just saying 😎🙏🙏🙏

Mea Culpa

If you like, free download

Added : El-bass & el-guitar

Dark Side Of The Moon

Fevered Mastered

Flowmotions

HFTH 183, Glenluce (Rtdam Hoofd Surr) Main output (front) (2021_11_17 23_48_54 UTC)

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Menuet de l'amour | L'improvisation en do majeur

Frank Mehl

Recent comments

⭒✫ MiLu Lotus ✫⋆

Srouly Frank

Midisound

Grooveclowd

Related tracks