was für ein faszinierender Track..mit dieser aussergewöhnlichen Stimme..einfach Toll..!!👍

...die letzten 40s sind so gefühlvoll... liebe ich

Fitting title for this cool track Frank!👍👍

Wow! Beautiful singing!A piano solo that colors a wonderful space! excellent

super cinematic soundscape! fabulous👏😃

Lovely melody fading out, perfect ending for a perfect piece...

Teth Sin finally seems to be back with a cool wicked track called Gazelle, featuring his friend Luna on vocals/recitation. She decorated with her vivid poetry one of those creepy, dark soundscapes I've been working on these last few months. I sincerely thank her for this amazing contribution, and for her active involvement in the whole creative process of this title. Thanks for taking the time to listen to it.

Uncrowned queens, warrior princes,
the tiger flies in the air.
The flag howls in the cold of the sad west, and blond curls win.
The panther's lost the game, watching the sun.
The Gazelle weeps on her broken leg.
And she's alive

Luna: lyrics, vocals/recitation

Teth Sin: bağlama, samplers & synthesizers, sound design

Original composition by Teth Sin & Luna
Arrangement, mix, mastering & cover artwork design by Teth Sin

Gazelle | feat. Luna

https://youtu.be/3fHo4B1x_BY

Seems to be an endless repeated theme for me ~ running away to the countryside, and in recent years this has been the Australian wilderness, from the deep south to the far north.

Dedicated to, and featuring Gary Reeves (aka Mountain Songs) on drums and cymbals (remixed) at the start. Banjo, lap slide guitar (acting as bass), beats and vox by myself. This song is for Gary, who has been a wonderful musical compadre for many of us around the world, via this  Soundcloud Village.

Respect and acknowledgement to the Traditional Owners of the lands, waters and skies in this video, both in Australia and New Zealand. Particular thanks to the Yolgnu people of Gapuwiyak who made me feel so welcome during my short visit to Arnhem Land last year.

Looking Up & Down      Song, recording, audio & video July 2023 - Chris Okunbor (APRA)
I was chained to the city, thinking I could fly,
I gazed at the heavens as the clouds rolled high.
Long, long days working to the plan,
I changed my way of living and I left that town.

Now I'm higher than the mountains, looking down below,
rolling miles above cotton candy snow.
Way beyond the city, just going with the flow.
running to freedom to a place unknown.

Got a window seat, got a beer in hand.
Feeling in my heart for this ancient land.
Well, wild rivers snake,  jeweled seas shine.
Djerimanga Songlines are spinning out my mind.

Higher than the mountains, and the madding crowd,
cruising miles above cotton fields of cloud.
Way beyond the city, going with the flow,
running to freedom, to a place unknown.
To a place unknown.

Looking Up & Down

Looking Up & Down  ~ a song for Gary (video link in notes)

"Route 66" by James Lawrence Nesser

There are hundreds of covers of this classic, written by Bobby Troup in 1946 and first recorded by Nat King Cole that same year.  Here is one more, a version that is influenced by a number of different artists, but mainly by The Rolling Stones on their self-titled 1964 album.

Fender Tele
Epiphone Casino
Epiphone Viola Bass
Addictive Drums 2

Route 66

"Route 66"

Summer's End

𝕎𝕒𝕜𝕖 𝕦𝕡 𝕗𝕣𝕠𝕞 𝕪𝕠𝕦𝕣 𝕕𝕣𝕖𝕒𝕞, 𝕓𝕦𝕥 𝕕𝕠 𝕟𝕠𝕥 𝕨𝕒𝕜𝕖 𝕦𝕡 𝕥𝕙𝕖 𝕕𝕣𝕖𝕒𝕞.

💫

Portal

I'm continuing to explore the tones and flow that come to me whilst improvising on my ES7 Stage Piano. I hope you'll flow along with me as they unfold moment by moment.

So Thankful to be alive and able to create and share.

May you enJOY!

Simply Thankful *

Performed by the Indiana University Concert Band under the baton of Dr. Eric Smedley

I’ve often been told, “When writing for band, you can’t think like a guitarist”.  This was always a bit difficult for me, as I’m, well, a guitarist.  I struggled with finding the “right” way to think about band for years, and that always kept me at somewhat of a distance from the band world.  I felt like an outsider, which in many ways, I am.  You see, guitar is a very attack-based instrument.  When played, there’s a strong initial attack on the strings, followed by a rapid decay of the note.  And while wind and brass can certainly make strong attacks, they can also perform the opposite – near silent initial attacks with long, sustained tones.  I struggled with this idea of, “…you can’t think like a guitarist”, until I decided to just embrace my “attack-y” way of thinking, and make it work for band.  This piece wholly embraces my guitar way of thinking, and incorporates many influences from guitar based music – most notably, heavy metal.  It is my hope that you can think like a guitarist and make it work for this amazing ensemble.

Blackout Metal Mixtape for Concert Band

Recalling some tequila, love words and more with them in that Ibiza bar, I wondered: “What if Pink Floyd met the spirit of Camarón de la Isla… in my bedroom?” I used lots of guitars, basses, etc. on a 12/8 beat, to enclose 3/4, 6/4 & 8/8 rhythms along.
> Pic: ruined well at hometown countryside

Letra / Translated Lyrics: EL POZO DE TU AMOR  /  THE WELL OF YOUR LOVE

Fui a abrir el grifo, estaba sediento,  /  I turned on the tap, I was thirsty,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Fui a abrir el grifo, necesitaba hacerlo,  /  I turned on the tap, I needed to do it,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el grifo de tu amor.  /  I needed the trap of your love.

Fui a bajar al pozo, me estaba muriendo,  /  I was going into the well, I was dying,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Fui a bajar al pozo, y me caí dentro,  /  I was going into the well, and fell inside,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

Por bajar al pozo, yo me caí dentro  /  Because of going into the well, I fell inside
y no quiero que nadie llore por mis lamentos  /  and I don’t want anybody to cry for my laments

Caí… por ti.  /  I fell … for you.
Caí… caí… caí por ti.  /  I fell … fell … fell for you.
Caí… a tu pozo, caí por ti.  /  I fell … into your well, fell for you.
Caí… caí… caí… caí a tu pozo por ti.  /  I fell … fell … fell … fell into your well for you.
Caí.  /  I fell.

Me he caído al pozo, y ahora que estoy dentro  /  I have fallen into the well, and now I’m inside
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Vine a beber al pozo, pero el pozo está seco,  /  I came to drink at the well, but the well is dry,
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

ER30HC9 ©1995 ®2015

Grab it !!

El pozo de tu amor (Caí por ti)

this track is an action trailer concept to be used in movies or games.

For licencing requieries please contact us via email

info@likewyse.de

Don´t Run

Station Beta

A Touch Of Celtic (music by philippe blanc)

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Portal

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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