Date de publication: 30/07/2021

Alice in the City - Variante 4 (Version soft)

Musique, arrangements, claviers, guitare, mixage, mastering: Cyril MENDEZ
Guitare Electrique: Jean-Pierre FRANCHI
Voix: orrisroot - Alice In the City ccmixter.org/files/orrisroot/43309


Musique originale composée pour Spirit XZ 
Site officiel: https://spiritxperienz.fr/

Un grand merci à Damien (Visions of Dystopia)
@visions-of-dystopia

© Cyril MENDEZ & SxZ 2021, All Rights Reserved.

Teaser 1 Spirit XZ

Alice in the city - Variante 4

Table Top

Ragnar Lothbrok was a Viking in legend and distinguished himself by conducting many raids against the British Isles and the Holy Roman Empire during the 9th century

The land was here before humans

This is the 1st piece in a trilogy that was my "foré" into the history of the Vikings and medieval times of England, musical interpretation my own of course😜

The 2nd piece is https://soundcloud.com/brian-hudson-145918679/hroilfr-hrollaugr?si=7ad5f90218bc447db9cd725061818962

The 3rd piece is https://soundcloud.com/brian-hudson-145918679/of-kings-priests-nobles-and-war-lords?si=097092c4897c4861a94e5beef3621fcd

Play List Here
https://soundcloud.com/brian-hudson-145918679/sets/vikings-and-medieval-trilogy?si=efea0a28ed0c4b9da6c8e1d57a162f5e

Oh I Wish

Ragnar Lothbrok

In pain the new time is born.

Adelbert von Chamisso

(1781 - 1838), actually Louis Charles-Adélaïde de Chamisso de Boncourt, a German-French poet and naturalist.

Source: Chamisso, Poems. Occasional poems. From: On the death of Otto von Pirch, 1833

Im Schmerze wird die neue Zeit geboren.

Adelbert von Chamisso

(1781 - 1838), eigentlich Louis Charles-Adélaïde de Chamisso de Boncourt, deutsch-französischer Dichter und Naturforscher

Quelle: Chamisso, Gedichte. Gelegenheitsgedichte. Aus: Auf den Tod von Otto von Pirch, 1833

Sands Of Time

A PEINE SUIS-JE NÉ QUE ME VOILÀ TRÉPANÉ
ET MES PLEURS FONT LE BONHEUR 
DE CEUX QUI SONT CENSÉS M’AIMER
YEAH YEAH
MÉMÉ PÉPÉ PAPA MAMAN
J’ATTENDS
DE VOIR

ET PUIS ON ME CRAPAHUTE
ON ME TRANSBAHUTE
JE CHERCHE EN VAIN LE CHEMIN 
QUI ME RAMÈNE À MA HUTTE
YEAH YEAH 
ALORS JE PASSE LA PREMIÈRE
CAR J’AI DE LA ROUTE À FAIRE
JE DÉRACINE MES TERRES
ADIEU PÈRE ET MÈRE
YEAH YEAH

OH UFO CIA FBI DNA
SOUDAIN J’AI VU MES REGRETS DE HAUT

IF YOU SEE SOMETHING SAY SOMETHING
IF YOU SEE SOMETHING SHUT UP !

LE CIEL PLEURE LA TERRE PENCHE
JANE A LA MÉMOIRE QUI FLANCHE
LA VEUVE LOUCHE SUR LA MANCHE
DANS SA ROBE BLANCHE
LE CIEL EST BAS LA MER EST D’ENCRE 
MOI ÇA Y EST J’AI LEVÉ L’ANCRE 
ET JE M’ACCROCHE À LA HOULE
COMME LA ROCHE À LA MOULE

ADIEU VEAUX VACHES COCHONS
ADIEU ADIEU
LES BATAILLES DE POLOCHON
LES COUPS DE FEU
ADIEU ADIEU
ACCROCHE TOI ! ACCROCHE-TOI À MOI

SEUL ON COULE DANS LES EAUX OU DANS LA FOULE
UN C’EST BIEN DEUX C’EST MIEUX

SOUDAIN TERRE
EST-CE UNE ÎLE SOLITAIRE PEUPLÉE D’ÊTRES IMAGINAIRES ?
OU UNE VILLE IMAGINAIRE PEUPLÉE D’ÊTRE SOLITAIRES ?
MYSTÈRE

HEY HO QU’AI-JE FAIT DE BEAU
QU’AI-JE DE FAUX ET SUIS-JE UN ANGE OU UN SALAUD
HEY HO JE L’AI DANS LA PEAU LA BALLE LE COUTEAU 
ET L’ENFANT JE L’AI DANS LE DOS
HEY HO OHÉ DU BATEAU
MAINTENANT C’EST TROP C’EST TROP BEAU ET C’EST PAS TROP TÔT
HEY HO JE TIRE MON CHAPEAU
ET JE TOMBE À L’EAU ALLO ALLO ALLO
HEY HO HEY HO


A PEINE SUIS-JE MORT
QUE ME REVOILÀ DEHORS
JETÉ SUR LE MACADAM ET PARMI LES MÉTÉORES
J’AVAIS DÉJÀ VENDU MON ÂME 
ME VOILÀ MAINTENANT SANS CORPS
OUI MAIS IL ME RESTE LA FLAMME
ET J’EN REDEMANDE ENCORE
ENCORE

CROISIÈRE (Lyrics)

https://youtu.be/SOoNVx0mLCc

VPS Avenger EDM3
Vocal -Function loops
SynthMasterPlayer
SynthMasterOne
WA mantra
WA Titan EDM

Dancehall

The "timpani roll" at the end shouldn't really be there, nor should the second one...but I'll leave it as it is for now. Makes it special! 😄😅

Denn schnell und spurlos geht des Mimen Kunst,
Die wunderbare, an dem Sinn vorüber,
Wenn das Gebild des Meißels, der Gesang
Des Dichters nach Jahrtausenden noch leben.

