this is so different from what we know from you but its sounds amazing  great vocal   love it

Mi inglés es malo, muy malo!!! pero se cuando una musica esta bien y cuando no y esta musica con esas vocales es maravillosa...Me encanta, Frank.

A very calm and beautiful track with this elegic voices. And that emotional outcry at the end is a great climax @ 5:12

So much nostalgia! You wrote the nice poem you placed in the comments? I was hoping to listen to it in the track...

We are all tied to reality, that is totally true, like the beauty of this music, Frank. Y gracias por la traducción directa al español : )

Friction

Needless

Someone Wiser

Little Squere

Something romantic for a change? 

I sailed in a swaying barge
On the blue ocean,
That flows around the shining stars,
Have greeted the heavenly powers.
Was absorbed in their contemplation,
Drank the eternal ether,
I have completely withdrawn from the earthly,
Recognized the writings of the stars above
And in their circling and turning
Pictorially saw the sacred rhythm,
Which mightily also every sound
Tears me to the melodious, surging urge.
But alas! I am drawn down,
Fog obscures my view,
And the earth's boundaries I see again,
Clouds drive me back.
Woe! The law of gravity
It only asserts its right,
No one may escape it
From the earthly race.

Navegué en una barca oscilante
En el océano azul
Que fluye alrededor de las estrellas brillantes,
Saludé a los poderes celestiales.
Absorto en su contemplación,
Bebí el éter eterno,
Me retiré completamente de lo terrenal,
Reconocí las escrituras de las estrellas
Y en sus círculos y giros
Vi pintorescamente el ritmo sagrado
Que poderosamente también cada sonido
Me atrae hacia el impulso melódico y ondulante.
Pero, ¡ay! me siento abatido,
La niebla oscurece mi visión,
Y las fronteras de la tierra vuelvo a ver,
Las nubes me hacen retroceder.
¡Ay! La ley de la gravedad
Sólo hace valer su derecho,
Nadie puede escapar
Del curso terrestre.

No where else (I wanna be)

From Velvet Moon to Morning Sun

Video available!!!! Check out our first video, below!!

https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – lead vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony, mastering

TexMex Shaman–@texmex-shaman –Stephen– production and mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

   This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeplin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
     In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud
     . If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. 
    Anyway, since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. 
    Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
   Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  Anyway, our hope is that we did the almighty Led Zeppelin honor with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey, Hey, What Can I Do?-Led Zeppelin interpretation-Eclectic Collective

Barefoot dancing in a Cairo bar

Forest Nocturne.

RAMBLIN by LucyScrew

Free For Non Profit Use Only. Credit In The Title/Description Is Needed (prod./Beat by IVA).
Thank you.

IVA

{Free} Rap Beat / Instrumental - for Isa (prod. by IVA)

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

No where else (I wanna be)

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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