Melting snow on the Lepenac

And children grow up with deep eyes,
Who know of nothing, grow up and die,
And all men go their ways.

And sweet fruits grow from the bitter ones
And fall down at night like dead birds
And lie a few days and perish.

And ever the wind blows, and ever again
We hear and speak many words
And feel lust and weariness of limbs.

And roads run through the grass, and places
Are there and there, full of torches, trees, ponds,
And looming, and deadly withered . . .

What are these built for? and never resemble
One another never? and are innumerable many?
What alternates laughter, weeping and palliation?

What do we care about all this and these games,
We who are great and eternally lonely
And wandering never seek any goals?

What does it matter if we have seen many such things?
And yet he who says "evening" says a lot,
A word from which profundity and sorrow run

Like heavy honey from the hollow combs.

Und Kinder wachsen auf mit tiefen Augen,
Die von nichts wissen, wachsen auf und sterben,
Und alle Menschen gehen ihre Wege.

Und süße Früchte werden aus den herben
Und fallen nachts wie tote Vögel nieder
Und liegen wenig Tage und verderben.

Und immer weht der Wind, und immer wieder
Vernehmen wir und reden viele Worte
Und spüren Lust und Müdigkeit der Glieder.

Und Straßen laufen durch das Gras, und Orte
Sind da und dort, voll Fackeln, Bäumen, Teichen,
Und drohende, und totenhaft verdorrte . . .

Wozu sind diese aufgebaut? und gleichen
Einander nie? und sind unzählig viele?
Was wechselt Lachen, Weinen und Erbleichen?

Was frommt das alles uns und diese Spiele,
Die wir doch groß und ewig einsam sind
Und wandernd nimmer suchen irgend Ziele?

Was frommt's, dergleichen viel gesehen haben?
Und dennoch sagt der viel, der "Abend" sagt,
Ein Wort, daraus Tiefsinn und Trauer rinnt

Wie schwerer Honig aus den hohlen Waben.

'Hugo von Hofmannsthal'

Origin And Decay

Listen Carefully

THIS IS JUST AN EXPERIMENT I AM NOT SURE WHAT TO MAKE OF IT!!!  LET ME KNOW WHAT Y'ALL THINK MUCH LOVE AND HAPPINESS TO Y'ALL!!!1

KRAE&W.E.R.K - BEING CURIOUS, WELL IT DID NOT KILL THE CAT - EXPERIMENT -

This track is one of my finest...For all people in need of sweetness...

Broken

Thanks to all the people who listened to this track. 
The end is the beginning, and the end is not the result.
 Everyone in the world wishes for peace. 
I pray that happiness will come to all. Conflict is not a good thing, it is far from happiness.

In The End (no more war)

My first experiment with Jon Meyer's Woven Strings

A Point In Time

ROCK gets you higher...
'Might As Well Jump!' >>
...A Tribute To Van Halen>> 
R.I.P. Fingers Eddie! 
=>>>V<<<=

Might As Well Rock

🎧 Epica – A Cinematic Odyssey by Keith Richie

"Music is a potent mood regulator. Simply by listening, our frame of mind changes. It can open a portal to another dimension where all sense of normality vanishes. "

Epica is a sweeping, cinematic journey through sound — a richly layered, emotionally expansive album that fuses ambient electronica, Berlin-school sequencing, and science fiction themes into a single immersive experience.

Crafted by Texas-based composer Keith Richie, Epica builds upon the legacy of his prior work (Ambient Highways, Skylines, For the Willow Wept...) and draws clear inspiration from ambient and electronic greats such as Tangerine Dream, Vangelis, Carbon Based Lifeforms, and John Carpenter. But what sets Epica apart is its deeply narrative structure — an album that plays like the score to an epic sci-fi or fantasy film that exists only in the listener’s imagination.

Each track serves as a chapter in a larger story: from the ethereal swell of “Remote Isolation” and the meditative pulse of “Rebirth,” to the childlike wonder of “Tiny Creatures” and the twilight tension of “Dusk.” The album peaks with the soaring title track “Epica,” where layered synths, cinematic drums, and Mimi Page’s haunting vocals conjure visions of interstellar heroism. The closing track, “There Are Other Worlds Than These,” named after Richie’s own publishing label and referencing Stephen King’s The Dark Tower, delivers a powerful finale — triumphant, textured, and emotionally resonant.

Like a great novel, Epica is filled with both wonder and tension, beauty and darkness. It’s music built not just for listening, but for feeling — perfect for dreaming, writing, reading, or escaping into other worlds. It invites replay after replay, each listen revealing deeper textures and hidden details.

Fans of sci-fi film scores, ambient storytelling, and imaginative soundscapes will find much to explore here. Epica is not just music — it’s a sonic universe waiting to unfold.

Digital Release: 10/15/2021

Find It on Your Favorite Platform:
links.krichie.com/epicaalbum

🌟 What Others Are Saying About Epica
A cinematic and emotionally expansive experience, Epica continues to captivate ambient and electronic music enthusiasts. Here’s what the critics have to say:

Journeyscapes Radio – "A cinematic-ambient opus that’s richly layered and deeply immersive."
👉 Read the review: www.journeyscapesradio.com/2022/07/album-review-epica-by-keith-richie.html

New Age Music Guide (Album Feature) – "Epica presents a powerful blend of ambient textures and soundtrack-like storytelling."
👉 Read the feature: newagemusic.guide/new-releases/keith-richie-epica/

New Age Music Guide (Single Feature) – "The title track captures the sweeping vision of the full album beautifully."
👉 Read the article: newagemusic.guide/newagemusic/keith-richie-epica-single/

“There Are Other Worlds Than These” is an original ambient composition by Keith Richie that explores the concept of alternate realities and unseen paths—emotional and cinematic in tone, with layered textures that pull listeners across invisible thresholds.

The title pays subtle homage to a well-known phrase from Stephen King’s The Dark Tower series, but the piece itself exists as a personal meditation on change, choice, and the universes we build within ourselves.

🔊 A journey beyond the veil, through soundscapes shaped by wonder, loss, and imagination.

Not affiliated with or endorsed by Stephen King or The Dark Tower series. 

There Are Other Worlds Than These

stranding sky

Echoes of the Eternal (Epic Music)

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Origin And Decay

Frank Mehl