For quickly and without a trace goes the mime art,
The wonderful, passes the sense,
If the image of the chisel, the song of the poet
The poet's song still live after millennia.

ᶠᴿᴵᴱᴰᴿᴵᶜᴴ ᵛᴼᴺ ˢᶜᴴᴵᴸᴸᴱᴿ (1759 - 1805), ᴶᴼᴴᴬᴺᴺ ᶜᴴᴿᴵˢᵀᴼᴾᴴ ᶠᴿᴵᴱᴰᴿᴵᶜᴴ ˢᶜᴴᴵᴸᴸᴱᴿ, ᴬᴮ 1802 ᵛᴼᴺ ˢᶜᴴᴵᴸᴸᴱᴿ, ᴰᴱᵁᵀˢᶜᴴᴱᴿ ᴬᴿᶻᵀ, ᴰᴵᶜᴴᵀᴱᴿ, ᴾᴴᴵᴸᴼˢᴼᴾᴴ ᵁᴺᴰ ᴴᴵˢᵀᴼᴿᴵᴷᴱᴿ; ᴳᴵᴸᵀ ᴬᴸˢ ᴱᴵᴺᴱᴿ ᴰᴱᴿ ᴮᴱᴰᴱᵁᵀᴱᴺᴰˢᵀᴱᴺ ᴰᴱᵁᵀˢᶜᴴˢᴾᴿᴬᶜᴴᴵᴳᴱᴺ ᴰᴿᴬᴹᴬᵀᴵᴷᴱᴿ ᵁᴺᴰ ᴸᵞᴿᴵᴷᴱᴿ ᵟᵁᴱᴸᴸᴱ: ˢᶜᴴᴵᴸᴸᴱᴿ, ᵂᴬᴸᴸᴱᴺˢᵀᴱᴵᴺ (ᵀᴿᴵᴸᴼᴳᴵᴱ), ᴱᴺᵀˢᵀᴬᴺᴰᴱᴺ 1796-1799; ᴱᴿˢᵀᴰᴿᵁᶜᴷ 1800. ᴾᴿᴼᴸᴼᴳ. ᴳᴱˢᴾᴿᴼᶜᴴᴱᴺ ᴮᴱᴵ ᵂᴵᴱᴰᴱᴿᴱᴿöᶠᶠᴺᵁᴺᴳ ᴰᴱᴿ ˢᶜᴴᴬᵁᴮüᴴᴺᴱ ᴵᴺ ᵂᴱᴵᴹᴬᴿ ᴵᴹ ᴼᴷᵀᴼᴮᴱᴿ 1798

ALLESTIMENTO

Dazer Lair

Pharloom

The Lich King

An original song about, well, The Forest.  We drive by them almost every day and seldom stop to admire their beauty and think about the importance they play to the well being of our beloved planet.

The forest reverberates           with sights and    sounds.
Sheltered by the trees,           wildlife           abounds.
Such immense beauty,              hiding in plain    sight.
So very few,                      ever venture       inside.
Majestic, alive and thriving,     yet so easily      ravaged.

No door to enter by, no door to exit from.
Once inside you feel, tranquility taking hold.
Anointing you to the spiritual and the material.
Daring you to let go and dream in peaceful solitude.

The forest reverberates           with sights and    sounds.
Sheltered by the trees,           wildlife           abounds.
Such immense beauty,              hiding in plain    sight.
So very few,                      ever venture       inside.
Majestic, alive and thriving,     yet so easily      ravaged.

Perhaps a bit indifferent, when you first arrived,
Now in awe of it’s diversity, and its abundance of life.
From the outside we give it, but an indifferent glance.
On the inside we immerse in the sights, sounds and smells.

The forest reverberates           with sights and    sounds.
Sheltered by the trees,           wildlife           abounds.
Such immense beauty,              hiding in plain    sight.
So very few,                      ever venture       inside.
Majestic, alive and thriving,     yet so easily      ravaged.

Staring up at the sky, to see those towering pines.
Reminds us of our minute place, among living beings.
Afraid and delighted, loneliness and enlightenment
In debt to the forest, for stimulating our minds.

The forest reverberates           with sights and    sounds.
Sheltered by the trees,           wildlife           abounds.
Such immense beauty,              hiding in plain    sight.
So very few,                      ever venture       inside.
Majestic, alive and thriving,     yet so easily      ravaged.

Sustainer of life, comforter of souls.
In-stiller of wisdom, evoker of feelings.
A world within a world, where life seems to stand still
A sanctuary of sorts, to experience and protect.

The forest reverberates           with sights and    sounds.
Sheltered by the trees,           wildlife           abounds.
Such immense beauty,              hiding in plain    sight.
So very few,                      ever venture       inside.
Majestic, alive and thriving,     yet so easily      ravaged.

The Forest

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Sands Of Time

Frank Mehl